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Full-Text Articles in Arts and Humanities

“A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88., Wendy Nielsen Aug 2006

“A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88., Wendy Nielsen

Department of English Faculty Scholarship and Creative Works

This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …


The Reality Of Artifice: Villiers De L'Isle Adam's L'Eve Future And The Anxiety Of Reproduction, Boyd J. Petersen May 2006

The Reality Of Artifice: Villiers De L'Isle Adam's L'Eve Future And The Anxiety Of Reproduction, Boyd J. Petersen

Boyd J Petersen

First, Villier's L'Eve future employs a poetics of confusion, calling into question binary oppositions and destabilizing the narrative. Second, the novel is concerned with the production of art in a technological age, calling into question the notion of an "original" in a world of technological reproduction. Third, the novel is concerned with the ethics of male desire and the construction of women's bodies. Finally, the text critiques the emerging scientific worldview as an alternate religion, requiring faith, administering sacraments, and officiating rituals.


“Passions That Were Not My Own”: Critique And Preservation Of True Pastoral Life In Wordsworth’S “Michael”, Katie Homar Jan 2006

“Passions That Were Not My Own”: Critique And Preservation Of True Pastoral Life In Wordsworth’S “Michael”, Katie Homar

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.