Arts and Humanities Commons^™

Lucie Cousturier: The Female Voice And Travel Narratives In Colonial West Africa, Ashley Gushulak

Foreign Languages & Literatures ETDs

In this thesis, I analyze Lucie Cousturier’s two major works, Des Inconnus chez eux (1920) and Mes Inconnus chez moi (1925) in which she navigates the discourses of imperialism, viewed as masculine, and of femininity. Through strategies of intimacy, Cousturier establishes her authority as a female travel writer. In her first work, Cousturier sets up an intimate relationship with the tirailleurs sénégalais by teaching them French and becoming a mother-figure to them. At the same time, Cousturier plays a role in France’s colonial agenda by teaching the soldiers French. In her second work, she establishes intimacy by adopting the local …

Agency, The Uncanny, And Strangeways: An Autoethnographic Journey Through An International Wunderland., Roberto T. Ollivier

Language, Literacy, and Sociocultural Studies ETDs

The African diaspora and postcolonial studies author George Lamming writes in his book “The Pleasures of Exile” that the Caliban character from Shakespeare’s “The Tempest” “cannot be revealed in any relation to himself-for he has no self which is not a reaction to circumstances imposed upon his life” (Lamming, 1992, p. 107). One could argue that the only hope this half-human half-monstrous creature, or for that matter, any of us have to find peace, lies in the attempt to find resolution through the metaphorical slaying of our respective pasts. Like Caliban, many of us are never …

Widerstandsidentitäten: Identitäts- Und Heimatsuche Der Nachfolgegenerationen Türkischer Migranten In Fatih Akins Gegen Die Wand, Feo Aladağs Die Fremde Und Feridun Zaimoğlus Kanak Sprak, Anja Ruxanda Barr

Foreign Languages & Literatures ETDs

ABSTRACT

This paper examines how Fatih Akin’s film Head-On/Gegen die Wand (2004), Feo Aladağ’s film When We Leave/Die Fremde (2010), and Feridun Zaimoğlu’s text Kanak Spraak construct a new Turkish-German identity that is established through resistance to a homogenously imagined culture. With the current influx of immigrants to Germany, the debate about integration, hybridity, and divergence has become more important than ever. The emergence of hybrid migrant identities that are being problematized in Turkish-German movies and texts has shown that issues of belonging and identity caused by multipositionality have become an integral part of Turkish-German narratives. Over time, representations …

The Narrator, The Mute, And The Familiar: Configurations Of Children In War Films, Kiyomi Wilks

Foreign Languages & Literatures ETDs

This thesis undertakes the examination of how and why children often figure prominently in films about war. Rather than accept the common argument that innocence is what makes children compelling as victims and objects of observation, this thesis argues that children in war films subvert dominant narratives about war and victimhood by asking questions that pierce through accepted narratives, revealing the child as an agent in possession of an adult knowledge that seems to run contrary to attempts to display the child as a naive innocent. The children in the three movies under examination-- The Spirit of the Beehive (1973) …

Carian Greeks And Greek Scythians: The Hybridity Of Greek And Barbarian Identity In Herodotus’ Histories, Benjamin D. Leach

Foreign Languages & Literatures ETDs

In my thesis, I discuss how Herodotus characterizes the similarities and differences between Greek and non-Greek identity. Herodotus provides his readers with a plethora of details about both Greek and non-Greek peoples in his Histories, which has offered scholars plenty of material to use in this topic. I argue that Herodotus purposefully highlights certain aspects that are shared by certain Greek and non-Greek peoples in order to provide a commentary on his own times. The first chapter focuses on the characters Phanes and Artemisia and how uses the same vocabulary to describes these two individuals, despite one being a …