Arts and Humanities Commons^™

Oracula Mortis In The Pharsalia, John Makowski

John F Makowski

No abstract provided.

A Christian Letter From The Michigan Collection, James Keenan

James G. Keenan

The papyrus edited below, P.Mich. inv. 3999, was purchased for the University of Michigan in 1925. It belongs to lot IV of the Nahman papyri, all of which come from Oxyrhynchus. The papyrus measures (roughly) 12 cm. (width) by 25 cm. (height). Margins are small at top (0.8 cm.) and (until line 19) at left (0.5 cm., discounting the vertical strip whose partial remains appear opposite lines 8-13). The prayer (lines 20-24) below the letter's body is indented at the left ca. 2.5 cm. inward from the mu of mhd°no!, the first word in line 19 (therefore ca. 3.0 cm. …

F.M. Ahl, Lucan: An Introduction, John Makowski

John F Makowski

No abstract provided.

Two Papyrus Fragments Of The Odyssey, James Keenan

James G. Keenan

No abstract provided.

Violence In Plautus: Or, How I Learned To Stop Worrying And Love Performance, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to the American Philological Association Annual Meeting, 2015.

Comedy, Violence, And Undergraduates, Christopher Bungard

Christopher Bungard

Christopher Bumgard's contribution to the CAMWS Annual Meeting: Boulder, Colorado, 2015.

Mercator, 691-802 In English, Version A. Neh Summer Institute: Roman Comedy In Performance., Christopher Bungard

Christopher Bungard

Dorippa has discovered that her husband Lysimachus is harboring a prostitute in their house. She wrongly thinks that it is his prostitute rather than his friend Demipho's. At the precisely the wrong time, the cook arrives who Demipho had asked Lysimachus to hire for a party. Lysimachus becomes increasingly frustrated with his friend Demipho. Filmed in Forest Theatre, on the campus of the University of North Carolina at Chapel Hill. Version 2: Performed in English. Dorippa is played assertively, and the cook unwittingly complicates Lysimachus' troubles. Translation by Sharon James with modifications by Christopher Bungard, Christine Woodworth, Dan Smith, and …

L’Ingannatore Ingannato: I Due Aspetti Di Milfione Nello Poenulo, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to: Lecturae Plautinae Sarsinates XV: Poenulus. R. Raffaelli and A. Tontini, eds. Urbino: Edizioni QuattroVenti.

Determinando Un Ruolo: Immo E Improvvisazione Nello Pseudolus, Christopher Bungard

Christopher Bungard

Christopher Bungard's contribution to: Lecturae Plautinae Sarsinates XVI: Pseudolus. R. Raffaelli and A. Tontini, eds. Urbino: Edizioni QuattroVenti.

Moore, T. 2012. Roman Theatre. Cambridge: Cambridge University Press, Christopher Bungard

Christopher Bungard

Christopher Bungard's review of Roman Theatre, by Timothy Moore.

Sophoclean Fragments, Carolin Hahnemann

Carolin Hahnemann

Le Zarathoustra De Nietzsche Et Le Style Parodique. A Propos De L’Hyperanthropos De Lucien Et Du Surhomme De Nietzsche, Babette Babich

Babette Babich

Abstract Nietzsche’s Übermensch is derived from Lucian of Samosata’s term hyperanthropos. I argue that Zarathustra’s teaching of the overman acquires new resonances in the context of that terminological origination in Lucian’s Kataplous — literally: sailing into port — referring to the journey of the soul into the afterlife, as escorted by Hermes and ferried by Charon along with myriads of others facing the same fate. The Kataplous he tyrannos, a title usually rendered as the Downward Journey (or The Tyrant), is a Menippean satire telling the tale of the “overman” supposed superior to others of “lesser” station in this-worldly life …

Zu Nietzsches Stil, Babette Babich

Babette Babich

Das Thema von Nietzsches Stil ist hier sowohl von Bedeutung als Frage nach dem Wesen jenes Stils wie auch als Frage danach, was er in philosophischer, nicht einfach in asthetischer oder literarischer Hinsicht erreicht hat. Hier wird nachgelegt, dass die Kunst des Lesens, die technische Kunst des hörens als eine Art des Hörens in einer philosophischen Seinsweise zu verstehen sei. Damit setzt sie nicht allein eine diskursive Kunst musikalischen Gespürs seitens des schreibenden, sondern eigentlich auch seitens des Lesenden voraus. Untersucht wird vor allem, Nietzsches Aphorismos im Rahmen des Antisemitismus. Diese außerordentlich komplexe innere Ausrichtung von Nietzsches Stil ist die …

Reception Of The Antigone, Andrés Henao Castro, Melissa Mueller

Andrés Fabián Henao-Castro

No abstract provided.

Tech Watch Column: So Long, Farewell, Sonnet Ireland

Sonnet Ireland

No abstract provided.

Review Of Mandelbaum's Odyssey Of Homer, Paula Saffire

Paula Saffire

No abstract provided.

Antigone, Désoeuvrée: Tragedy, Finitude, And Community, Damian Stocking

Damian Stocking

No abstract provided.

Res Agens: Towards An Ontology Of The Homeric Self, Damian Stocking

Damian Stocking

No abstract provided.

On The Meaning Of Strōtēs In "P.Oxy". Xvi 1951, Adam Serfass

Adam Serfass

No abstract provided.