Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 6 of 6

Full-Text Articles in Arts and Humanities

Remember The Word That I Told You: Direct Internal Quotation In The Gospel Of John, Jeffrey Michael Tripp Jan 2016

Remember The Word That I Told You: Direct Internal Quotation In The Gospel Of John, Jeffrey Michael Tripp

Dissertations

The Gospel of John contains over 50 instances of direct internal quotation: the direct quotation, at a later point in the story, of a speech act already given in the narrative. John has dozens more cases than any other New Testament book, making it a demonstrably Johannine device. Furthermore, verifiable quotations are rarely exact independently of who is quoting. The present study examines three aspects of John’s use of direct internal quotation in the context of Greco-Roman, Jewish, and other New Testament literature. First, the modifications made to the original speech act are placed in the context of paraphrase, a …


The Origin And Development Of The Johannine Egō Eimi Sayings In Cognitive-Critical Perspective, Paul N. Anderson Jan 2011

The Origin And Development Of The Johannine Egō Eimi Sayings In Cognitive-Critical Perspective, Paul N. Anderson

Faculty Publications - George Fox School of Theology

Th e long-held critical judgment that the I-am sayings of Jesus in the Fourth Gospel have no connection at all with the teachings of Jesus of Nazareth is based primarily on the inference that they are entirely missing from the Synoptics. As a result, John has been expunged from Jesus research, assuming its patent ahistoricity; yet critical analyses have largely overlooked Johannine- Synoptic similarities. While the Johannine presentation of Jesus’ I-am sayings is indeed distinctive and highly theological, it cannot be claimed that either the I-am convention of speech or its predicate metaphors and themes are absent from the Synoptics. …


Prologue As Legitimation: Christological Controversy And The Interpretation Of John 1:1-18, James F. Mcgrath Sep 2009

Prologue As Legitimation: Christological Controversy And The Interpretation Of John 1:1-18, James F. Mcgrath

James F. McGrath

Recent scholarship on the Fourth Gospel has suggested that this document was produced by a Christian community which was involved in an intense conflict with a local synagogue, the focus of which was christology. This study attempts to relate the Johannine prologue to this context, using Berger and Luckmann's model of legitimation . John's christological portrait of Jesus in the prologue is best understood in terms of the author's use of traditions and imagery which were authoritative to both him and his opponents, in order to defend the legitimacy of his and his community's beliefs. By looking at the prologue …


"The Jews" In The Fourth Gospel, Lawrence E. Frizzell D.Phil. Jan 2000

"The Jews" In The Fourth Gospel, Lawrence E. Frizzell D.Phil.

Reverend Lawrence E. Frizzell, S.T.L., S.S.L., D.Phil.

This article examines the work various scholars have endeavored to apply to themes and passages in John's Gospel so that its salutary intention is appreciated to the full.


"The Jews" In The Fourth Gospel, Lawrence Frizzell Jan 2000

"The Jews" In The Fourth Gospel, Lawrence Frizzell

Selected Works of Lawrence E. Frizzell

This article examines the work various scholars have endeavored to apply to themes and passages in John's Gospel so that its salutary intention is appreciated to the full.


Prologue As Legitimation: Christological Controversy And The Interpretation Of John 1:1-18, James F. Mcgrath Jun 1997

Prologue As Legitimation: Christological Controversy And The Interpretation Of John 1:1-18, James F. Mcgrath

Scholarship and Professional Work - LAS

Recent scholarship on the Fourth Gospel has suggested that this document was produced by a Christian community which was involved in an intense conflict with a local synagogue, the focus of which was christology. This study attempts to relate the Johannine prologue to this context, using Berger and Luckmann's model of legitimation . John's christological portrait of Jesus in the prologue is best understood in terms of the author's use of traditions and imagery which were authoritative to both him and his opponents, in order to defend the legitimacy of his and his community's beliefs. By looking at the prologue …