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Full-Text Articles in Arts and Humanities
Chief Seattle's Speech(Es): Ambivalent Idealizations And Emplacing The Uprooted 'Origin', Paul J. O'Malley
Chief Seattle's Speech(Es): Ambivalent Idealizations And Emplacing The Uprooted 'Origin', Paul J. O'Malley
Theses : Honours
This thesis traces the narcissistic dynamics behind mounting idealizations of a Native American Indian, Chief Seattle, and his renowned speech of 1854. In my work I draw from psychoanalytic, poststructuralist, 'post-colonial', and translation theories, as well as from contemporary Indian scholarship. I develop my own provisional model of what I term "Narcissistic Drift", providing a means of charting the intertextual dynamics driving colonial representations of otherness to converge progressively with stereotypical norms. Where previous Seattle studies have tended to concern themselves with issues of textual 'authenticity', I build on such work to consider how an indigenous speech 'uprooted' from its …
Migrant Woman As 'Undecidable' : Migrant Subjectivity, The Crocodile Fury By Beth Yahp And The Mule's Foal By Fontini Epanomitis, Sally Cloake
Theses : Honours
In this thesis I demonstrate how a notion of decentred subjectivity better describes marginal subject positions than the concept of unified subjectivity which depends on a discriminatory binary conceptualisation. I identify the migrant position as an aporia from which to deconstruct such concepts as unified subjectivity, as the migrant refuses classification according to dichotomous structures. I use Derridean metaphors to show the falseness and unexamined essentialism inherent in binary oppositions. I use a combination of theorists, and especially Helime Cixous, to augment my primarily Derridean reading of migrant subjectivity within the texts: The Crocodile Fury by Beth Yahp and The …
New Plays For Old : Jonson's Orton And Orton's Jonson, Josephine M. Wayling
New Plays For Old : Jonson's Orton And Orton's Jonson, Josephine M. Wayling
Theses : Honours
The aim of this thesis is to ascertain to what extent Ben Jonson's play Volpone can be constructed through Joe Orton's play Loot. I will attempt to discover how far Loot can be said to be of use in re-examining Volpone in a different light since the emergence of Orton's brand of comic drama. I shall start by looking at influences such as Erasmus and his particular brand of humour as created in The Praise of Folly, and the implications for comedy that it presents in the form of the mock encomium. The relevance of "not what …