Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons™

Open Access. Powered by Scholars. Published by Universities.®

Dramatic Literature, Criticism and Theory

2008

Articles 1 - 13 of 13

Full-Text Articles in Arts and Humanities

December 2008 - Volume Viii, Number 1, Theatre Arts Department Dec 2008

December 2008 - Volume Viii, Number 1, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VIII Number 1 includes articles on Mammoth Follies, Second City, and a Makeup Workshop.

Go to article

Ibsen’S Female Characters In Captivity: An Exploration Of Literature And Performance, Christina K. Forshey Dec 2008

Ibsen’S Female Characters In Captivity: An Exploration Of Literature And Performance, Christina K. Forshey

Senior Honors Theses

In Henrik Ibsen’s plays, A Doll’s House, The Wild Duck, The Lady from the Sea, and Hedda Gabler, the theme of captivity is demonstrated in the female protagonists Nora, Hedvig, Ellida, and Hedda. The theme of captivity also serves as a performance guide for the portrayal of these characters. Ibsen’s female protagonists are in bondage to an object or person that manipulates the character’s mental and emotional senses. The character’s inner captivity reaches a climax where a decision must be made to abolish the chains of captivity or forever remain enslaved. Since the nineteenth century, the actor has greatly benefitted …

Go to article

2008 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.) Sep 2008

2008 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)

Cave Run Storytelling Festival Posters

Promotional development poster for the Cave Run Storytelling Festival held on September 26 to September 27, 2008. Those performing included: Bill Lepp, Sheila Kay Adams, Andy Offutt Irwin, Antonio Rocha, Baba Jamal Koram, Lyn Ford, and Peter Cook.

Go to article

Hellenisms (Iii), "Reel" Hellenisms: Perceptions Of Greece In Greek Cinema (Ch. 12), Katerina Zacharia Aug 2008

Hellenisms (Iii), "Reel" Hellenisms: Perceptions Of Greece In Greek Cinema (Ch. 12), Katerina Zacharia

Katerina Zacharia

No abstract provided.

Go to article

Hellenisms (Ii), Herodotus' Four Markers Of Greek Identity (Ch. 1), Katerina Zacharia Aug 2008

Hellenisms (Ii), Herodotus' Four Markers Of Greek Identity (Ch. 1), Katerina Zacharia

Katerina Zacharia

No abstract provided.

Go to article

Hellenisms (I), Introduction, Katerina Zacharia Aug 2008

Hellenisms (I), Introduction, Katerina Zacharia

Katerina Zacharia

No abstract provided.

Go to article

June 2008 - Volume Vii, Number 2, Theatre Arts Department Jun 2008

June 2008 - Volume Vii, Number 2, Theatre Arts Department

Sides (Newsletter)

SIDES Volume VII Number 2 features articles on the closing of the Village Theatre and welcoming new faculty Nicholas Shaw.

Go to article

Elisabeth, Alisa Roost May 2008

Elisabeth, Alisa Roost

Publications and Research

No abstract provided.

Go to article

Manuel Molins: Una Altra Ofèlia I Els Fantasmes De Shakespeare, Sharon G. Feldman Jan 2008

Manuel Molins: Una Altra Ofèlia I Els Fantasmes De Shakespeare, Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

L'apropiació i reinscripció que de Hamlet ha fet Manuel Molins, titulada Una altra Ofèlia (2001, estrenada al Teatre Rialto de València el 2004), comença, com a l'obra de Shakespeare, amb l'aparició d'un fantasma. A la primera de les nou escenes, el personatge d'Ofèlia explica a la falstaffiana I pitonissa I herborista Dida (personatge síntesi que és el resum de molts personatges shakespearians) un somni que ha tingut i en el transcurs del qual ha presenciat la manifestació d'un espectre en l'esplanada del castell. D'alguna manera, des del moment que comença l’obra, Ofèlia sembla haver usurpat el paper de Hamlet, ja …

Go to article

Sati In Philadelphia: The Widow(S) Of Malabar, Jeffrey H. Richards Jan 2008

Sati In Philadelphia: The Widow(S) Of Malabar, Jeffrey H. Richards

English Faculty Publications

No abstract provided.

Go to article

I Think My Mother Would Have Put Me Off Women For Life'; John Osborne And The Construction Of The Maternal Female In Four Of His Plays: Look Back In Anger, The Entertainer, Time Present And The Hotel In Amsterdam, Dierdre Mangan Jan 2008

I Think My Mother Would Have Put Me Off Women For Life'; John Osborne And The Construction Of The Maternal Female In Four Of His Plays: Look Back In Anger, The Entertainer, Time Present And The Hotel In Amsterdam, Dierdre Mangan

Theses : Honours

The following thesis aims to provide an insight into the life of British playwright, John Osborne and to examine his relationship with both his mother and other significant females present in his life. In addition, the following document aims to consider the subsequent effect Osborne's relationships may have had upon both the construction and depiction of the maternal role in four of his plays: Look Back in Anger (1956), The Entertainer (1957), Time Present (1968) and The Hotel in Amsterdam (1968). Evidence to support the thesis was obtained from a wide variety of sources: autobiographies, biographies, plays, film, critical theory, …

Go to article

"A Comely Presentation And The Habit To Admiration Reverend": Ecclesiastical Apparel On The Early Modern English Stage, Robert Lublin Dec 2007

"A Comely Presentation And The Habit To Admiration Reverend": Ecclesiastical Apparel On The Early Modern English Stage, Robert Lublin

Robert Lublin

Notions of the sacred and the profane took on a particular significance in late-sixteenth and early-seventeenth-century England. This period, chronologically circumscribed on one side by the Protestant Reformation and on the other by the Civil War, was a time of enormous religious change. These changes found articulation in the theatre of the period. Plays such as Marlowe’s Doctor Faustus, Shakespeare’s Henry VIII and Middleton’s A Game at Chess make significant use of historically specific understandings of Protestantism and Catholicism. Scholars have noted the religious aspects of these plays before, but what has garnered less critical attention is the manner …

Go to article

Witchcraft And Wonder In The Winter's Tale, Kirby Farrell Dec 2007

Witchcraft And Wonder In The Winter's Tale, Kirby Farrell

kirby farrell

The Winter’s Tale is constructed to generate an experience of wonder as Hermione’s statue comes to life. Audiences are meant to share what Leontes calls “The pleasure of that madness” (5.3.73). This revelatory madness is magical undoing: it dissolves the paranoid paroxysm at the outset of the play that crystallizes ideas about witchcraft, even as Hermione's play death and "resurrection" purge her of associations with witches.

Go to article