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Comparative Literature

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2006

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Articles 1 - 16 of 16

Full-Text Articles in Arts and Humanities

Northrop Frye And The Phenomenology Of Myth, Glen Robert Gill Dec 2006

Northrop Frye And The Phenomenology Of Myth, Glen Robert Gill

Department of Classics and General Humanities Faculty Scholarship and Creative Works

In Northrop Frye and the Phenomenology of Myth, Glen Robert Gill compares Frye's theories about myth to those of three other major twentieth-century mythologists: C.G. Jung, Joseph Campbell, and Mircea Eliade. Gill explores the theories of these respective thinkers as they relate to Frye's discussions of the phenomenological nature of myth, as well as its religious, literary, and psychological significance.

Gill substantiates Frye's work as both more radical and more tenable than that of his three contemporaries. Eliade's writings are shown to have a metaphysical basis that abrogates an understanding of myth as truly phenomenological, while Jung's theory of …


Review Of Henry S. Turner, The English Renaissance Stage: Geometry, Poetics, And The Practical Spatial Arts, 1580–1630, Elizabeth Spiller Oct 2006

Review Of Henry S. Turner, The English Renaissance Stage: Geometry, Poetics, And The Practical Spatial Arts, 1580–1630, Elizabeth Spiller

Department of English: Faculty Publications

In The English Renaissance Stage: Geometry, Poetics, and the Practical Spatial Arts, Henry Turner argues that English stage practice emerged out of practical geometry and related mechanical arts. The book is part of a new critical attention to the interconnections between literature and science, one that depends on the recognition that art involved the creation not just of aesthetic objects but also of knowledge itself. Stage practice drew from geometry to develop the concepts of plat-plot and to define its use of scenes as both spatial divisions and dramatic structures. Drama also provided audiences with forms of practical knowledge …


Review : Female Identity In Contemporary Zimbabwean Fiction By Katrin Berndt., Ann Elizabeth Willey Oct 2006

Review : Female Identity In Contemporary Zimbabwean Fiction By Katrin Berndt., Ann Elizabeth Willey

Faculty Scholarship

No abstract provided.


An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass Sep 2006

An Unpublished Letter Of Lord Byron To Lady Caroline Lamb, Paul Douglass

Faculty Publications, English and Comparative Literature

Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women's language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Stael, Mary Shelley, Elizabeth lnchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robmson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …


“A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88., Wendy Nielsen Aug 2006

“A Tragic Farce: Revolutionary Women In Elizabeth Inchbald’S The Massacre And European Drama.” European Romantic Review 17.3 (Summer 2006): 275-88., Wendy Nielsen

Department of English Faculty Scholarship and Creative Works

This essay examines Elizabeth Inchbald’s treatment of French Revolutionary women and relationship to European drama in order to appreciate the implications of tragic writing for British women playwrights. Focusing on Inchbald’s connections to French culture and English theater in late 1792 and early 1793 elucidates the self‐censoring and generic conventions of her only tragedy, The Massacre. Events in France like the September Massacres unsettled Burkean notions of femininity and raised the possibility of female violence. This mixing of traditional gender characteristics resembles discourse about Inchbald’s dramas as neither tragic, comic, nor tragicomic. The genre of tragic farce describes Inchbald’s revisions …


Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass Aug 2006

Lord Byron’S Feminist Canon: Notes Toward Its Construction, Paul Douglass

Faculty Publications, English and Comparative Literature

Lord Byron took a highly ambivalent attitude toward female authorship, and yet his poetry, letters, and journals exhibit many proofs of the power of women’s language and perceptions. He responded to, borrowed from, and adapted parts of the works of Maria Edgeworth, Harriet Lee, Madame de Staël, Mary Shelley, Elizabeth Inchbald, Hannah Cowley, Joanna Baillie, Lady Caroline Lamb, Mary Robinson, and Charlotte Dacre. The influence of women writers on his career may also be seen in the development of the female (and male) characters in his narrative poetry and drama. This essay focuses on the influence upon Byron of Lee, …


Seeking An Aesthetics Of Metafiction, Erin J. Vachon May 2006

Seeking An Aesthetics Of Metafiction, Erin J. Vachon

Senior Honors Projects

According the Oxford English Dictionary, metafiction is ‘fiction in which the author self-consciously alludes to the artificiality or literariness of a work by parodying or departing from novelistic conventions…and narrative techniques.’ In short, metafiction announces itself as a textual artifact and examines the very nature of fiction. Metafiction has been defined as such, but I seek the effect of the text upon the act of reading and the reader: into what space is the reader initiated when the boundaries between author-text-reader become dismantled or confused? What does the act of reading become, beyond a mere analytic exercise? I am searching …


Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass Apr 2006

Paradise Decomposed: Byron’S Decadence And Wordsworthian Nature In Childe Harold Iii And Iv, Paul Douglass

Faculty Publications, English and Comparative Literature

No abstract provided.


The Music Of Borgesian Destiny In Saura's "El Sur", Linda M. Willem Jan 2006

The Music Of Borgesian Destiny In Saura's "El Sur", Linda M. Willem

Scholarship and Professional Work - LAS

Carlos Saura’s El Sur was aired on Spanish television in 1993 as part of a series of six programmes based on selected short stories by Jorge Luis Borges. The entire set of these hour-long productions has recently been released on video by the Films for the Humanities, thereby granting easy availability to what thus far has been one of Saura’s most difficult to acquire, and consequently least known, films. Described in its opening credits as an ‘adaptación libre’, Saura’s El Sur differs considerably from Borges’ short story of the same name. This is not surprising given Saura’s long-standing refusal to …


That ‘Vital Spark Of Genius’: Lady Caroline Lamb’S Writing Before Byron, Paul Douglass, Rosemary March Jan 2006

That ‘Vital Spark Of Genius’: Lady Caroline Lamb’S Writing Before Byron, Paul Douglass, Rosemary March

Faculty Publications, English and Comparative Literature

No abstract provided.


Review Of The Conformist, Michael Adams Jan 2006

Review Of The Conformist, Michael Adams

Publications and Research

Review of Bernardo Bertolucci's The Conformist: http://www.media-party.com/discland/2007/01/the-conformist.html


Liberation Theology And Liberatory Pedagogies: Renewing The Dialogue, Shari J. Stenberg Jan 2006

Liberation Theology And Liberatory Pedagogies: Renewing The Dialogue, Shari J. Stenberg

Department of English: Faculty Publications

recent Chronicle of Higher Education column, Stanley Fish describes a phone call he received after the death of Jacques Derrida from a reporter who was curious as to what would succeed high theory as the "center of energy in the academy." "I answered like a shot," Fish writes, "religion" (1). For many, Fish's prophecy might create a feeling of uneasiness; after all, in academic culture, religious ideologies are often considered hindrances to-not vehicles for-critical thought. This feeling may be especially true in regard to Christianity, which is often conflated with conservative politics and fundamentalism both in and outside of the …


Reburying The Treasure—Maintaining The Continuity: Two Texts By Śākya Mchog Ldan On The Buddha-Essence, Yaroslav Komarovski Jan 2006

Reburying The Treasure—Maintaining The Continuity: Two Texts By Śākya Mchog Ldan On The Buddha-Essence, Yaroslav Komarovski

Department of Classics and Religious Studies: Faculty Publications

The rich and interconnected universe of Śākya Mchog Ldan’s views, including those on the buddha-essence, cannot be limited to or summarized in a few neat categories. Nevertheless, the following two interrelated ideas are crucial for understanding Śākya Mchog Ldan’s interpretation of the buddha-essence: 1) only Mahāyāna āryas (’phags pa) have the buddha-essence characterized by the purity from adventitious stains (glo bur rnam dag); 2) the buddha-essence is inseparable from the positive qualities (yon tan, guṇa) of a buddha; In his writings, Śākya Mchog Ldan argues against identifying the buddha- essence as a mere natural …


Blurred Genres, Blended Memories: Engendering Dissidence In Nawal El Saadawi's Memoirs Of A Woman Doctor And Tsitsi Dangarembga's Nervous Conditions, Katwiwa Mule Jan 2006

Blurred Genres, Blended Memories: Engendering Dissidence In Nawal El Saadawi's Memoirs Of A Woman Doctor And Tsitsi Dangarembga's Nervous Conditions, Katwiwa Mule

World Literature: Faculty Publications

No abstract provided.


Cirilo F. Bautista, Bullets And Roses: The Poetry Of Amado V. Hernandez, A Bilingual Edition, Michael M. Coroza Jan 2006

Cirilo F. Bautista, Bullets And Roses: The Poetry Of Amado V. Hernandez, A Bilingual Edition, Michael M. Coroza

Filipino Faculty Publications

No abstract provided.


Plain Broad Narratives Of Substantial Facts”: Credibility, Narrative, And Hakluyt’S Principall Navigations, Julia Schleck Jan 2006

“Plain Broad Narratives Of Substantial Facts”: Credibility, Narrative, And Hakluyt’S Principall Navigations, Julia Schleck

Department of English: Faculty Publications

This article compares voyage narratives printed in Richard Hakluyt’s 1589 Principall Navigations to contemporaneous travel histories in an effort to contextualize the epistemological status of each group of texts and debunk the former’s reputation for greater factuality. It critiques the use commonly made of Hakluyt’s narratives in literary studies, arguing that the privileging of these texts over other sources results in postcolonial studies that ironically valorize a type of writing which promoted the colonial mindset these studies seek to expose.