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Full-Text Articles in Arts and Humanities
The Charles Harpur Critical Archive: A History And Technical Report, Paul Eggert, Desmond A. Schmidt
The Charles Harpur Critical Archive: A History And Technical Report, Paul Eggert, Desmond A. Schmidt
English: Faculty Publications and Other Works
This is a history of and a technical report on the Charles Harpur Critical Archive (CHCA), in preparation since 2009. Harpur was a predominantly newspaper poet in colonial New South Wales from the 1830s to the 1860s. Approximately 2700 versions of his 700 poems in newspaper and manuscript form have been recovered. In order to manage the complexity of his often heavily revised manuscripts traditional encoding in XML–TEI, with its known difficulties in handling overlapping structures and complex revisions, was rejected. Instead, the transcriptions were split into simplified versions and layers of revision. Markup describing textual formats was stored externally …
Romantic Poetry, Technical Breakthrough And The Changing Editorial Role, Paul Eggert, Desmond A. Schmidt
Romantic Poetry, Technical Breakthrough And The Changing Editorial Role, Paul Eggert, Desmond A. Schmidt
English: Faculty Publications and Other Works
This report provides (1) a short history of the Charles Harpur Critical Archive (CHCA), which has been in preparation since 2009. Harpur was a predominantly newspaper poet in colonial New South Wales. Writing from the 1830s to the 1860s, he was unable to publish in book form because of the undeveloped state of the local literary publishing scene. Approximately 2700 versions of his 700 poems in newspaper and in manuscript form have been recovered. (2) A summary of the technical approach, a new one for special-purpose digital archives, is provided. The principal innovation is the use of a Multi-Version Document …
Romantic Ends: Death And Dying, 1776-1835, Andrew J. Welch
Romantic Ends: Death And Dying, 1776-1835, Andrew J. Welch
Dissertations
Romantic Ends reinterprets of the origins and legacies of romantic death, the cultural spectacle exemplified by the dramatic deaths of young poets like John Keats. Against the widespread belief that romanticism ushered in a uniquely theatrical vision of death, Romantic Ends traces a long history of death as rhetorical performance, from the early modern ars moriendi ("art of dying") to the neoclassical obsession with the good death. The poetic deaths of the romantic period established a new repertoire of tropes and figures out of these longstanding and disparate deathbed traditions, set within the emerging discursive arena of "poetry." Yet while …
Luxury Romanticism: The Quarto Book In The Romantic Period, Matthew Hale Clarke
Luxury Romanticism: The Quarto Book In The Romantic Period, Matthew Hale Clarke
Dissertations
This dissertation explores the cultural presence of the quarto book in Romantic-era Britain and argues that the format classed the period's defining literary ideologies--from sentimentalism, to liberalism, to Wordsworthian Romanticism, to orientalism--as luxuries meant exclusively for the nation's wealthiest consumers. Chapter 1 situates the quarto within the context of the period's luxury debates and advances a conception of the quarto as the era's predominant luxury format. Focusing on Oliver Goldsmith's The Deserted Village, Chapter 2 argues that early quarto editions of the poem classed the sympathetic feeling it celebrated as the unique privilege of a readerly elite and describes how …
Digital Romanticism In The Age Of Neo-Luddism: The Romantic Circles Experiment, Steven Jones
Digital Romanticism In The Age Of Neo-Luddism: The Romantic Circles Experiment, Steven Jones
English: Faculty Publications and Other Works
The Romantic Circles Website, along with a number of other major projects in digital Romanticism, came online around 1995, a historical moment that also saw the emergence of neo-Luddism, in part as a reaction to the techno-hype of the Internet boom. At the time. neo-Luddites often claimed as a precedent the original historical Luddism of 1811-16, but they usually also Romanticized that collective labor subculture to fit their own late-twentieth-century ideas of “technology.” This essay looks back at the interlinked assumptions in the air around 1995–neo-Luddite and Romantic–as the context out of which Romantic Circles defined its own engaged experiment …