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Attica State Correctional Facility: The Causes And Fallout Of The Riot Of 1971, Kathleen E. Slade

The Exposition

Everyone has heard the rallying cry “Attica! Attica!” These are words shouted in protest by many in the 1970s including John Lennon in his song “Attica State” in 1971 and Al Pacino in the movie “Dog day Afternoon” in 1975. But what happened at Attica State Correctional Facility in the rural town of Attica, NY in 1971 to cause the bloodiest day in American history up to that time? A prison built to be escape proof and virtually riot proof in 1931 exploded just forty years later in a violent four day riot that ended in a bloody massacre of …

Buffalo, New York’S Citizen Soldiers: Personal Histories Of Combat, Trauma, And Returning Home After The Second World War, Drew H. Lewandowski

History Theses

Buffalo, New York’s Citizen Soldiers: Personal Histories of Combat, Trauma, and Returning Home after the Second World War

This thesis focuses on interviews from nine World War Two veterans who are from Buffalo, New York and the immediate surrounding areas. Included are three infantry men from the European theatre, including one paratrooper. Three who served in the Pacific theatre, including one medical officer, a medic, and one man served in the occupation of Japan. The remaining three served in the Air Corps in Europe, one pilot, one bombardier, and one fighter pilot.

Through extensive interviews, both written and filmed, this …

By My Side: Charles E. Burchfield's Letters To Bertha K. Burchfield From 1923 To 1963, Alana Ryder

History Theses

Over the past 80 years, research on American artist Charles E. Burchfield (1893-1967) has often placed little emphasis on the people and events that were essential for his artistic freedom and the success of his career. This paper, based on the contents of forty years of letters between Burchfield and his wife Bertha Kenreich (1886-1973), challenges the artist’s mythology, which includes misconceptions of his isolation, lack of influences, dislocation from art history and the insignificance of human connections and activities.

New dimensions of Burchfield's identity are examined, significantly his positions as a husband, father, friend to other artists represented by …