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Full-Text Articles in Arts and Humanities
Terminology Translation And The "Rebirth" Of Comparative Literature In, Peina Zhuang
Terminology Translation And The "Rebirth" Of Comparative Literature In, Peina Zhuang
CLCWeb: Comparative Literature and Culture
In their article "Terminology Translation and the 'Rebirth' of Comparative Literature in China" Peina Zhuang and Huan Pi discuss terminology translation during the rise of Comparative Literature in China. They argue that, while great headway has been made in Comparative Literature here, it is not free from the challenges inherent in terminology translation, an important part in inter-cultural dialogue. Analyzing the status quo in terminology translation from three aspects, namely, the lack of unity, standardization, and accuracy, they argue that more attention should be given to this aspect in the scholarship. In particular, they advocate more concrete empirical research, such …
China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts
China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts
CLCWeb: Comparative Literature and Culture
In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …
Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky
Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky
CLCWeb: Comparative Literature and Culture
In her article, "Agency and Political Engagement in Gide and Barrault's Post-war Theatrical Adaptation of Kafka's The Trial" Yevgenya Strakovsky considers the political themes of André Gide and Jean-Louis Barrault's Le Procès (The Trial, 1947), the first theatrical adaptation of Franz Kafka's Der Prozess (The Trial, 1914). Strakovsky demonstrates that Le Procès, written and staged in the immediate aftermath of World War II, levels a critique against the passive complicity of citizens in unjust persecution in both its script and its staging. The paper also considers the elements of Kafka's prose that lend themselves to …