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East Asian Languages and Societies

CLCWeb: Comparative Literature and Culture

Journal

Literary theory

Publication Year

Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Writing, Rewriting, And Miswriting: Eileen Chang’S Late Style Against The Grain, Lina Qu Feb 2020

Writing, Rewriting, And Miswriting: Eileen Chang’S Late Style Against The Grain, Lina Qu

CLCWeb: Comparative Literature and Culture

In her article “Writing, Rewriting, and Miswriting: Eileen Chang’s Late Style Against the Grain,” Lina Qu reconstructs Eileen Chang as a Saidian late figure and formulates the poetics and politics of lateness immanent in her late self-writing. Drawing from Said’s theorization, Qu argues that Chang’s late style emerges and matures in rewriting her memories into numerous autobiographical accounts. The exposé of her dysfunctional family and turbulent life metonymically constitutes a counter narrative that disenchants Chinese modernity. In contrast to the dominant modalities of evolution and revolution, her involutionary discourse embodies a Deleuzian paradigm of artistic creativity and historical development. Qu …


Eating And Suffering In Han Kang’S The Vegetarian, Won-Chung Kim Sep 2019

Eating And Suffering In Han Kang’S The Vegetarian, Won-Chung Kim

CLCWeb: Comparative Literature and Culture

In his article “Eating and Suffering in Han Kang’s The Vegetarian” Won-Chung Kim examines how Han investigates suffering through the topic of food and eating. Kim shows that The Vegetarian is a work that thoroughly investigates both what constitutes suffering and what role carno-phallogocentric thinking can play in such suffering: suffering becomes in the novel a psychological, physical, and spiritual effect of dietary resistance to male-dominated Korean society. After offering a working definition of sufferings, Kim argues how the suffering caused by Yeong-hye’s refusal to follow the reigning norms of the meat eating, patriarchal society disintegrates the intactness of …


Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim Jul 2019

Overlapping Scriptworlds: Chinese Literature As A Global Assemblage, Wai-Chew Sim

CLCWeb: Comparative Literature and Culture

In his article “Overlappinig Scriptworlds: Chinese Literature as a Global Assemblage,” Wai-Chew Sim offers a globalist vision or understanding of Chinese literary studies/Sinophone studies. Deploying the notion of scriptworld (Damrosch), he examines how the Chinese, English, and Malay-language scriptworlds interact in the Southeast Asian context. He traces the rhizomatic connections between Joo Ming Chia’s Exile or Pursuit, a Singapore Sinophone text that explores multiple belongings, and two novels: M. L. Mohamed’s Confrontation (originally published as Batas Langit), and T.H. Kwee’s The Rose of Cikembang (originally published as Bunga Roos dari Cikembang). Tracing the sinophonicity of the latter …


The “Althusser-Mao” Problematic And The Reconstruction Of Historical Materialism: Maoism, China And Althusser On Ideology, Fang Yan Sep 2018

The “Althusser-Mao” Problematic And The Reconstruction Of Historical Materialism: Maoism, China And Althusser On Ideology, Fang Yan

CLCWeb: Comparative Literature and Culture

In her article “The ‘Althusser-Mao’ Problematic and the Reconstruction of Historical Materialism: Maoism, China and Althusser on Ideology,” Fang Yan analyses the “Althusser-Mao” problematic which was first brought up by Liu Kang, outlining how Mao’s ideas contributed to the formation of Althusser’s theory of ideology. The paper is divided into three parts: first, how Mao influenced Althusser’s propositions of the primacy of relations of production and reciprocal action of the superstructure; secondly, how Mao influenced Althusser’s notions of ideological practice, Ideological State Apparatuses and ideological class struggle; and finally, how Althusser drew on Mao in the formation of the concept …


Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang Mar 2015

Han's (韓邦慶) Novel 海上花列傳 (The Sing-Song Girls Of Shanghai) And Urbanity In Late Qing Shanghai, Xiaojue Wang

CLCWeb: Comparative Literature and Culture

In her article "Han's (韓邦慶) Novel海上花列傳 (The Sing-Song Girls of Shanghai) and Urbanity in Late Qing Shanghai" Xiaojue Wang discusses the relationship between the urban milieu in the foreign concessions of Shanghai and the late Qing courtesan culture through a critical reading of Bangqing Han's (韓邦慶1856-1894) novel The Sing-Song Girls of Shanghai. Wang argues that Han's novel is a significant departure from traditional vernacular fiction in three aspects: 1) its illustration of the connection between courtesan culture and the rising modern city, 2) its portrayal of emergent female subjectivity and female space in the late Qing, …


Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao Mar 2015

Variation Theory And The Reception Of Chinese Literature In The English-Speaking World, Shunqing Cao

CLCWeb: Comparative Literature and Culture

In his article "Variation Theory and Reception of Chinese Literature in the English-Speaking World" Shunqing Cao introduces "variation theory" he developed and suggests that the framework can be applied in studying the dissemination and reception of Chinese literature in the English-speaking world. Cao argues that cultural and literary differences produce variations in literary exchanges among different cultures and variation theory concentrates on these variations. With unique perspectives on variation in translation, cultural misreading, and domestication, variation theory is a useful theoretical framework and methodology for the study of the reception of Chinese literature in the English-speaking world.


Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song Mar 2015

Positions Of Sinophone Representation In Jin's (金庸) Chivalric Topography, Weijie Song

CLCWeb: Comparative Literature and Culture

In his article "Positions of Sinophone Representation in Jin's (金庸) Chivalric Topography" Weijie Song examines Yong Jin's post-1949 Hong Kong chivalric imagination of imperial Beijing and beyond during the Ming-Qing Dynastic transition and the dialects of inclusive exclusion and exclusive inclusion. In Cold War Hong Kong, Jin charted a wide range of chivalric activities: intruding into the political center embodied by the Forbidden City (the "Great Within") and fleeing to peripheral regions such as Xinjiang's Islamic community, the overseas kingdom in Brunei in Southeast Asia, and an unknown place somewhere inside Yangzhou. Song argues that Jin's literary topography suggests a …