Arts and Humanities Commons^™

The Facade Of Names In Benjamin Clark’S “The Emigrant”, Brad Donegan

The Criterion

No abstract provided.

Eliot’S Raid On The Ineffable, Louie Alexandris

The Criterion

In the poem Four Quartets, T.S Eliot employs a fragmentary form to dramatize the disjointed continuity of time. Within the poem though, the fluctuation or fragmentation of the form is also in service to the whole by showing the unending exploration of man to reach the “still point” of divine contemplation. For Eliot, the fragmentary nature of the form in Four Quartets is in service to the whole, because the continual fluctuation of musicality embodies a journey or exploration for the “still point” of the world to achieve true contemplation. In that sense, Eliot’s poem is an artistic success, …

Moving “Passed” Life For Death, Gwyneth Morrissey

The Criterion

The paper Moving “Passed” Life for Death explores Emily Dickinson's poem #479, "Because I could not stop for Death," focusing on the theme of movement expressed through the word "passed." It analyzes the contradictory qualities of movement and stopping and how they interplay. At the same time, it looks into how the poem's periodic stopping points highlight the natural cycle of life and death, challenging the conventional and fearful understanding of dying. Dickinson's use of "passed" ultimately alludes to the persistence of life after death, altering readers' perceptions of mortality. The essay presents an intriguing interpretation of life, death, and …

Ladybugs, Gabrielle Bologna

Comparative Woman

No abstract provided.

5 Poems, Rebecca Ruth Gould

Comparative Woman

These poems examine the challenges facing the woman creator, and focus in particular on the problem of the muse, and how this relates to the feminist reconceptualization of traditional notions of gender and sexuality. As part of this broader poetic inquiry, I also challenge traditional notions of monogamy and heterosexual desire.

Steven Patrick Fernandez’S Transcreation Of Poetry And The Integrated Performing Arts Guild’S Sugatula/Crossing Poetry: An Autotheoretical Analysis, Onnah Pierre P. Talle

Akda: The Asian Journal of Literature, Culture, Performance

This is an analysis of Steven Patrick Fernandez’s transcreation of poetry through the Integrated Performing Arts Guild’s SugaTula. I use autotheory as I retell, examine, and reflect on my experiences on SugaTula and on Fernandez’s transcreation of poetry. From my autotheoretical analysis, I then situate Fernandez’s and IPAG’s SugaTula in the field of translation studies. The study reveals that Fernandez’s transcreation of poetry through SugaTula is a concept which is not only significant for theater practitioners but also for reading and literature teachers. Transcreation can also be used as a method to explore not only poetry but other various literary …

The Ancient's View Of The Poet And Poetry, Brahim Soussi

Dirassat

The poet’s position in society has always been much discussed throughout the ages and inall civilizations.Thus the poet is accepted and receives praise sometimes, but is rejected and banished from society at other times. The poet's oscillation between these two extremes has always existed and will exist, it seems, as long as there is poetry. However, these two contradictory attitudes towards the Poet and Poetry have never received complete consensus from the different classes of society. The absence of this agreement, no doubt, denotes the necessity of the poet's voice for some and its danger fo rothers.

Disability As An Existential Challenge: Reading The Body In Sarah Ismail’S Poetry, Amrit Mishra

Tête à Tête: Journal of Francophone Studies

No abstract provided.

Translating The Poetry Of Leena Malhotra, Komal Agarwal

Living in Languages

No abstract provided.

Mukhammas Genre In The Second Half Of The Xix Century And The Beginning Of The Xx Century And The Principles Of Its Evolution, Sirojiddin Kholmakhmatovich Khujaqulov

Scientific reports of Bukhara State University

Introduction. The article discusses the evolution of the mukhammas genre in the national enlightenment and jadid literature, the principles of evolution of this genre, the place of the general literary process in the system of literary genres, its new principles, theme and ideological content, examples of works of jadid and enlightened poets. Traditional and innovative features in comparative typological monograph, analytical-comparative, descriptive and critical aspects are analyzed. Methods. During this period, it is possible to observe literary processes and trends in the form of paradoxical models of poetic norms of classical literature, based on realistic elements in the expression of …

Précisions À Propos De La Poésie Orale Du Rif, Abdelmottaleb Zizaoui

Dirassat

This article preaches the authenticity of Rifaine society in harmony with its physical and symbolic environment. While reflecting on Rifaine oral poetry, the author evokes the roots of the ancient poem as an element of socio-territorial identification in the test of time. Through the song rallabuya, it is the local heritage that forces admiration and forge the perpetual adaptation of young people. Following the orientation of Jean Cohen and Roman Jakobson, the author reinvests the concept of poeticity while resorting to the theses of the orality of Paul Zumthor in order to extract the poetic forms and thorny aspects accompanying …

الأسس الخلافية لتأويل مشكل شعر المعري بين البطليوسي وابن العربي, البشير التهالي

Dirassat

Title : The controversial foundations for interpreting the problem of al-Maari's poetry between Batalyawsi and Ibn al-Arabi

The poetry of Abu Al-Alaa Al-Maari is distinguished for its interactive and argumentative context. In addition, it is rich in interpretative capabilities. In addition, Al-Maari’s poetry has a brilliant interpretive potential that establishes the literary rule. Accordingly, it aims at analyzing the foundations of dispute between Abd Allāh Ibn Muḥammad al-Baṭalyawsī and Abu Bakr Ibn al-Arabi who were famous for interpreting poetic discourse. As far as Abu Al-'Ala al-Ma'ari is concerned; the reality of his poetry resides in an …

“No Roses, White Nor Red, Glow Here”: The Motif Of The Garden In Two Proserpine Poems By A. Swinburne And D. Greenwell, Cristina Salcedo González

CLCWeb: Comparative Literature and Culture

In this article, I discuss Algernon Swinburne’s and Dora Greenwell’s engagement with the myth of Proserpine through an analysis of the motif of the garden, which takes central stage in both accounts. The examination will illustrate how the authors’ outlined images of the garden challenge the dominant representation of the motif within Western literary tradition, offering a re-interpretation of the myth as social commentary.

Idealistic Study Of Proverbs In “Zarbulmasal” Of Gulkhani, Saodat Abdurakhimovna Kodirova

Scientific reports of Bukhara State University

Introduction. "Zarbulmasal" is a unique example of Uzbek prose art, as well as a unique original work in terms of structure, content, language, sharpness of artistic means. A great deal of attention has been given to this work by artistic people, as it’s literary critics, originality in terms of content and ideological direction totally differs from other works. In this article, the ideological, artistic and historical features of “Zarbulmasal” are elucidated. Proverbs are one of the oldest popular genres of Uzbek folklore, which reflects the worldview, attitude to society and moral norms of the people. In this article, spiritual and …

On Tasso In Prison By Charles Baudelaire, Sharon Fish Mooney

Transference

Translation of and commentary on Baudelaire's "On Tasso in Prison," which is an ekphrastic poem after Delacroix's painting of the same name.

Four Poems By Toshiko Hirata, Eric Hyett, Spencer Thurlow

Transference

Translations of "Is It February?" "Is It March?" "Is It November Again?" and "Is It December Again?"

Lullaby By Rainer Maria Rilke And Amen By Georg Trakl, Wally Swist

Transference

No abstract provided.

Drops From Black Candles By Abdallah Zrika, Mike Baynham

Transference

English translation of Abdallah Zrika's "Drops from black candles" accompanied by an essay on the translation process which includes consideration of Laâbi's French translation of the same poem.

While Dreaming, While Writing (Excerpt) By Max Alhau, Patrick Williamson

Transference

A free rendering of Max Alhau's "While dreaming, while writing," with commentary. The original source text is included.

Corona By Paul Celan, David Capps

Transference

No abstract provided.

Five Poems By Michael Krüger, Louise Stoehr

Transference

No abstract provided.

Two Poems By Charles Baudelaire, Arnold Johnston

Transference

Arnold Johnston's translations of Baudelaire's "The Lovely Ship" and "Invitation to the Voyage."

Blue Crystal By Martha Hofmann, Paul J. Shlichta

Transference

A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.

Two Poems By Nohad Salameh, Susanna Lang

Transference

Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."

Four Sonnets By Feng Zhi, Emily Goedde

Transference

Translation of Feng Zhi's Sonnets 6, 12, 16, and 18 by Emily Goedde.

Six Poems By Safiye Can, Marilya V. Reese

Transference

Translations into English of six pieces of poetry by Safiye Can, Circassian-German poet from Offenbach.

P.E.N member Safiye Can pronounced like John), award-winning and best-selling Circassian poet from Offenbach, is a German citizen. Can studied philosophy, psychoanalysis and law at the Goethe-Universität in Frankfurt am Main and is the recent recipient of two prestigious literary prizes (Else Lasker-Schüler Poetry prize and Alfred-Müller-Felsenburg Prize for Civil Courage in Literature). Can’s work examining the place of the individual in society reframes concepts of home and belonging. Safiye Can was featured at the 20^th annual, week-long Leselenz, Germany’s largest non-urban literary …

From The Villa By Lucretius, James E. Fowler

Transference

"From the Villa" is an epistolary poem in hexameters whose argument is loosely based on the Lucretius's De Rerum Natura. It is addressed to Lucretius's putative dedicatee/patron Gaius Memmius, a contemporary politician and poet.

Foreword, Molly Lynde-Recchia

Transference

No abstract provided.

Transference Vol. 8, Fall 2020, Molly Lynde-Recchia

Transference

No abstract provided.

A Hebrew Poet Writes In English About The Holocaust, Avraham Balaban

CLCWeb: Comparative Literature and Culture

No abstract provided.