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Full-Text Articles in Arts and Humanities
Intertwinglement; Or A Request By Way Of A Story, Daniel Terkla
Intertwinglement; Or A Request By Way Of A Story, Daniel Terkla
Daniel Terkla
No abstract provided.
The Bayeux Tapestry: New Interpretations, Daniel Terkla, Martin Foys, Karen Overbey
The Bayeux Tapestry: New Interpretations, Daniel Terkla, Martin Foys, Karen Overbey
Daniel Terkla
From Amazon: In the past two decades, scholarly assessment of the Bayeux Tapestry has moved beyond studies of its sources and analogues, dating, origin and purpose, and site of display. This volume demonstrates the value of more recent interpretive approaches to this famous and iconic artefact, by examining the textile's materiality, visuality, reception and historiography, and its constructions of gender, territory and cultural memory. The essays it contains frame discussions vital to the future of Tapestry scholarship and are complemented by a bibliography covering three centuries of critical writings.. CONTRIBUTORS: Dan Terkla, Elizabeth Carson Pastan, Stephen D. White, Richard Brilliant, …
Informal Catechesis And The Hereford Mappa Mundi, Daniel Terkla
Informal Catechesis And The Hereford Mappa Mundi, Daniel Terkla
Daniel Terkla
No abstract provided.
Various, Daniel Terkla
Various, Daniel Terkla
Daniel Terkla
Selections by the author: Marco Polo, 165-167; William of Rubruck, 357; Ludovico de Varthema, 322-324.
Impassioned Failure: Metaphor, Memory And The Drive Toward Intellection, Daniel Terkla
Impassioned Failure: Metaphor, Memory And The Drive Toward Intellection, Daniel Terkla
Daniel Terkla
No abstract provided.
Various, Daniel Terkla
Various, Daniel Terkla
Daniel Terkla
Selections by the author: Martin Behaim, 55-56; lignum aloes, 342-343; Psalter Map, 505-506.
Review: The Rhetoric Of Power In The Bayeux Tapestry, By Suzanne Lewis, Daniel Terkla
Review: The Rhetoric Of Power In The Bayeux Tapestry, By Suzanne Lewis, Daniel Terkla
Daniel Terkla
In the preface to her study of the much-discussed Bayeux Tapestry, Suzanne Lewis, professor of art history at Stanford University, wonders, "[W]hy another book on the Bayeux Tapestry?" (xiii). She confidently responds that she has "something new to say" (xiii) and quickly invokes the major recent studies of this important artwork. Although she does not situate her work in that context beyond invoking names, Professor Lewis states that she has "no quarrel with . . . Michael Parisse (1983), David Wilson (1985), David Bernstein (1986), J. Bard McNulty (1989), or Wolfgang Grape (1993)" (xiii). Acknowledging that The Rhetoric of Power …
Divina Commedia(The Divine Comedy), Daniel Terkla