Arts and Humanities Commons^™

The Genetics Of Morality: Policing Science In Dudintsev’S White Robes, Yvonne Howell

Languages, Literatures, and Cultures Faculty Publications

The Men and women in White Robes (Belye odezhdv), Vladimir Dudinstev's fictional account of the banning of genetics in the Soviet Union, are acutely aware that in the 20th century, the study of the fruit fly is the study of man. The key to unraveling the mystery of human nature lies in the easily observed chromosomes of the forbidden fly (drosophila melanogaster). Under Stalin, the banned geneticists were branded “Morganists” after their hero Thomas Hunt Morgan, the Columbia University researcher who pioneered the technique of mapping locations on drosophila chromosomes to specific traits in the flies. To …

Leading Through Reading In Contemporary Young Adult Fantasy By Philip Pullman And Terry Pratchett, Elisabeth Rose Gruner

English Faculty Publications

There’s a popular bumper sticker in some areas that reads: “God said it, I believe it, that settles it.” It is sometimes paired with another one: “Bibles that are falling apart usually belong to people that aren’t.” The two combine to suggest an approach to reading and religion that are at the core of my argument in this chapter: they suggest that religious reading is fundamentally anti-interpretive; that reading the Bible or other religious texts provides direct access to truth. In the young adult texts I discuss in this essay, however, the opposite is the case: while texts (of many …

The Theater Of Maria Aurèlia Capmany And The Reverberations Of Civil War (History, Censorship, Silence), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

Maria Aurèlia Capmany (1918-1991) was one of the most prominent Catalan writers of the twentieth century, occupying a singular place in the intellectual and cultural life of Catalonia during the period of the Franco dictatorship and the democratic transition. Her theater is aesthetically daring in its integration of an ample range of contemporary dramatic modes, from intellectually complex to more popular forms of spectacle. Epic theater, monologue, documentary theater, historical drama, and "literary cabaret" (a genre of her own invention)~ all make repeated appearances throughout her theatrical trajectory. Moreover, on the whole her work stands as a testament to her …

Extending An Alternative: Writing Centers And Curricular Change, Joe Essid

English Faculty Publications

When our Writing Center staked its reputation and perhaps its survival on a proposal to change our first-year curriculum, we entered territory that would have been unthinkable to those in our field a few decades ago. Writing center directors and peer tutors may not like it, but the climate now is very different from the salad days of the 1980s, when scholars such as Tilly and John Warnock argued “it is probably a mistake for centers to seek integration into the established institution” (22). In both the United States and EU nations, we face curricular change driven by emerging technologies, …

Alternative Mappings Of Belonging: Non Son De Aquí By María Do Cebreiro And Rasgado By Lila Zemborain, Mariela Méndez

Latin American, Latino and Iberian Studies Faculty Publications

This essay examines the travels of the poetic speakers in two poetry collections: by the Argentinean writer Lila Zemborain, and by the Galician poet and critic María do Cebreiro, to postulate a revision of notions of belonging in its intersection with gender and space. Rasgado (2006) is a sort of poetic diary written by Lila Zemborain, who resides in New York, responding as both insider and outsider to the World Trade Center attacks on 11 September 2001. María do Cebreiro's book, Non son de aquí (2008) similarly follows the path of a nomadic speaker intent on redefining the terms of …

Dead Men, Walking: Actors, Networks, And Actualized Metaphors In Mrs. Dalloway And Raymond, Elizabeth Outka

English Faculty Publications

This article takes up Rita Felski’s recent call to modernists to explore how Bruno Latour’s latest work on actor-network theory might be adapted for literary studies. It examines two accounts of World War I soldiers who (allegedly) return from the dead in material form: Virginia Woolf’s fictional account of Septimus Smith, who is convinced his friend Evans has come back from the dead, and Oliver Lodge’s best-selling memoir, Raymond, or Life and Death, which recounts in detail how Lodge believed his dead son sent messages to the family to assure them of his continued material existence. That these moments …

Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens

English Faculty Publications

The essay is a form particularly well suited for Mormon writers, for it blends a number of their cultural and religious imperatives. We are a confessional people, in both senses of the word. In keeping with Augustine’s principal employment of the term, we are committed to the public profession of our faith. Not merely as an act of evangelizing, but among the more reflective Saints, as an articulated meditation on our yearning for the divine, and a psalmic celebration of God’s gifts. We are also confessional in the more conventional sense: journal keeping, the informality of Mormon worship, public testimony …

Wil Linkugel And Gifting 101, Mari Boor Tonn

Rhetoric and Communication Studies Faculty Publications

Wil Linkugel was many things, among them a fabled storyteller. Given the chance to get in the last word—a comment I trust would yield his winning, wide grin—I return his favor by beginning with my own Wil origins tale. With his beloved wit, he might dryly point out that I am a starring fıgure in places in the Wil Linkugel narrative. But, in truth, he plays both the leading roles and a vast cast of supporting ones throughout—in the truest meanings of such words. With a dutiful spoiler alert, the basic plotline of the brief essay that follows is this: …

Education, Elisabeth Rose Gruner

English Faculty Publications

In both Keywords (Williams 1983a) and New Keywords (Bennett, Grossberg, and Morris 2005), "education" (Keywords has "educate") is primarily an institutional practice, which, after the late eighteenth century, is increasingly formalized and universalized in Western countries. Bearing the twin senses of "to lead forth" (from the Latin educare) and "to bring up" (from the Latin educare), "education" appears chiefly as an action practiced by adults on children. The Oxford English Dictionary thus defines the terms as "the systematic instruction, schooling, or training given to the young in preparation for the work of life."

Trauma And Temporal Hybridity In Arundhati Roy’S The God Of Small Things, Elizabeth Outka

English Faculty Publications

Arundhati Roy’s novel, The God of Small Things, presents an often bewildering mix of different times: images, stories, and sensations from the past blend together with present moments and even future experiences. Critics have noted this temporal blending and have cited this feature as reflecting the novel’s magical realism, or postcolonialism, or postmodernism, which are all associated with various forms of time play.¹ Indeed, as writers from Joyce to Woolf to Rushdie remind us, time is always to some extent a mixture, as the present must be understood as a complex amalgamation and negotiation of past moments. Roy’s …

Editors' Note: The Name Of Las Cosas, LáZaro Lima, Felice Picano

Latin American, Latino and Iberian Studies Faculty Publications

Ambientes: New Queer Latino Writing seeks to provide a timely and representative archive of queer Latino literary and cultural memory in order to enact a more inclusive "American" literary canon that can apprehend the present and the future of queer Latino literary practice. We have assembled a diverse and representative sample of contemporary queer Latino writing in order to provide a source of pleasure for readers as well as a resource for instructors and students who have too often been deprived of this crucial though underanalyzed component of national literary culture.

Telling Old Tales Newly : Intertextuality In Young Adult Fiction For Girls, Elisabeth Rose Gruner

English Faculty Publications

In one of the inaugural articles in feminist literary criticism, "Feminism and Fairy Tales," Karen Rowe followed Simon de Beauvoir's lead in claiming that fairy tales structure the consciousness of girls and women, and in a negative way. As Donald Haase has noted, "In Rowe's view, the fairy tale--perhaps precisely because of its 'awesome imaginative power'--had a role to play in cultivating equality among men and women, but it would have to be a rejuvenated fairy tale fully divested of its idealized romantic fantasies" (5). In the years since Rowe's essay first appeared, however, it has been unclear whether the …

True Crime, Laura Browder

English Faculty Publications

Whether or not Capote invented something called the “nonfiction novel,” he ushered in the serious, extensive, non-fiction treatment of murder. In the years since In Cold Blood appeared, the genre of true crime regularly appears on the bestseller list. It is related to crime fiction, certainly – but it might equally well be grouped with documentary or read alongside romance fiction. And while its readers have a deep engagement with the genre that is very different from the engagement of readers of crime fiction, its writers are often forced to occupy a position – in relation to victims, criminals and …

The Heart Is A Strange Muscle, Laura Browder

English Faculty Publications

Rachel’s beeper went off just as her back began growing numb, jammed against the pieces of broken and discarded furniture in the storage room. A second later, Bobby’s went off too. She unwrapped her legs from around his sweaty back, pulled herself up to a sitting position, and groped through the jumble of clothing.

The Cultural Politics Of Slam Poetry: Race, Identity, And The Performance Of Popular Verse In America (Book Review), Matthew Oware

Sociology and Anthropology Faculty Publications

Review of the book, The Cultural Politics of Slam Poetry: Race, Identity, and the Performance of Popular Verse in America, by Susan Somers-Willett, University of Michigan Press, 2009

Teach The Children: Education And Knowledge In Recent Children's Fantasy, Elisabeth Rose Gruner

English Faculty Publications

This essay is an investigation into how learning is portrayed in children's books. It starts from two premises: first, that at least one origin of children's literature is in didacticism, and that learning and pedagogy continue to be important in much of the literature we provide for children today. Thus, for example, David Rudd claims that most histories of children's literature on "the tension between instruction and entertainment," and that the genre as we know it develops within, among other things, "an educational system promoting literacy" (29, 34). Seth Lerer's recent Children's Literature: A Reader's History similarly traces the origins …

Beur Travel Writing: Tassadit Imache’S Algerie, Monika Siebert

English Faculty Publications

The particular cultural positioning described as the beur predicament and often summed up in the phrase “belonging neither here nor there,” is clearly a result of French colonial history. As such, it hardly refers to subjects able or willing to assume the vantage point of the classic European travel narrative or to employ its poetics. Beurs are children of North African immigrants (primarily from Algeria, but also Morocco and Tunisia) who arrived in France after the Second World War to work in the developing auto industries. While entitled to French citizenship (born in pre-independence Algeria, their parents are French subjects), …

Short Fiction By Women In The Victorian Literature Survey, Elisabeth Rose Gruner

English Faculty Publications

The first time I taught a Victorian Literature survey, fresh out of a curriculum integration workshop in graduate school, I taught ten authors: five male and five female. One student evaluation after the course was over complained that despite the promise of “great” Victorian writers, half of those on the syllabus were women. While this did take place in the dark ages of the early nineties, I still find myself, as I design my syllabi, caught in the familiar conundrum as to what to teach, what to cut, and why. In my case, it seems simple: The Victorian period is …

Working For The Clampdown? Being Crafty At Managed Universities, Joe Essid

English Faculty Publications

Last fall I found myself not only our school’s Writing Center Director but also its Writing Program Administrator. At the same time, a reminder of my wastrel youth appeared: the twenty-fifth anniversary edition of the Clash’s London Calling.

The two events are connected. On the one hand, it is delightful to hear people again discuss the anthems of the punk-rock era. More than at any time since the 1970s, we need a little more defiance against authority, including the transformation of everything into a saleable commodity. On the other hand, the very way in which London Calling appeared, slickly packaged …

Saving "Cinderella": History And Story In Ashpet And Ever After, Elisabeth Rose Gruner

English Faculty Publications

An orphan is mistreated by a cruel surrogate family. The orphan is special, however, and with the intervention of kind and magical parental substitutes, rises to dizzying heights and achieves a happy ending. It’s a familiar tale, from “Cinderella” to Harry Potter —the difference is all in the details. In two fairy tale films of the 1980s and 1990s, those details remove the Cinderella story from the realm of fantasy. Ashpet and Ever After take pains to “realize” Cinderella—to remove almost all elements of magic and fantasy and to imagine, instead, what might make such a story real. Both incorporate …

The Mill On The Floss, Elisabeth Rose Gruner

English Faculty Publications

The Mill on the Floss was the second novel Marian Evans published under the pseudonym George Eliot. Born in 1819 to a prosperous estate manager, Marian Evans spent her youth much as her heroine did, in reading and outdoor activities. In 1850 Evans moved to London where she worked as a translator and editor, and fell in love with the writer and editor George Henry Lewes, a married man. Contemporary marriage law prevented Lewes from obtaining a divorce from his adulterous wife; the law held that, having condoned the adultery previously, he now had no grounds for divorce. Knowing this, …

Buying Time: Howards End And Commodified Nostalgia, Elizabeth Outka

English Faculty Publications

Midway through E. M. Forster’s Howards End, the newly married Margaret Schlegel Wilcox returns to the titular country house to find it the recipient of an unexpected makeover. Closed since the death of the first Mrs. Wilcox and for months used as a warehouse for the Schlegels’ possessions, the house has been unpacked and reconstituted by the housekeeper, Miss Avery, who creates a new interior built from moments of Margaret’s own history. As Margaret moves through the house in surprise, she takes a virtual tour of her past: her umbrella-stand greets her in the entrance way, the infamous sword …

Derek Walcott: A Caribbean Life By Bruce King (Book Review), Daryl Cumber Dance

English Faculty Publications

In Another Life Derek Walcott wrote, "I had entered the house of literature as a houseboy"; Jamaican poet Mervyn Morris signified on this image in his The Pond when he declared, "And these are my rooms now." The journey that Walcott makes from "houseboy" to master/ruler/owner of the house of literature (the Nobel Laureate is frequently acclaimed the greatest poet writing in the English language) is painstakingly detailed in Bruce King's tome Derek Walcott: A Caribbean Life.

Passing As Danzy Senna, Bertram D. Ashe, Danzy Senna

English Faculty Publications

Caucasia, written by Danzy Senna, is part of a growing sub-genre of African-American novels, some of which announce their themes by their titles: White Boys, by Reginald McKnight; The White Boy Shuffle, by Paul Beatty; The Last Integrationist, by Jake Lamar; and Negrophobia, by Darius James, to name a few. Caucasia is a "Post-Soul" novel that explores the world of "mullatos" - both cultural and racial. But even though artists such as Kara Walker, photographer Lorna Simpson, and essayist Lisa Jones also explore the vicissitudes of post-Civil Rights Movement Black identity, in Black fiction its …

Wrestling With Religion: Pullman, Pratchett, And The Uses Of Story, Elisabeth Rose Gruner

English Faculty Publications

While children's and young adult fantasy literature is often concerned with "first things," with the struggle between good and evil, or with the fate of the cosmos, still it is rarely overtly religious in the sense of direct engagement with "faith, religion and church(es)" (Ghesquiere 307). Perhaps it is children's literature's vexed relationship with didacticism that keeps fantasy writers for children from engaging directly with religious language and concepts, or perhaps it is the setting in an alternate world that enables allegorizing impulse rather than direct engagement. In either case, despite a tradition of fables, parables, and allegorical treatments of …

Great Expectations, Elisabeth Rose Gruner

English Faculty Publications

Great Expectations was the penultimate novel completed by the most popular novelist of Victorian England, Charles Dickens. Born in Kent, England, in 1812 to a family of modest means but great pretensions, Dickens’s early life was marked by both humiliation and ambition. Dickens never forgot the period of financial crisis during his childhood, when following his father’s bankruptcy, he was taken out of school and forced to work in a shoe-polish warehouse. While the episode was relatively brief, it marked Dickens’s later life in many ways: in the development of his own ambitions, in his sympathy for the poor and …

The Shop Windows Were Full Of Sparkling Chains: Consumer Desire And Woolf’S Night And Day, Elizabeth Outka

English Faculty Publications

“You know the horror of buying clothes” (L2 232), wrote Virginia Woolf to her sister in 1918. This statement takes us to the heart of early critical assumptions about Woolf and consumerism. Following good modernist principles, the argument ran, Woolf’s art was naturally above shopping, distinct from and even a reaction against consumer culture. More recently, critics such as Jennifer Wicke, Rachel Bowlby, and Reginald Abbott have unsettled this separation and have started to consider the complex relations among consumption, the market, and Woolf’s writing. Most of this attention, however, has focused either on selected essays or on Mrs. Dalloway …

"Cobwebs In The Sky": Reggio's Koyaanisqatsi As Hypertext, Joe Essid

English Faculty Publications

As many participants know, the annual Computers & Writing Conference provides good ideas for our classrooms and research. At the 2000 conference in Florida, a group of us sat in a hallway excited about a film we had just watched, the documentary Fast, Cheap, and Out of Control. It seemed to us that consideration of cutting-edge film could become more than a single screening, an after-hours diversion during the conference. We agreed that many recent films incorporated elements of hypermedia in their sensibilities, even composition. An obvious example was the 2000 feature film Time Code, confronting the viewer …

"Under The Umbrella Of Black Civilization": A Conversation With Reginald Mcknight, Bertram D. Ashe

English Faculty Publications

Talking to Reginald McKnight is like scanning an imaginary worldwide radio dial. At any given moment he can transform his pleasant speaking voice into a raspy, aged, Middle Eastern-by-way-of-New York accent - or a deep Southern drawl. In an instant he can switch from a precise West African dialect to hip, urban street lingo, and then effortlessly segue back to his normal voice. McKnight says he "hit the ground running" as a mimic, and his talent was broadened as he lived all over the United States as the son of an Air Force sergeant. His time spent on the road …

Haunting The Corpus Delicti: Rafael Campo’S What The Body Told And Wallace Stevens’ (Modernist) Body, LáZaro Lima

Latin American, Latino and Iberian Studies Faculty Publications

What the Body Told You, a volume of poems by the Cuban-American poet Rafael Campo (b. 1964), addresses how formal poetry may give form to loss and memory in the age of AIDS by structuring an exchange between the literary institutions that privilege poetry as a representational medium and the inability of language adequately to account for and remember loss. Campo’s What the Body Told haunts modernism’s legacy by construing it as the corpus delicti, literally the body of the crime, where “crime” is conceived as the insufficiency of modernist aesthetic agencies to give evidence of the “truth” …