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Articles 1 - 8 of 8
Full-Text Articles in Arts and Humanities
Murambi Et Moisson De Crânes Ou Comment La Fiction Raconte Un Génocide, Josias Semujanga
Murambi Et Moisson De Crânes Ou Comment La Fiction Raconte Un Génocide, Josias Semujanga
Présence Francophone: Revue internationale de langue et de littérature
This article shows how literary fiction is able to narrate the event of genocide so as to shatter the rational explanations of the world that are the accepted framework for discourse. It studies two texts written on the Rwandan genocide: Murambi by Boubacar Boris Diop and Moisson de crânes by Abdourahman Waberi.
La Représentation Du Politique Dans La Littérature Gabonaise, Jean René Ovono Mendame
La Représentation Du Politique Dans La Littérature Gabonaise, Jean René Ovono Mendame
Présence Francophone: Revue internationale de langue et de littérature
From which viewpoint do Gabonese writers relate to the realities of the political and social policies of their country and what place do political players occupy in their works? Why do they hesitate so much to denounce the problems of their society? Why is there such a pronounced silence within their literary works? This article raises these delicate and complex questions. The report produced on the evolution of Gabonese writing affirms that writers’ silence is the product of self-censorship. They are condemned to fear saying anything, not only because of potential reprisals, but because they are, for the majority, political …
L'Islam En Termes Chrétiens : Quand L’Aventure Ambiguë « Croise » Pascal Et Saint Augustin, Mbaye Diouf
L'Islam En Termes Chrétiens : Quand L’Aventure Ambiguë « Croise » Pascal Et Saint Augustin, Mbaye Diouf
Présence Francophone: Revue internationale de langue et de littérature
If it is recognized that The Ambiguous Adventure is one of Africa’s most studied texts, it should also be noted that most analyses of Cheikh Hamidou Kane’s novel are general sociological commentaries on a mythologized Africa or on a society that is caught in the snares of its own mythic “values.” These commentaries often forget that the text is also the passage through a history that was imposed on Africa, and one which the writer tries to interpret in his own way. If Kane’s text plunges into the Christian faith by invoking Pascal and Augustine, it is in order to …
L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi
L’Historiographie Positiviste Au Miroir De La Fiction Littéraire, Kasereka Kavwahirehi
Présence Francophone: Revue internationale de langue et de littérature
In its study of L’Écart by V.Y. Mudimbe, this article examines the critical and ironic mirroring of the discourses of the social sciences. By highlighting the pretensions of scientific discourse, Mudimbe’s fiction reveals the ambiguity and the limits of positivist methodology in a postcolonial context.
La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa
La Traversée Des Savoirs Dans Le Roman Africain, Justin K. Bisanswa
Présence Francophone: Revue internationale de langue et de littérature
The African novel refers to a socio-political as well as a literary History, but does so with guile, expressing this History from an angle. Referring constantly to the social and human sciences, to the point of competing with them, the novel vacillates between dependency and autonomy. It thus proposes a specific knowledge of society, its functioning, and the individuals who constitute it. However, its true intention is not to copy the world, nor even to imitate its life, but to provide a miniaturized replica of both, and set itself up as a vast metonymic duplicate of a certain universe.
Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis
Le Romancier Africain Et L'« Énigme D'Arrivée », Bernard Mouralis
Présence Francophone: Revue internationale de langue et de littérature
The theme of travel occupies an important place in African literature for two reasons. The earliest African writers wanted to substitute their own discourse for the one that had been produced by the West for centuries and which was long considered to be the sole legitimate discourse on Africa. By portraying African heroes and/or narrators who embarked on voyages to Africa or to Europe, African writers showed that the African too could be a traveler. The second reason is linked to generic considerations. Since the time of Don Quixote, the novel unfolds as an itinerary moving from one point to …
Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim
Le Système Des Personnages Dans Corruption De Pramoedya Ananta Toer Et L’Homme Rompu De Tahar Ben Jelloun, Magda Ibrahim
Présence Francophone: Revue internationale de langue et de littérature
A comparison of the character systems of Tahar Ben Jelloun’s The Broken Man and Pramoedya Ananta Toer’s Corruption (transmitter text) has made it possible to identify the same type of protagonist at the core of each novel. He is, in short, a mere functionary overburdened with social responsibilities, leading a cramped life and trying to live and breathe. But the portrayal of him in The Broken Man is more precise, and has greater depth. Moreover, the character systems as a whole is richer, more complex and subtle in this last novel, compared with that
Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo
Noms Et Identités Dans La Migration Des Coeurs : Vers Une Affirmation De L’Identité Caribéenne, Hanétha Vété-Congolo
Présence Francophone: Revue internationale de langue et de littérature
In Maryse Condé’s Windward Heights, the female characters bear the same first and last names, and act in the same way as, their counterparts in Emily Brontë’s Wuthering Heights. It would seem relevant, therefore, to ask about the dialectics of naming and identity set out in Windward Heights, and what this might mean for Caribbean identity. Is naming the only thing that gives Condé’s characters their identity? Or are they mirror-image projections of Brontë’s characters. Answering these questions, we may be able to determine how Condé’s work, as a new creation, establishes its own identity and whether its meaning is …