Arts and Humanities Commons^™

Feminine Purity And Masculine Revenge-Seeking In Taken (2008), Casey R. Kelly

Scholarship and Professional Work - Communication

The 2008 film Taken depicts the murderous rampage of an ex-CIA agent seeking to recover his teenage daughter from foreign sex traffickers. I argue that Taken articulates a demand for a white male protector to serve as both guardian and avenger of white women's “purity” against the purportedly violent and sexual impulses of third world men. A neocolonial narrative retold through film, Taken infers that the protection of white feminine purity legitimates both male conquest abroad and overbearing protection of young women at home. I contend that popular films such as Taken are a part of the broader cultural system …

Performing And Interpreting Identity, Lee Farquhar

Scholarship and Professional Work - Communication

This one-year cyber-ethnography examines identity presentations and interpretations of 346 Facebook users. The social–psychological theoretical framework used drew specifically from symbolic interaction, Goffman’s performance of self, and schema theory. Generally, Facebookers sought social acceptance with their presentations. Primary findings indicate that the Facebookers present over-simplified imagery to reduce ambiguity and align with specific social groups. This study asked Facebookers to respond to strangers’ Facebook profiles, and the responses showed that due to the glut of identity-related information on the site, interpretations are heavily reliant on schemas. Online interview participants indicated several basic categories of identity performance that were used to …

Malcolm Chisholm: An Evaluation Of Traditional Audio Engineering, Paul Linden

Scholarship and Professional Work - Communication

The career of longtime Chicago area audio engineer and notable Chess Records session recorder Malcolm Chisholm (1929-2003) serves as a window for assessing the stakes of technological and cultural developments around the birth of Rock & Roll. Chisholm stands within the traditional art-versus-commerce debate as an example of the post-World War II craftsman ethos marginalized by an incoming, corporate-determined paradigm. Contextual maps locate Chisholm’s style and environment of audio production as well as his impact within the rebranding of electrified Blues music into mainstream genres like Rock music. Interviews of former students and professional associates provide first-hand accounts of core …

Race, Hegemony, And The Birth Of Rock & Roll, Paul Linden

Scholarship and Professional Work - Communication

The Blues Had a Baby and They Named it Rock & Roll

On his Grammy winning album, Hard Again, McKinley Morganfield (a.k.a. “Muddy Waters”) sings his song The Blues Had a Baby and They Named it Rock & Roll.1 What are the racial and social implications of this rebirth? In this study, I will argue that the cultural context during the birth of Rock & Roll was such that Blues music had to be “reborn” in order to enter into the predominantly white mainstream. From the perspective of a Blues musician, Morganfield’s use of the idea of rebirth is a …

Televising 9/11 And Its Aftermath: The Framing Of George W. Bush’S Faith-Based Politics Of Good And Evil, Gary Edgerton

Scholarship and Professional Work - Communication

For most of the four days following 9/11, TV viewers around the world were mesmerised by unthinkable images. Television brought home to Americans especially the polarising effects of the post-Cold War world, including the backlash of Islamic fundamentalism and the imminent threat of future terrorist attacks. A formulaic narrative quickly emerged; ordinary police and firefighters took the lead as America’s national heroes, while Osama bin Laden and the rest of al-Qaeda and the Taliban rose up as villains. On September 12, 2001, U.S. President George W. Bush gave voice to this mythic small-screen storyline as “a monumental struggle of good …

Alain De Roucy Et La Voix Anonyme De La Chanson De La Croisade Albigeoise, Paul Linden

Scholarship and Professional Work - Communication

La Chanson de la Croisade Albigeoise, écrite entre 1212 et 1219, est le produit de deux auteurs successifs: Guillaume de Tudèle et un autre écrivain resté anonyme. Ces deux auteurs écrivent non seulement à chaud, mais ils sont partisans de factions opposées: Guillaume de Tudèle soutient la position des croisés français alors que l'auteur anonyme montre la perspective méridionale. Loin d'amoindrir la différence entre les deux perspectives comme l'a fait Michel Zink, cette étude considère au contraire l'anonymat comme une stratégie qui souligne les rapports entre la Chanson et un champ de bataille.² Notons comment l'Anonyme s'attaque aux …

Where The Past Comes Alive’: Television, History And Popular Memory, Gary Edgerton

Scholarship and Professional Work - Communication

No abstract provided.

High Concept, Small Screen: Reperceiving The Industrial And Stylistic Origins Of The American Made-For-Tv Movie, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to "Hilmes, Michele. Connections: A Broadcast History Reader. Belmont, CA: Thomson/Wadsworth, 2003".

Updating The Standard For The Next Generation Of Electronic Media Historians, Gary R. Edgerton

Scholarship and Professional Work - Communication

Broadcasting as a field of study is at least 75 years old. Part of the discipline’s folklore has it that Edward R. Murrow took the first radio announcing class ever offered in the U.S. at the then Washington State College in 1928. “It was called community drama, in order to qualify as an academic course,” explained Alexander Kendrick, one of “Murrow’s boys” and the initial biographer of the legendary newsman (Kendrick, 1969, p. 100). Whether this offering was really a historical first is beside the point; what is important for our purposes is that Murrow’s formative educational experience in broadcasting …

Chalk, Talk, And Videotape: Utilizing Ken Burns’S Television Histories In The Classroom, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to OAH Magazine of History (Summer 2002) 16 (4): 16-22.

The Multiplex: The Modern American Motion Picture Theatre As Message, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to "Hark, Ina R. Exhibition, the Film Reader. London: Routledge, 2001. "

Ken Burns’S Rebirth Of A Nation: Television, Narrative, And Popular History, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribtution to "Landy, Marcia. The Historical Film: History and Memory in Media. New Brunswick, NJ: Rutgers UP, 2001."

Revisiting The Recordings Of Wars Past: Remembering The Documentary Trilogy Of John Huston, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribtution to "Studlar, Gaylyn, David Desser, and John Huston. Reflections in a Male Eye: John Huston and the American Experience. Washington: Smithsonian Institution Press, 1993."

Film Language And The Persistence Of Racial Stereotyping In The Last Of The Mohicans (1992), Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to the Journal of Contemporary Thought, Vol. 7.

Integrating Students Into The Operation Of A University-Owned Television Station, Christine Taylor

Scholarship and Professional Work - Communication

Most journalism and mass communication programs provide opportunities for students to acquire some "hands-on" experience as undergraduates.

There remains some considerable argument as to whether this "hands-on" educational experience should be part of the academic curriculum. I will review this debate briefly.

The Murrow Legend As Metaphor: The Creation, Appropriation, And Usefulness Of Edward R. Murrow's Life Story, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to the Journal of American Culture, Vol. 15.

A Visit To The Imaginary Landscape Of Harrison, Texas: The Filmed Stories Of Horton Foote, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribution to Film Literature Quarterly, Vol. 17, No. 1.