Arts and Humanities Commons^™

Writing Intensive In The Major: Literature, Laura Quinn

Q2S Enhancing Pedagogy

The goal of this course is for students within the major of Literature to study the kind of academic writing that happens in the field through investigation of various scholarly journals, articles within those journals, the kinds of motivating questions authors in the field work from, rhetorical moves specific to the field, and the like. Students will begin by looking at and rhetorically analyzing published work so that they may consider what it means to actively participate in scholarly conversations through writing. This is a Composition course, so the content of the course uses Composition theory and practices as a …

The Valiant Welshman, The Scottish James, And The Formation Of Great Britain, Megan Lloyd

Research in Medieval and Early Modern Culture

When James VI of Scotland and I of England proclaimed himself King of Great Britain, he proposed a merger of the English and Scottish parliaments, and he looked to Henry VIII’s Acts of Union of England and Wales (1536/43) as an example for English Scottish union under one king. On the London stage after 1603 many plays paid tribute to the new king and provided a predominantly English audience a means of accepting the not so palatable ideas of Scottish power, assimilation and unity. The Valiant Welshman is distinctive among these works, as no other extant early modern English drama …

Monstrosity As A Problem Of Moral Proximity In Shakespeare’S Othello, Kyle Ward

Student Works

Abstract

In Othello, Shakespeare explores the idea of monstrosity through his titular character. This paper argues that Othello exemplifies the idea that monstrosity is not an inherent evil, but rather that it is a problem of Moral Proximity. The Problem of Moral Proximity, as it is explained in the paper, is the idea that good and evil are the moderation of or corruption of neutral traits. This paper not only argues that monstrosity is one of these neutral qualities, but also explores how Iago corrupts this monstrosity to bring about Othello's downfall.

Preface To Ssl 44.2, Tony Jarrells, Patrick Scott

Studies in Scottish Literature

A brief introduction to this special issue, including reference to earlier contributions on the topic in this journal.

Amédée Pichot And Walter Scott’S Parrot: A Fabulous Tale Of Parroting And Pirating, Céline Sabiron

Studies in Scottish Literature

Describes the background and origin of Le perroquet de Walter Scott (Paris, 1834), by the French writer and translator Amédée Pichot, who had visited Scott (and Scott's home at Abbotsford) in 1822, discussing the complex interrelationship in Pichot's work between parody, translation, and piracy, and also considering more briefly Pichot's work as anticipating the better-known parrots in Flaubert and Julian Barnes.

Afterword: New Reworkings Of Walter Scott From Dundee Comics Creative Space, Christopher Murray

Studies in Scottish Literature

Discusses and illustrates a variety of approaches to the reworking of Scott novels by artists working in the Dundee Comics Creative Space, as developed for a sampler publication published by UniVerse Comics (2017), in connection with the Reworking Walter Scott project

Claimed By The Stage: Popular Dramatization And The Legacy Of The Lady Of The Lake, Mary Nestor

Studies in Scottish Literature

Discusses three stage adaptations of Scott's poem The Lady of the Lake, by Thomas Dibdin for the Surrey Theatre, London, John Edmund Eyre, for the Theatre Royal, Edinburgh, and Thomas Morton for Covent Garden, arguing that these popular melodramas shaped popular perception of how Scott's poem engaged the Highland landscape.

.

‘A’ That’S Past Forget – Forgie’: National Drama And The Construction Of Scottish National Identity On The Nineteenth-Century Stage, Paula Sledzinska

Studies in Scottish Literature

Focused on dramatic adaptations of Walter Scott’s Rob Roy and Waverley for the Theatre Royal, Edinburgh, by Isaac Pocock and John W. Calcraft, this essay explores "how the conflicted Lowland and Highland traditions became incorporated into the new image of the nation," offering "a theatrical reflection of the dynamic process of identity building in the nineteenth-century Scotland."

Twilight Histories: The Waverley Novels And George Eliot’S Fictions Of The Recent Past, Camilla Cassidy

Studies in Scottish Literature

Discusses the influence of Scott's Waverley novels on George Eliot, as novels set in recent history, drawing on Eric Hobsbawm's idea of a "twilight zone between history and memory" to examine Eliot's Adam Bede and The Mill on the Floss, and to argue that Eliot in reworking Scott's reimagining of this recent-historical "time-lapse" articulates a psychological experience of historical transition and modernisation.

Allegories Of The Heart, Fiona Robertson

Studies in Scottish Literature

"Allegories of the Heart" uses allegory (or "telling otherwise") as a means of investigating Scott’s presence in literary works which do not specifically adapt or rework his texts, arguing that this is an underexplored area of imaginative and figurative engagement with Scott’s work. Key texts are The Heart of Mid-Lothian, The Monastery, and Hawthorne’s fictions "Earth’s Holocaust" and The Scarlet Letter.

Walter Scott And Comics, Christopher Murray

Studies in Scottish Literature

A wide-ranging survey of the reworking of Scot's novels (and narrative poems) in comic form, in the US and UK.

Contributors To Ssl 44.2

Studies in Scottish Literature

No abstract provided.

'Poetry That Does Not Die': Andrew Lang And Walter Scott’S 'Immortal' Antiquarianism, Lucy Wood

Studies in Scottish Literature

The late 19th century essayist Andrew Lang, born in the Scottish borders, shared with Walter Scott a passionate devotion for the Borders landscape, mapped and mediated by Scott’s fictions; in his introductions to the Border Edition of Scott's novels, Lang argued that, by “immortalising” national antiquities, Scott ensured that Scotland's geographical and architectural heritage would be preserved.

Croftangry’S Castle And The House Of Usher: Scott, Poe, And ‘Decayed And Lingering Exotics’, George S. Williams

Studies in Scottish Literature

Discusses Poe's reading of Walter Scott, specifically through parallels of plot, setting, phrasing and imagery, between Scott's Chronicles of the Canongate, 1st series (1827) and Poe's short story "The Fall of the House of Usher" (1839), arguing that the two works share psychological preoccupations, also present more widely in the prose works of the writers.

‘Such Editorial Liberties’: Scott And The Textual Afterlives Of Thomas The Rhymer, David Selfe

Studies in Scottish Literature

This essay discusses from his Minstrelsy of the Scottish Border (1802 etc) Walter Scott's version of the ballad "Thomas the Rhymer" (or "True Thomas") tracing the ballad's history within the social context of its reception, and then comparing Scott’s version with the orally-transmitted version "Thomas Rhymer and the Queen of Elfland",written down by Anna Gordon Brown in 1800, for differences both in wording and in punctuation choices as the “apologetic apostrophe,” to suggest how such textual traces show the changing relationship between textual form and textual function. [essay still in final proof stage]

Full Issue Fall 2018, Byu Criterion

Criterion: A Journal of Literary Criticism

No abstract provided.

Contributors Page Fall 2018, Byu Criterion

Criterion: A Journal of Literary Criticism

No abstract provided.

Challenging A Stereotype: Female Nature In Rape Of The Lock And "Saturday. Small-Pox. Flavia.", Elizabeth Smith

Criterion: A Journal of Literary Criticism

No abstract provided.

Wonder Woman's Fight For Autonomy: How Patty Jenkins Did What No Man Could, Hanann Morris

Criterion: A Journal of Literary Criticism

No abstract provided.

Excavating Friel Through Post-Christian Theory, Ryan Meservey

Criterion: A Journal of Literary Criticism

No abstract provided.

Empowered Motherhood In Tracy K. Smith's Ordinary Light, Rilley Kaye Mckenna

Criterion: A Journal of Literary Criticism

No abstract provided.

Navigating Orthodoxy: The Calvinist Self In Lucy Hutchinson's On The Principles Of The Christian Religion, Jeremy Loutensock

Criterion: A Journal of Literary Criticism

No abstract provided.

The "Cursed Self": Anxiety And Unspoken Curses In Richard Iii, Hannah Laudermilch

Criterion: A Journal of Literary Criticism

No abstract provided.

Our Day Will Come, Heidi Moe Graviet

Criterion: A Journal of Literary Criticism

No abstract provided.

The Power Of Identity Forged Through Border Crossing, Mallory Lynn Dickson

Criterion: A Journal of Literary Criticism

No abstract provided.

Annunciation, Crucifixion, Resurrection: Christian Symbolism In Joyce's "The Dead", Noelle Dickerson

Criterion: A Journal of Literary Criticism

No abstract provided.

The Devaluation Of Consent In The Rape Of Lucrece, Anisa Call

Criterion: A Journal of Literary Criticism

No abstract provided.

Editors' Note Fall 2018, Byu Criterion

Criterion: A Journal of Literary Criticism

No abstract provided.

Contents Page Fall 2018, Byu Criterion

Criterion: A Journal of Literary Criticism

No abstract provided.

Front Matter Fall 2018, Byu Criterion

Criterion: A Journal of Literary Criticism

No abstract provided.