Arts and Humanities Commons^™

North Sea Poems: Birds Of The North Sea, Caa'in, Summer Ferry, Lesley Harrison

Landscapes: the Journal of the International Centre for Landscape and Language

These poems reflect the practical, human, immersive processes of self-orientation and self-location within the coastal and island landscapes round the North Sea. In both recording and bringing about this process, the poet maps herself onto her surroundings and brings her surroundings to bear on herself. The interplay of graphic, linguistic and other forms of description are destabilised by the contingency of their usefulness, and by their meaningless to each other. In the end, the generative poetic voice is the principle by which the 'map' is made.

Constellations – A Space In Time That’S Filled With Moving, Deanne Leber

Theses: Doctorates and Masters

Constellations in the sky have been a source of inspiration, in both science and literature, for aeons. Working within the constraints of the ‘official’ 88 constellations, as devised by the International Astronomical Union, this study involved researching the myths and histories of constellations, and then creating a collection of poems based upon those. Thematic connections between the eight modern constellation “families” or groups of constellations were explored and it is in these groupings that the poems work, to tie together, through experimentations with language, a somewhat cohesive fabric of poetry.

Each constellation consists of three poems. The first is a …

Swamp : Walking The Wetlands Of The Swan Coastal Plain ; And With The Exegesis, A Walk In The Anthropocene: Homesickness And The Walker-Writer, Anandashila Saraswati

Theses: Doctorates and Masters

This project is comprised of a creative work and accompanying exegesis. The creative work is a collection of poetry which examines the history and ecology of the wetlands and river systems of the Swan Coastal Plain, and which utilises the practice of walking as a research methodology. For the creative practitioner walking reintroduces the body as a fundamental definer of experience, placing the investigation centrally in the corporeal self, using the physical senses as investigative tools of enquiry. As Rebecca Solnit comments in her history of walking, ‘exploring the world is one of the best ways of exploring the mind, …