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Comparative Literature

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Butler University

Translation

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Audacious Translation: On Being Haunted And Getting Lost On The Way To Translating Spivak. A Reflection On Spivak’S “Translating Into English”, Susan R. Adams Jan 2015

Audacious Translation: On Being Haunted And Getting Lost On The Way To Translating Spivak. A Reflection On Spivak’S “Translating Into English”, Susan R. Adams

Scholarship and Professional Work – Education

In “Translating Into English” within An Aesthetic Education in the Era of Globalization (2012), Spivak eludes apprehension, spurns comprehension, and resists neat translation as I, an American educator, attempt to make sense of what is meant by an aesthetic education as Spivak translates the act of translation. Caught and othered as a language broker in learning the double bind of translation, I find no answers, only new questions as I grope toward ways to conceptualize and to name this moment for translators and language educators: (1) What does it mean to be a translator?; (2) Can and should the convenient …


On The Dimension Of Narrative: Zhang Ailing’S Self Translation Of Her Novel, Spring-Sprout Song, Xiaoqing Liu Jan 2014

On The Dimension Of Narrative: Zhang Ailing’S Self Translation Of Her Novel, Spring-Sprout Song, Xiaoqing Liu

Scholarship and Professional Work - LAS

Zhang Ailing, in her self-translation of The Rice-Sprout Song from English to Chinese, made a special effort to adopt a Chinese narrative style. This style includes the Chinese way of depicting events, an emphasis on the narration of non-events, the addition and highlighting of the technique of irony, a strong lyrical tone, a simple and straightforward way of portraying characters, and the tailoring of narrative structure. Nevertheless, Zhang did not make her Chinese translation depart significantly from her "original" English writing, except for the last chapter, which was changed for other reasons. Rather, she made the changes in a subtle …