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Le Marranisme Absolu Dans L’Oeuvre D’André Et De Simone Schwarz-Bart, Kathleen Gyssels

Présence Francophone: Revue internationale de langue et de littérature

This article studies in what forms the magical-religious dimension is expressed in the fiction works of the Schwarz-Bart couple in order to assess the function given by the authors to the manifestations of the “divine” therein. The frontier between belief and miscreancy is particularly flexible in each of the novels – whether written jointly or separately – by André and / or Simone Schwarz-Bart. Indeed, co-signed or not, the identity quest cannot be dissociated from the religious one: a quest of the meaning of suffering, of a balm that remedies the agonies and compensates for the traumas endured by two …

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Le Projet Judéo-Noir D’André Schwarz-Bart : Saga Réversible, Francine Kaufmann

Présence Francophone: Revue internationale de langue et de littérature

André Schwarz-Bart’s literary call was born from his will to immortalize in writing the memory of the culture of his Jewish ancestors which was eradicated from the map of Europe during the Shoa. A pioneer of the “memory work” with The Last of the Justs, a novel awarded the Goncourt in 1959, he invented the genre of the “identity saga” whose heroes gather within themselves the centuriesold experience of their people. A similar ambition guided him while he composed a cycle – that remained mostly unpublished – about Black slavery and the culture issued from it: A Woman Named Solitude.

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