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Articles 1 - 9 of 9
Full-Text Articles in Arts and Humanities
Tragicomic Transpositions: The Influence Of Spanish Prose Romance On The Development Of Early Modern English Tragicomedy, Josefina Hardman
Tragicomic Transpositions: The Influence Of Spanish Prose Romance On The Development Of Early Modern English Tragicomedy, Josefina Hardman
Doctoral Dissertations
The critical origin story for early modern English stage tragicomedy has frequently centered around Italian playwright and theorist Giambattista Guarini, who offered a tragicomic model in his play Il pastor fido (The Faithful Shepherd) and in his treatises on the genre. While Guarini’s impact on playwrights such as John Fletcher is undeniable, tragicomic critics have generally ignored the pervasive influence of Miguel de Cervantes’ work on seventeenth-century English playwrights. This project is the first sustained study of the influence of Cervantean prose romance on the development of early modern English tragicomedy. By looking at English tragicomedies with Spanish …
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Para Donde Miran Los Ojos: Confluencias Entre Locura, (Des)Identidad Y Violencia En La Obra De João Guimarães Rosa, Silvina Ocampo Y Luis Martín-Santos, Giseli C. Tordin
Doctoral Dissertations
This dissertation studies the representation of madness in the literary works of three twentieth-century authors, namely, João Guimarães Rosa (from Brazil), Silvina Ocampo (from Argentina), and Luis Martín-Santos (from Spain). The first chapter argues that madness in Ocampo’s “El castigo”, Rosa’s “Buriti”, and Martín-Santos, Tiempo de silencio, reveals a series of conflicts between tradition and modernity, rather than the alleged symptoms of an individual suffering from a mental illness. After comparing the three works, it is evident that the decisions of their characters reproduce certain values idealized by authoritarian cultures. The second chapter discusses Rosa’s “Substância”, Ocampo’s “La casa …
Theaters Of Voice, Body, And Page: Beckett, Sophocles, Homer, Joyce, Barry A. Spence
Theaters Of Voice, Body, And Page: Beckett, Sophocles, Homer, Joyce, Barry A. Spence
Doctoral Dissertations
This dissertation makes a comparative study of Homeric Greek, Classical Greek, Modernist, and late modern works of storytelling with particular attention to strategies and techniques that achieve an exceptional degree of performative immediacy. As such, theater (the dramatic mode) forms a central concern, viewed as the fulfillment of direct performative embodiment—building on Aristotle’s idea of mimesis. An analysis examining multiple media demonstrates how oral epic poetry, Athenian tragedy, modern theater, the short story, and the novel can make use of seemingly disparate storytelling methods that share underlying mechanisms whose effects are decidedly theatrical. Four authors—Sophocles, Samuel Beckett, Homer, and …
Translation, Rewriting, And Fan Fiction: A Literary History Of Transformative Work, Shannon K. Farley
Translation, Rewriting, And Fan Fiction: A Literary History Of Transformative Work, Shannon K. Farley
Doctoral Dissertations
This dissertation explores the relationship between rewritings of source texts and their cultural contexts in an attempt to raise the prestige of fan fiction. In these early years of the twenty-first century, it's becoming increasingly clear that we're living in a “participatory culture,” in which consumers of texts are becoming more and more engaged with the texts they are consuming. Producers of films and television shows create fictional websites for fans to visit and continue interacting with the stories outside of their regular viewing schedule. Fans have created their own communities, mostly online, where they analyze, debate, deconstruct, reconstruct, and …
Women On Trial: Translating Femininity Through Journalism, William B. Ollayos
Women On Trial: Translating Femininity Through Journalism, William B. Ollayos
Masters Theses
The focus of this thesis is on cultural translation as a means of understanding the relationship between sociocultural identity with respect to bourgeois white female sexuality and interpretations by news journalists, writers and filmmakers. The thesis brings translation scholar Lawrence Venuti’s description of foreign and domestic texts (2008) into conversation with Catherine Cole’s analysis of journalists as active interpreters of newsworthy events (2010) to support my view of the media as a translator of sociocultural identity. The thesis outlines the construction of bourgeois white femininity within the U.S. imaginary and a more detailed account of its direct impact upon journalistic …
A Lesson In Loving The Word: Translating Clarice Lispector Into Polish, Agnieszka Gabor
A Lesson In Loving The Word: Translating Clarice Lispector Into Polish, Agnieszka Gabor
Masters Theses
The goal of this thesis is to discuss Clarice Lispector in the Polish context and address the potential gaps in the reception of her oeuvre. Since the principal vehicle of popularizing her writing outside of the Portuguese-speaking world is translation, my thesis also examines the current situation of the Polish translations of Lispector’s work. Based on my research, I contend that the angle of interpretation related to Lispector’s literary awareness has not been well explored in Poland. Given that the perspective related to the creation process constitutes a recurrent characteristic of Lispector’s narrative, I provide a textual analysis of four …
Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo
Moving Against Clothespins:The Poli(Poe)Tics Of Embodiment In The Poetry Of Miriam Alves And Audre Lorde, Flávia Santos De Araújo
Doctoral Dissertations
This dissertation examines literary representations of the black female body in selected poetry by U.S. African American writer Audre Lorde and Afro-Brazilian writer Miriam Alves, focusing on how their literary projects construct and defy notions of black womanhood and black female sexualities in dialogue with national narratives and contexts. Within an historical, intersectional and transnational theoretical framework, this study analyses how the racial, gender and sexual politics of representation are articulated and negotiated within and outside the political and literary movements in the U.S. and Brazil in the 1970s and 1980s. As a theoretical framework, this research elaborates and uses …
Rewriting The Twentieth-Century French Literary Right: Translation, Ideology, And Literary History, Marcus Khoury
Rewriting The Twentieth-Century French Literary Right: Translation, Ideology, And Literary History, Marcus Khoury
Masters Theses
For English-language audiences, twentieth-century French literature is often identified with a variety of literary movements tied to the political left. In spite of its lesser visibility, the French literary right enjoyed considerable prestige during the first half of the twentieth century. This thesis employs methodologies from translation studies in order to study how the French literary right has been translated, or not translated, into English. Case studies devoted to three seminal writers of the right, including Charles Maurras (1868-1952), Pierre Drieu la Rochelle (1893-1945), and Roger Nimier (1925-62), demonstrate that right-wing committed literature was a central mode of literary production …
A Poetics Of Subtraction: The Autobiographical Films Of Frampton, Tarkovsky, And Álvarez, Alexander B. Joy
A Poetics Of Subtraction: The Autobiographical Films Of Frampton, Tarkovsky, And Álvarez, Alexander B. Joy
Doctoral Dissertations
Contemporary critical discussions of autobiographical cinema have linked the theory, practice, and poetics of autobiographical filmmaking to those of self-portraiture. A Poetics of Subtraction complicates the dominant theoretical framework by advocating for the relevance of sculpture and its attendant poetics in the interpretation of autobiographical films. Through a thorough examination of Hollis Frampton's (nostalgia) (1971), Andrei Tarkovsky's Зеркало (Mirror, 1975) and Tempo di viaggio (1983), and Mercedes Álvarez's El cielo gira (2004), this dissertation argues that an understanding of sculpture's processes and poetics is essential for grasping the methods, materials, and meanings of autobiographical films. In particular, …