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Full-Text Articles in Arts and Humanities

Straight Away: The Meaning And Literary Function Of Εὐθὐς/Εὐθἐως In The Gospel Of Mark, Daniel Paavola May 2004

Straight Away: The Meaning And Literary Function Of Εὐθὐς/Εὐθἐως In The Gospel Of Mark, Daniel Paavola

Doctor of Philosophy Dissertation

Mark is the Gospel of breathless excitement. The narrative is noted for its rapid movement between scenes and for an urgent tone through the miracles and journeys of Jesus. With its focus upon the actions of key characters, the Gospel leads the reader quickly through the ministry of Jesus as he approaches his passion. From its opening in1:2-3 which promises a straight path ahead, the narrative moves forward to the culmination of that road at the cross.

A key in furthering this journey is the use of εὐθὐς. Used at least forty-two times in the Gospel, εὐθὐς serves as an …


The Death Of Jesus And The Death Of The Temple, Lawrence E. Frizzell D.Phil. Jan 2004

The Death Of Jesus And The Death Of The Temple, Lawrence E. Frizzell D.Phil.

Reverend Lawrence E. Frizzell, S.T.L., S.S.L., D.Phil.

Whether he knew it or not, Mel Gibson touched on theological traditions formed long after the lifetime of Jesus in his movie, The Passion of Christ. To have them shape a movie that purports to tell a story set during the lifetime of Jesus – even if only in his last twelve hours – adds a confusing kind of anachronism to Gibson’s effort to “tell it like it was.” It (the movie) is as it (the history) wasn’t.
To understand the place of the Temple in the lifetime and the piety of Jesus of Nazareth, we have to look …


The Death Of Jesus And The Death Of The Temple, Lawrence Frizzell Jan 2004

The Death Of Jesus And The Death Of The Temple, Lawrence Frizzell

Selected Works of Lawrence E. Frizzell

Whether he knew it or not, Mel Gibson touched on theological traditions formed long after the lifetime of Jesus in his movie, The Passion of Christ. To have them shape a movie that purports to tell a story set during the lifetime of Jesus – even if only in his last twelve hours – adds a confusing kind of anachronism to Gibson’s effort to “tell it like it was.” It (the movie) is as it (the history) wasn’t.To understand the place of the Temple in the lifetime and the piety of Jesus of Nazareth, we have to look beyond later …