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Full-Text Articles in Arts and Humanities

Livy’S Early Women: Victims And Actors, Lauren Constance Anderson May 2002

Livy’S Early Women: Victims And Actors, Lauren Constance Anderson

Honors Theses

No abstract provided.


The Culture Of Crime: Representations Of The Criminal In Eighteen-Century England, Daniel Gonzalez Jan 2002

The Culture Of Crime: Representations Of The Criminal In Eighteen-Century England, Daniel Gonzalez

LSU Doctoral Dissertations

This dissertation explores how literary criminal narratives reflected public anxieties over the increasing commercialization of England during the early eighteenth century. It accounts for the popularity of the criminal in literature as well as public concerns about commercialization and the individuality it encouraged, revealing how these concerns were expressed in the most popular form of criminal narrative in this era, the criminal biography. Chapters on the criminal narratives of John Bunyan, Daniel Defoe and John Gay reveal how the criminal narrative functioned as a means of critiquing a developing commercial society in England. Bunyan first employs the formula of the …


Prophet Singer: The Voice And Vision Of Woody Guthrie, Mark Allan Jackson Jan 2002

Prophet Singer: The Voice And Vision Of Woody Guthrie, Mark Allan Jackson

LSU Doctoral Dissertations

This project discusses the cultural and political significance of a number of lyrics by songwriter and political activist Woodrow Wilson "Woody" Guthrie. By drawing on both the singer's personal experiences and relevant American history, I lay out how larger political and cultural forces in society impacted Guthrie's songs. Although this work focuses primarily on his lyrics, my dissertation also draws on his interviews, commercial recordings, drawings, and other writing. Since much of the writing discussed in this work comes from archival collections at the Smithsonian Institution, the Library of Congress, and the Woody Guthrie Archives, I have covered a wider …


American Transcendental Vision: Emerson To Chaplin, Bill R. Scalia Jan 2002

American Transcendental Vision: Emerson To Chaplin, Bill R. Scalia

LSU Doctoral Dissertations

Ralph Waldo Emerson's publication of Nature in 1836 began a process of creating a new condition of American thinking, severed from European cultural and intellectual influences. The subsequent lectures The American Scholar and The Divinity School Address furthered this process, calling for an original American literature. Emerson's writing called consistently for poets with the ability to "see" past the material, apparent world to the world of eternal forms, which shaped nature in accordance with a divine moral imperative. Through this connection, man-as-poet would discover God in himself. In short, Emerson effectively transferred divinity from Unitarian doctrine to the individual, thereby …


An Analysis Of The Plays Of Margaret Macnamara, Patricia Ellen Lufkin Jan 2002

An Analysis Of The Plays Of Margaret Macnamara, Patricia Ellen Lufkin

LSU Doctoral Dissertations

This dissertation presents Margaret Macnamara’s career as a playwright and dramaturg while exploring the cultural and political context of her works. It explores the influences of the Fabian Society on Macnamara’s work and places her among such leading independent theatre artists as George Bernard Shaw, Harley Granville Barker, and Nugent Monck. The political context of her work is examined as her play, Mrs. Hodges (1920 is compared with Shaw’s Widowers’ Houses and the theatrical context of her work is established as productions of The Gates of the Morning (1908) and Our Little Fancies (1911) are analyzed. Her plays are grouped …


Doing Homework: Negotiations Of The Domestic In Twentieth-Century Novels Of Teaching, Margaret M. Watson Jan 2002

Doing Homework: Negotiations Of The Domestic In Twentieth-Century Novels Of Teaching, Margaret M. Watson

LSU Doctoral Dissertations

In this project, I analyze seven twentieth-century novels of teaching in order to investigate how notions of “home” and “school” are constructed, connected, and perpetuated in popular teaching narratives. Images of teachers in much of this century’s fiction often rest on views of the school as home that are derived from stereotypes of gender, race, and nationality—stereotypes that can be both inaccurate and repressive. For this reason, I examine these texts in light of how they negotiate school space with domestic space (“domestic” both as personal or familial, and as public or national). I contend that many of these narratives …


Christio-Conjure In Voodoo Dreams, Baby Of The Family, The Salt Eaters, Sassafrass, Cypress & Indigo, And Mama Day, Laura Sams Haynes Jan 2002

Christio-Conjure In Voodoo Dreams, Baby Of The Family, The Salt Eaters, Sassafrass, Cypress & Indigo, And Mama Day, Laura Sams Haynes

LSU Doctoral Dissertations

This project examines contemporary African American women’s literature and the legacy established by literary foremother, Zora Neale Hurston. The discussion is positioned at the cross-section of three on-going conversations: 1) current discourses on Conjure in African American women’s literature, 2) analyses of Africanisms in black culture, and 3) previous scholarship on recurring topics in African American women’s writing. Here these frames are unified under one thematic: Christio-Conjure—a rubric borne of the trans-Atlantic slave trade that designates the fusing of Christian and West African religious tradition in African American culture. Thus, this project establishes a new literary matrix for analyzing twentieth-century …


The Future In Feminism : Reading Strategies For Feminist Theory And Science Fiction, Alcena Madeline Davis Rogan Jan 2002

The Future In Feminism : Reading Strategies For Feminist Theory And Science Fiction, Alcena Madeline Davis Rogan

LSU Doctoral Dissertations

Contemporary feminist theory, especially in its more dialectical manifestations, is read in this study as describing a relationship between present and future. In this reading, the work of feminist theory contains a “present;” that is, an articulation of the specific problem or question that it addresses. The work of feminist theory also contains a “future,” either implicit or explicit, and often both. An explicit “future” in feminist theory states a praxis-model or specific call-to-arms that claims political effectuality; claims that its implementation might help to ameliorate, in some way, the status quo of sexual politics. An implicit “future” in feminist …


Violence And The Scapegoat In American Film: 1967-1999, Paul E. Graham Iii Jan 2002

Violence And The Scapegoat In American Film: 1967-1999, Paul E. Graham Iii

LSU Doctoral Dissertations

This study addresses the proliferation of cinematic violence since the demise of the MPAA’s Production Code in 1966. Bonnie and Clyde and The Wild Bunch were films that projected violence to comment on the civil fervent caused by the Vietnam War. Yet the floodgates these films opened allowed for virtually unlimited and graphic displays of bloodshed to redden big screens for the next three decades. Using the theories of René Girard, namely the scapegoating motif, this study proposes readings of film that, through cinematic ambiguity, contain humanitarian statements against violence by examining the consequences of using force to cause pain. …


Clear-Cutting Eden: Representations Of Nature In Southern Fiction, 1930-1950, Christopher B. Rieger Jan 2002

Clear-Cutting Eden: Representations Of Nature In Southern Fiction, 1930-1950, Christopher B. Rieger

LSU Doctoral Dissertations

This dissertation examines how Southern literary representations of the natural world were influenced by, and influenced, the historical, social, and ecological changes of the 1930s and 1940s. Specifically, I examine the ways that nature is conceived of and portrayed by four authors of this era: Erskine Caldwell, Marjorie Kinnan Rawlings, Zora Neale Hurston, and William Faulkner; through their works, I investigate the intersections of race, class, and gender with the natural environment. I argue that during this time of profound regional and national upheaval there exists a climate of professed binary oppositions and that these authors’ representations of nature in …


Body And Soul: Food, The Female (In) Corporeal, And The Narrative Effects Of Mind/Body Duality, Andrea Adolph Jan 2002

Body And Soul: Food, The Female (In) Corporeal, And The Narrative Effects Of Mind/Body Duality, Andrea Adolph

LSU Doctoral Dissertations

This study combines philosophical, historical, and cultural modes of inquiry in order to explore what has occurred when selected authors have attempted to "write the body." Augmented by archival and primary cultural research, the dissertation is grounded in the experiential, "everyday" qualities of women's lives. Samples of women's cultural materials such as beauty, cookery, and household management texts, and popular women's magazines serve as informative backdrops for an investigation of middle- and working-class British and Anglo-Irish women's culture during the twentieth century. This study investigates some of the ways in which women have thought about food in relation to more …


The "Minor" Author And The Major Editor: A Case Study In Determining The Canon, Christopher Andrew Healy Jan 2002

The "Minor" Author And The Major Editor: A Case Study In Determining The Canon, Christopher Andrew Healy

LSU Doctoral Dissertations

This dissertation explores the relationship between a literary work and its printed edition in the production of reputation--the editor as gatekeeper of the reputation of a “minor” poet. That relationship is demonstrated through a case study on the effects of the nineteenth-century edition of the works of the fifteenth-century poet Thomas Hoccleve and an analysis of the lingering effects of the Foucauldian “editor-function.” The number of surviving manuscripts indicates that Hoccleve’s work was well-regarded during the early fifteenth century, but his reputation fell with that of other non-Chaucerian medieval poets as later critics lost linguistic familiarity with Middle English. The …


It Came From Outer Space: The Virus, Cultural Anxiety, And Speculative Fiction, Anne-Marie Thomas Jan 2002

It Came From Outer Space: The Virus, Cultural Anxiety, And Speculative Fiction, Anne-Marie Thomas

LSU Doctoral Dissertations

This study seeks to explore and interrogate the “viral reality” of the 1990s, in which the virus, heavily indebted to representations of AIDS for its metaphorical power, emerged as a prominent agent in science and popular culture. What becomes apparent in both fictional and non-fictional texts of this era, however, is that the designation of “virus” transcends specific and material viral phenomena, making the virus itself a touchstone for modern preoccupations with self and other. As constituted by the human body’s interaction with pathogenic agents, the binary of self and other may be deconstructed by an interrogation of the virus …


Spirit Matter(S): Post-Dualistic Representations Of Spirituality In Fiction By Walker Percy, Toni Morrison And Gloria Naylor, Likourgos James Vassiliou Jan 2002

Spirit Matter(S): Post-Dualistic Representations Of Spirituality In Fiction By Walker Percy, Toni Morrison And Gloria Naylor, Likourgos James Vassiliou

LSU Doctoral Dissertations

Spirit Matter(s): Post-Dualism Representations of Spirituality in Fiction by Walker Percy, Toni Morrison and Gloria Naylor, examines the ways in which these authors have presented spirituality in The Moviegoer, Song of Solomon, and Mama Day respectively. In these works, spirituality is a need for connection among humans in this world, rather than a notion that points to dualistic views of the spiritual and the material as two different realms. Through this perspective on spirituality as a reality of the physical world, the political and socio-economic problems of the world are not—nor can they be—set aside in favor of the spiritual …


Audience And The African American Playwright : An Analysis Of The Importance Of Audience Selection And Audience Response On The Dramaturgies Of August Wilson And Ed Bullins, Ladrica C. Menson-Furr Jan 2002

Audience And The African American Playwright : An Analysis Of The Importance Of Audience Selection And Audience Response On The Dramaturgies Of August Wilson And Ed Bullins, Ladrica C. Menson-Furr

LSU Doctoral Dissertations

In this study I discuss the importance of audience selection and response upon the dramaturgies of African American playwrights August Wilson and Ed Bullins. Using the theories and criteria for African American art and theatre as espoused by Alain Locke, W.E.B. Du Bois, and Amiri Baraka, and created by the 1960s and 1970s Black Theatre and Black Aesthetic movements, I discuss the importance of audience selection to Wilson's dramas, especially given his tremendous success on Broadway. I also explore the claimed lack of importance of audience to Bullins's dramaturgy, particularly as demonstrated in those plays written during his brief tenure …


"Getting Above Your Raising" : The Role Of Social Class And Status In The Fiction Of Lee Smith, Sharon Elizabeth Colley Jan 2002

"Getting Above Your Raising" : The Role Of Social Class And Status In The Fiction Of Lee Smith, Sharon Elizabeth Colley

LSU Doctoral Dissertations

This dissertation examines the role of social class and status in the fiction of contemporary novelist and short story writer, Lee Smith. As discussed in the Introduction, the study defines social class broadly, not limiting it to production, but also not discarding its economic underpinning. Max Weber's definition of class as "life chances" provides the starting point; any resources that can improve a person's position in the market place positively impact their "life chances." The resources appearing most often in Smith's fiction include economic capital and property, as well as education, family connections and occupational status. The discussion also builds …


"Uncouth Shapes" And Sublime Human Forms Of Wordsworth's The Prelude In The Ligh Of Berdyaev's Personalistic Philosophy Of Freedom, Elena V. Haltrin Khalturina Jan 2002

"Uncouth Shapes" And Sublime Human Forms Of Wordsworth's The Prelude In The Ligh Of Berdyaev's Personalistic Philosophy Of Freedom, Elena V. Haltrin Khalturina

LSU Doctoral Dissertations

In complementary response to socio-historisists who discuss the concept of "freedom" in William Wordsworth's poetry as determined from without — be it by socio-historical conditions, gender, or imposed ideology — I draw from the theory of Nicholas Berdyaev, one of the prominent continental existentialists of the twentieth century, tracing the development of Wordsworth's understanding of freedom towards "genuine liberty" as progressively determined from within. Thus focusing on "existentia" rather than "essentia," I pay particular attention to shaping inner efforts and developing visions of the growing and conscious personality as they are described in The Prelude. Wordsworth hinges his ability to …


Explaining The Explanation: Byron's Notes To Childe Harold's Pilgrimage, Cristina M. Caminita Jan 2002

Explaining The Explanation: Byron's Notes To Childe Harold's Pilgrimage, Cristina M. Caminita

LSU Master's Theses

In this thesis, I show that Lord Byron's notes to Childe Harold's Pilgrimage are an integral part of the poem itself, not to be read as added material, but to be read as material that comments upon and deconstructs the poem. I examine the first two cantos of the poem, reading the notes as Byron's own answers and questions to the stylistic and political ramifications of the romance verse. By scrutinizing Byron's use of the romantic hero, the romance verse, the romantic quest and the text of romance for his reading public, I show Byron's own subversion and questioning of …


Narrative Patterns Of Racism And Resistance In The Work Of William Faulkner, Janet Elizabeth Barnwell Jan 2002

Narrative Patterns Of Racism And Resistance In The Work Of William Faulkner, Janet Elizabeth Barnwell

LSU Doctoral Dissertations

Keeping in mind the complicated nature of race relations in the South during the segregation era, as well as the economic volatility of the time, and recognizing Faulkner's position as a white southern writer, this dissertation poses and attempts to answer a few specific questions regarding Faulkner's work. First, beginning with New Orleans Sketches and ending with Go Down, Moses, what texts seem most devoted to examining issues of race difference? Second, where in these texts does Faulkner most strikingly incorporate and then challenge racial stereotypes and cliches about the South? Third, working chronologically, how did Faulkner reconcile his position …


Pink Paper And The Composition Of Flann O'Brien's At-Swim-Two-Birds, Samuel Kauffman Anderson Jan 2002

Pink Paper And The Composition Of Flann O'Brien's At-Swim-Two-Birds, Samuel Kauffman Anderson

LSU Master's Theses

This thesis is an analysis of the two surviving typescripts of Flann O'Brien's At Swim-Two-Birds. After a brief overview of both typescripts, the thesis focuses on the earlier of the two, especially its use of pink paper, and suggests (based on subject matter, pagination, and stylistic patterns) that the pink pages were written before the typescript's white pages, and therefore that they represent O'Brien's earliest conception of the novel.