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- Conference Papers (11)
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Articles 1 - 25 of 25
Full-Text Articles in Arts and Humanities
Violence In Plautus: Or, How I Learned To Stop Worrying And Love Performance, Christopher Bungard
Violence In Plautus: Or, How I Learned To Stop Worrying And Love Performance, Christopher Bungard
Christopher Bungard
Christopher Bungard's contribution to the American Philological Association Annual Meeting, 2015.
Comedy, Violence, And Undergraduates, Christopher Bungard
Comedy, Violence, And Undergraduates, Christopher Bungard
Christopher Bungard
Christopher Bumgard's contribution to the CAMWS Annual Meeting: Boulder, Colorado, 2015.
Mercator, 691-802 In English, Version B. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard
Mercator, 691-802 In English, Version B. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard
Christopher Bungard
Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 1: Performed in Latin to illustrate a scene that would have not been accompanied in the original performance. This is the only scene of the Institute that would have …
A Blast From The Ancient Past: Using Digital Storytelling In ‘Roman Perspectives’, Christopher Bungard
A Blast From The Ancient Past: Using Digital Storytelling In ‘Roman Perspectives’, Christopher Bungard
Christopher Bungard
Christopher Bumgard's contribution to the CAMWS Annual Meeting: Waco, Texas. 2014.
Reconsidering Zeus’ Order: The Reconciliation Of Apollo And Hermes, Christopher Bungard
Reconsidering Zeus’ Order: The Reconciliation Of Apollo And Hermes, Christopher Bungard
Christopher Bungard
This paper argues that the Homeric Hymn to Hermes explores competing ways of approaching the world through the figures of Hermes and Apollo. Apollo’s reliance on the established world, partially marked by the knowledge of εἰδέναι, is insufficient in understanding Hermes, who aligns himself with the flexible capacity of νόος. Whereas Apollo eliminates his rivals in order to establish himself permanently, Hermes exploits unexplored potentials in order to create space alongside the established gods in the Olympian order. Ultimately, the newly forged friendship of Apollo and Hermes helps us understand the nature of Zeus more fully.
Mercator, 691-802 In English, Version A. Neh Summer Institute: Roman Comedy In Performance., Christopher Bungard
Mercator, 691-802 In English, Version A. Neh Summer Institute: Roman Comedy In Performance., Christopher Bungard
Christopher Bungard
Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 2: Performed in English. Dorippa is played assertively, and the cook unwittingly complicates Lysimachus' troubles. Translation by Sharon James with modifications by Christopher Bungard, Christine Woodworth, Dan Smith, and …
L’Ingannatore Ingannato: I Due Aspetti Di Milfione Nello Poenulo, Christopher Bungard
L’Ingannatore Ingannato: I Due Aspetti Di Milfione Nello Poenulo, Christopher Bungard
Christopher Bungard
Christopher Bungard's contribution to: Lecturae Plautinae Sarsinates XV: Poenulus. R. Raffaelli and A. Tontini, eds. Urbino: Edizioni QuattroVenti.
To Script Or Not To Script: Rethinking Pseudolus As Playwright, Christopher Bungard
To Script Or Not To Script: Rethinking Pseudolus As Playwright, Christopher Bungard
Christopher Bungard
Christopher Bungard's contribution to Helios, 41(4).
Lies, Lyres, And Laughter: Surplus Potential In The Homeric Hymn To Hermes, Christopher Bungard
Lies, Lyres, And Laughter: Surplus Potential In The Homeric Hymn To Hermes, Christopher Bungard
Christopher Bungard
This paper seeks to reevaluate scholarly responses to the laughter in the Homeric Hymn to Hermes. Using Zupančič's recent work on comedy, I argue that Hermes intentionally exploits surplus potentials that emerge from splits in the perceived unity and completeness of Zeus's cosmos. Through surpluses (a tortoise-lyre, a baby cattle rustler, a baby master of legal speech), Hermes is able to attain his place among the Olympians. The laughter of the audience is one final expression of this acceptance of Hermes and his potential.
Determinando Un Ruolo: Immo E Improvvisazione Nello Pseudolus, Christopher Bungard
Determinando Un Ruolo: Immo E Improvvisazione Nello Pseudolus, Christopher Bungard
Christopher Bungard
Christopher Bungard's contribution to: Lecturae Plautinae Sarsinates XVI: Pseudolus. R. Raffaelli and A. Tontini, eds. Urbino: Edizioni QuattroVenti.
Moore, T. 2012. Roman Theatre. Cambridge: Cambridge University Press, Christopher Bungard
Moore, T. 2012. Roman Theatre. Cambridge: Cambridge University Press, Christopher Bungard
Christopher Bungard
Christopher Bungard's review of Roman Theatre, by Timothy Moore.
Silent And Boisterous Slaves: Considerations In Staging Pseudolus 133-234, Christopher Bungard, Daniel Walin
Silent And Boisterous Slaves: Considerations In Staging Pseudolus 133-234, Christopher Bungard, Daniel Walin
Christopher Bungard
Christopher Bumgard's contribution to the CAMWS Annual Meeting: Iowa City, Iowa. 2013.
Mercator, 691-802 In Latin. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard
Mercator, 691-802 In Latin. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard
Christopher Bungard
Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 1: Performed in Latin to illustrate a scene that would have not been accompanied in the original performance. This is the only scene of the Institute that would have …
Pseudolus, 133-234 In Latin. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard
Pseudolus, 133-234 In Latin. Neh Summer Institute: Roman Comedy In Performance, Christopher Bungard
Christopher Bungard
Plautus, Pseudolus (133-234). All-male cast, directed by Mark Damen, with collaboration from the other group members, Tarik Wareh, Christopher Bungard, Daniel Walin, and Michael Katchmer. Music composed by T. H. M. Gellar-Goad. Clarinetist: Tony Sprinkle. As the young lover Calidorus and his slave Pseudolus watch on, the pimp Ballio drives his slaves outside his brothel and denounces them for being lazy and wasting his money. He then leads out some prostitutes, including Calidorus' beloved Phoenicium, and insists they bring in more money and gifts. It is, he claims, his birthday. When he leads them back inside his house, Calidorus begs …
Tricking The Trickster: Milphio’S Downfall, Christopher Bungard
Tricking The Trickster: Milphio’S Downfall, Christopher Bungard
Christopher Bungard
Note: Link is to the Conference Program from which you may download an abstract of the presentation.
Plautus, Carell, And Ferrell: Using Modern Comedy To Illuminate Roman Comedy, Christopher Bungard
Plautus, Carell, And Ferrell: Using Modern Comedy To Illuminate Roman Comedy, Christopher Bungard
Christopher Bungard
Note: link is to an abstract on the conference website.
Titus Maccius Plautus: Miles Gloriosus, Christopher Bungard
Titus Maccius Plautus: Miles Gloriosus, Christopher Bungard
Christopher Bungard
Encyclopedia entry
Scripting A Deception: Rethinking The Servus Callidus In Miles Gloriosus, Christopher Bungard
Scripting A Deception: Rethinking The Servus Callidus In Miles Gloriosus, Christopher Bungard
Christopher Bungard
No abstract provided.
Lies, Lyres, And Laughter In The Homeric Hymn To Hermes, Christopher Bungard
Lies, Lyres, And Laughter In The Homeric Hymn To Hermes, Christopher Bungard
Christopher Bungard
With its flatulent hero, the Homeric Hymn to Hermes has long been a source of trouble for scholars. While early 20th century scholars dismissed the hymn as having no serious purpose, Clay (1989), Harrell (1991), and Johnston (2002) have discussed the acquisition of timê or questions of cult practice as its purpose.
The Dangers Of Theater In Miles Gloriosus, Christopher Bungard
The Dangers Of Theater In Miles Gloriosus, Christopher Bungard
Christopher Bungard
In Plautus’ early play Miles Gloriosus, the clever slave Palaestrio successfully deceives two main blocking characters, the slave Sceledrus and the soldier Pyrgopolynices. Though scholars tend to focus on the deception, I suggest that we need to take a closer look at the reactions of Sceledrus and Pyrgopolynices when they realize that they have been duped.
Review Of Renato Raffaelli, Alba Tontini (Ed.), Lecturae Plautinae Sarsinares Xii. Miles Gloriosus: (Sarsina, 27 Settembre 2008). Ludus Philologiae. Urbino: Edizioni Quattroventi, 2009. Pp. 160. Isbn 9788839208729. €20.00 (Pb)., Christopher Bungard
Christopher Bungard
With its twelfth volume, the Lecturae Plautinae Sarsinates, directed by R. Raffaelli and A. Tontino, have continued their substantial contribution to Plautine scholarship, focusing this volume on Plautus’ Miles Gloriosus. For those interested in Vorbilder, Nachleben, and historical linguistics, the first four essays will be of interest. For those interested in interpretation of the play itself, the final three essays will be of interest, particularly the contributions of Stockert and Rafaelli.
Lies, Lyres, And Laughter In The Homeric Hymn To Hermes, Christopher Bungard
Lies, Lyres, And Laughter In The Homeric Hymn To Hermes, Christopher Bungard
Christopher Bungard
With its flatulent hero, the Homeric Hymn to Hermes has long been a source of trouble for scholars. While early 20th century scholars dismissed the hymn as having no serious purpose, Clay (1989), Harrell (1991), and Johnston (2002) have discussed the acquisition of time or questions of cult practice as its purpose.
The Merchant Of Epidamnus: Identity And Menaechmus E, Christopher Bungard
The Merchant Of Epidamnus: Identity And Menaechmus E, Christopher Bungard
Christopher Bungard
Note: Link is to the full abstract of this presentation on the conference web site.
“Profiting From Manipulation: The Case Of Lucrio In The Miles Gloriosus”, Christopher Bungard
“Profiting From Manipulation: The Case Of Lucrio In The Miles Gloriosus”, Christopher Bungard
Christopher Bungard
Note: Link is to the full abstract of this presentation on the conference web site.
Looking Toward The Future: The Work Of Noos In The Hymn To Hermes, Christopher Bungard
Looking Toward The Future: The Work Of Noos In The Hymn To Hermes, Christopher Bungard
Christopher Bungard
Note: Link is to the full abstract of this presentation on the conference web site.