Arts and Humanities Commons^™

Psychosexualism In Victorian Literature: A Psychoanalysis Of Jane Eyre And Dracula, Heather Marie Ward

Theses, Dissertations and Capstones

My thesis consists of historical facts and literary analysis and is made up of three chapters. In the first chapter, I look at two varying elements of psychosexualism, the emotional and the physical, and discuss how each can be applied to Jane Eyre and Dracula. The chapter also contains an explanation for the term psychosexualism and provides a brief history of: the Victorian notion of hysteria and spermatorrhea, the twentieth-century classifications of love and sex addiction, as well as the twenty-first-century to Histrionic Personality Disorder and Sexual Sadism Disorder. The second chapter provides an analysis of Jane Eyre, specifically looking …

Scandalous Deception In The Castle: An Examination Of The Gender Performance Through The Bedtrick Trope In Arthurian Literature, Abby Louise Daniel

Theses, Dissertations and Capstones

The bedtrick – mistaken identity in a sexual encounter – is a comic motif employed by medieval, renaissance and modern storytellers. While modern readers tend to recognize this motif as (at best) a disturbing sexual escapade and (at worst) rape, the scholarship on mistaken identity in medieval literature still generally glosses over the bedtrick as a moment of comedy. My thesis examines the literary trope of the bedtrick through the critical lens of Judith Butler’s performativity theory, and the motives behind this form of deception and the modern implications. Furthermore, the bedtrick trope is explored in Malory’s Le Morte Darthur …

Lend Me Your Voice: Discovering Romanity In Seneca's De Otio And De Brevitate Vitae, Joshua Dean Wimmer

Theses, Dissertations and Capstones

This thesis is primarily concerned with the theory that the writings of Seneca the Younger display an array of stylistic choices theretofore unprecedented in the production of philosophical works in Latin, as well as that, in so doing, Seneca is able to cultivate an approach to Latin literature that is uniquely Roman in character. By using two of the “dialogues” of Seneca—De otio and De breuitate uitae—as representative of his prose works, particularly those philosophical in nature, I analyze the author’s specific use of language in order to highlight and to detail those methods which he employs in an effort …

A Feminist Critique Of Beowulf: Women As Peace-Weavers And Goaders In Beowulf's Courts, Charles Phipps

Theses, Dissertations and Capstones

This thesis documents the relationship between “Goaders" and "Peace-Weavers" amongst the women of Beowulf. These roles have a large place to play within the framework of the Beowulf narrative and all of its female characters fall into one of these descriptors. Goaders are women who have the role of driving men to violence with words. They do not actually perform the violence themselves but instead induce it in others, souring relationships and compelling men to war. Peace-weavers, by contrast, urge men toward reconciliation with speech and encouragement. Examining the poem's context for these two roles and how they relate to …

A Poet's Request : Text And Subtext In Horace's Odes 1.1, Virginia C. Cook

Theses, Dissertations and Capstones

As the first poem within Horace's original publication of Odes, Odes 1.1 embodies aspects of theme and style representative of the poet's approach to the genre of lyric poetry. The Odes of Horace allow various interpretations by the reader based on construction, vocabulary and imagery. This thesis explores Odes 1.1 in its entirety through such approaches and focuses on the text and subtext incorporated by the poet. The first chapter sets the foundation needed in order to begin a study of Horace's lyric poetry, detailing the genre as a whole, the life of the poet, as well as the contradiction …

Deathly Erichtho As Vital To Lucan’S Bellum Ciuile, John Byron Young

Theses, Dissertations and Capstones

Lucan’s Bellum Ciuile has provided much difficulty for scholars in the identification of a hero, as none of the main characters of the epic, Caesar, Pompey, and Cato, fully become a hero. I argue that a minor character, Erichtho, the necromancer in book 6, is not only the hero, but also the supreme uates and reflection of the poet. Through her comparison with Scaeva in book 6 as well as Aeneas of Vergil’s Aeneid and her interactions with Sextus Pompey, her heroism becomes fully developed. She creates a corpse uates through her vatic powers and gains access into the Underworld …

Borrowing In Context : The Importance And Artistic Implications Of Chaucer's Use Of Sources In The Merchant's Tale, Austin Taylor Mcintire

Theses, Dissertations and Capstones

In this thesis, I consider the implications of Chaucer not only as a man of his age but also as a poet who made deliberate decisions to borrow, imitate, and adapt the work of others, specifically in the context of The Merchant’s Tale. Chapter I of this thesis establishes the significance of the medieval understanding of auctor and auctoritas during the medieval literary period and, furthermore, examines Chaucer’s artistic output both during his career as a court poet and following his removal to Kent in an attempt to reach a clearer understanding of Chaucer’s use of source material when composing …

Metaphysics And The Charge Of Misanthropy : Ralph Waldo Emerson’S “Circles” As A Cipher For Understanding The Connection Between Robinson Jeffers And Herman Melville, Hunter Stark

Theses, Dissertations and Capstones

Herman Melville’s and Robinson Jeffers’s metaphysical thoughts reflect Ralph Waldo Emerson’s notion of looking towards Nature for discovery; all three writers’ observations of Nature influence how they see humanity’s place in existence. Both Melville and Jeffers observe Nature decentralizing humanity, which distinguishes their views from Emerson’s. Where Jeffers’s verse sternly voices this message, openly criticizing the anthropocentric viewpoint, Melville utilizes humor, subtly confronting the anthropocentric proponent and downplaying humanity’s power. Jeffers garners the label of misanthrope, whereas Melville’s metaphysical realm in Moby-Dick largely escapes this charge with the masking quality of his humor. Comparing both writers’ texts to an Emersonian …

The Postcolonial "Knight‘S Tale": A Social Commentary On Post-Norman Invasion England, Ruth M.E. Oldman

Theses, Dissertations and Capstones

Every author injects a purpose into his or her works; in Chaucer‘s case, he scribed The Canterbury Tales, which tackles and successfully demonstrates various aspects to fourteenth century English society and culture. "The Knight‘s Tale" is no different; the tale is almost identical, plot-wise, to Giovanni Boccaccio‘s Teseida, and yet Chaucer weaves a tale that is distinctive. The tale reflects Chaucer‘s views on his society, in particular post-Norman attitudes. By examining the text with a post-colonial theoretical approach, Chaucer‘s "The Knight‘s Tale" is a subaltern commentary on the colonization of England after the Norman Conquest.

Women With Short Hair, Amanda Layne Stephens

Theses, Dissertations and Capstones

Women with Short Hair is a short-fiction collection that centers on the lives of four women who live in West Virginia. Each story depicts a female character during a different developmental stage: childhood in ―In Casino Daycare,‖ young adulthood in ―Felis domestica,‖ adulthood in ―Date Night at the Beach,‖ and middle-age in ―Women with Short Hair.‖ Short-fiction collections that influenced Women with Short Hair include Flannery O‘Connor‘s A Good Man Is Hard to Find, James Joyce‘s Dubliners, and Ernest Hemingway‘s In Our Time. Symbolism, repetition, the objective correlative, and free indirect discourse constitute reoccurring literary devices while reappearing themes include …

Power, Courtly Love, And A Lack Of Heirs : Guinevere And Medieval Queens, Jessica Grady

Theses, Dissertations and Capstones

Authors have given Queen Guinevere of the Arthurian stories a wide variety of personalities; she has been varyingly portrayed as seductive, faithful, “fallen,” powerful, powerless, weak-willed, strong-willed, even as an inheritor of a matriarchal tradition. These personalities span eight centuries and are the products of their respective times and authors much more so than of any historical Guinevere. Despite this, however, threads of similarity run throughout many of the portrayals: she had power in some areas and none in others; she was involved in a courtly romance; and she did not produce an heir to the throne. None of these …

Ariadne As The Exemplum Of The Virtutes Of Heroes In Catullus Carmen 64, Chad P. Brown

Theses, Dissertations and Capstones

In Carmen 64, Catullus establishes Ariadne as an exemplum of a new type of hero whose uirtutes are motivated by love rather than by the desire for glory that motivated traditional male epic heroes. Catullus utilizes the ecphrasis, a literary device which is traditionally a digression from the main narrative, to place Ariadne in this new heroic role. The first chapter reviews the past scholarship of Carmen 64. The second chapter examines how Catullus makes Ariadne the exemplum of this new type of hero while presenting a negative portrayal of Theseus. The third chapter discusses how the wedding of Peleus …

Body Parts And Their Epic Struggle In Ovid’S Amores, Leisa M. Muto

Theses, Dissertations and Capstones

This thesis examines how body parts in Ovid’s Amores provide the location for an epic battle between the conflicting genres of Tragedy and Elegy. The first chapter summarizes past Ovidian scholarship. The second chapter examines how Ovid separates body parts of the amator and the puella in Amores 1.4 and 1.5 in order to deny the lovers complete unification. The third chapter expands the conclusion of the second by analyzing poems in Books 2 and 3, which contain a significant number of body parts, to determine how the amator’s interaction with the puella’s body parts reflects his lack of union …

“Since Merlin Paid His Demon All The Monstrous Debt”: The Celtic In Keats, Brandy Bagar Fraley

Theses, Dissertations and Capstones

This thesis argues that the Keatsian critical canon refuses to acknowledge the influence of Celticism in the works of John Keats and that such a gap displaces his poems from their cultural context and also prevents re-readings that might add depth and distinction to his place in the Romantic canon. After discussing the Celticism inherent in the literature, art, and social phenomenon of Keats’s day and briefly reviewing the scarce criticism that exists on the topic, the author reveals the prevalence of Celtic philosophies, figures, myths, and settings in Keats’s poetry. Then, she further argues that Keats through the feminized …

Aesthetic Revolutionaries : Picasso And Joyce, Joy M. Doss

Theses, Dissertations and Capstones

Picasso’s Cubist works and Joyce’s Ulysses transcend tradition, merge time and space, and radicalize form. By accomplishing these feats, the two men become seminal embodiments of Modernism. This thesis examines the conceptual and formal qualities shared by Cubism and Ulysses. With particular attention given to changing concepts of space and time, similarities between the works are related to four characteristics generally attributed to Modernism: deviance from tradition, an emphasis on form, fragmentation, and appropriation of popular culture. The monumental effects of these works on society are examined in the conclusion. The legacy of these aesthetic revolutionaries is unavoidable and continues …

Chasing Demons: Female Villains And Narrative Strategy In Victorian Sensation Fiction, Heather Sowards

Theses, Dissertations and Capstones

This thesis explores Victorian sensation fiction and key authors who rely on essentialism, employing the classifications of either angel or demon to their literary female figures. Using Nina Auerbach's theories on these above categorizations and Helene Cixous's linguistic binaries, I examine the ways in which the narrators of Mary Elizabeth Braddon's Lady Audley's Secret, Sheridan Le Fanu's Uncle Silas, and Wilkie Collins's Heart and Science force this taxonomy onto the female villains who dominate the novels' themes. By looking closely at the narrative strategies, I conclude that these female characters themselves are proposing a very different sense of self or …

Jane Austen's Powers Of Consciousness, Diane M. Counts

Theses, Dissertations and Capstones

This thesis incorporates information from recent biographies, feminist studies, and scholarly interpretations focusing on Jane Austen's narrative strategies. Such incorporation of material provides a context for understanding the significance of Austen's contributions to the novel form and illuminating the development of the female narrative voice. It focuses on Emma, Austen's last novel published during her lifetime, as an exemplification of Austen's enunciation of a feminine perspective of life and vocalization of a growing female self-awareness - her powers of consciousness - through Emma. Of primary concern is Austen's use of narrative techniques enabling the reader to become intimately acquainted and …

Coyote Tracks: Examining The Trickster In The Works Of Leslie Marmon Silko, Jeffrey A. Green

Theses, Dissertations and Capstones

The purpose of the current work is to extrapolate an understanding of the trickster figure as it is used in the literary works of Leslie Marmon Silko, a contemporary Laguna Pueblo author. Trickster analysis in Native American literature is primarily relegated to the study of traditional myths and stories, and only a few scholars approach the topic in contemporary Native American literature. Of those who do, none have chosen Silko’s works as the primary focus of their analysis. An examination of this type will contribute to and expand the existing literary criticism of Silko’s writings. Leslie Silko utilizes the traditional …

Christina Rossetti: Pre-Raphaelite Poet, Linda S. Baird

Theses, Dissertations and Capstones

Considered by her contemporaries to be one of Victorian England's greatest poets, the writings of Christina Rossetti clearly exemplify the work of a Pre-Raphaelite artist ("CR and the Visual Arts"). The publication in 1862 of Goblin Market and Other Poems represented the first literary success of the Pre-Raphaelites, although Christina herself was not a bona fide member ("CR's Literary Career"). Much speculation exists as to the reason that the Pre-Raphaelite Brotherhood. Several biographers/critics postulate that some of the members refused to allow her admittance because she was female; however, an actual letter from Gabriel suggests that she was asked, but …

Henry Iv, Part Two: A Modern Stage History, Calisa A. Pierce

Theses, Dissertations and Capstones

William Shakespeare's Henry IV, Part Two has too often been neglected in comparison with its predecessor, Henry IV, Part One, or its successor, Henry V. In the latter half of the twentieth century, major productions of the drama have been performed only in conjunction with Part One1, and often with Henry V, Richard II, and other plays added in a Tillyardian cycle.

Although this trend has benefitted audiences who see the characters of Henry IV, Hal, and Falstaff develop over the course of several plays, it has tended to obscure one of the major themes of Part Two, that of …