Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Aesthetics (4)
- Fine art (3)
- Art theory (2)
- Fine arts (2)
- Philosophy (2)
-
- Political philosophy (2)
- Sublime (2)
- Abakua (1)
- Alfredo Jaar (1)
- Ann Hamilton (1)
- Beauty (1)
- Belkis Ayón (1)
- Colombia (1)
- Conceptual art (1)
- Contestation (1)
- Costumbrismo (1)
- Cuadros de costumbres (1)
- Cuban art (1)
- Disruption (1)
- Ekphrasis (1)
- Emmanuel Levinas (1)
- Evita (1)
- Frida (1)
- Gender (1)
- Habermas (1)
- Heidegger (1)
- Hema Upadhyay (1)
- India (1)
- Jacqueline Rose (1)
- Jacques Lacan (1)
Articles 1 - 11 of 11
Full-Text Articles in Arts and Humanities
Joy As Contestation: Frida Kahlo, "The Dream", Silvia Márquez Pease
Joy As Contestation: Frida Kahlo, "The Dream", Silvia Márquez Pease
Department of Art and Art History
This essay analyzes the pictorial representation of Frida Khalo’s “The Dream,” to unfold the nature and reflect upon the notions of joy and innocence as forms of a subtle contestation. How are they represented? By examining the visible and the non-visible as conditions of critical possibility for joy, innocence and contestation, we can reevaluate the interrelation between the notions of life and death in the Mexican culture, and Frida’s personal history. I argue that innocent joy is a quality that articulates a subtle contestation or clandestine activity of freedom
Hema Upadhyay: Disrupting The Hegemony Of The Slums, A Negative Social Spiral., Silvia Márquez Pease
Hema Upadhyay: Disrupting The Hegemony Of The Slums, A Negative Social Spiral., Silvia Márquez Pease
Department of Art and Art History
This essay presents the theoretical framework that informs my reflections on the hegemony of the slums’ poverty and human conditions, and whether art can disrupt the hegemony and also become a conduit to question our Being, hence Dasein, as per Martin Heidegger. The following pages investigate the work of Hema Upadhyay, in India, and specially, her inspiring protest work offering insights on India’s overpopulation in urban areas such as, Dharavi. She depicts slums becoming a continuum circle of human misery and wealth, politically called a negative social spiral. I argue that the slums, not only destroy the harmony and promise …
The Unpresentable And The Aesthetics Of The Sublime In The Art Of Alfredo Jaar, Silvia Márquez Pease
The Unpresentable And The Aesthetics Of The Sublime In The Art Of Alfredo Jaar, Silvia Márquez Pease
Department of Art and Art History
I argue that in Postmodernism, as per Lyotard’s writings, art “…caters to the impossibility for an attainable wholeness or sense of presence” (1131). And yet, this state of ‘unattainable wholeness’, does not deny to postmodern art the role of the experience that can carry emancipatory power. Yet, it may not be a ‘unity of experience’ as per Habermas, but still constitute a space of experience and presentations of the unpresentable that is predicated by difference. I propose that Lyotard’s theory of the presentation of the unpresentable, which sees presentation of artworks oriented towards formless art language games and communication, are …
The Subject And Object Of Art: Lacan, Rose, And Levinas., Silvia Márquez Pease
The Subject And Object Of Art: Lacan, Rose, And Levinas., Silvia Márquez Pease
Department of Art and Art History
This article introduces the different approaches between the western metaphysical thought and the scholars Jacques Lacan, Jacqueline Rose, and Emmanuel Levinas – particularly the contributions to the notion of the ‘becoming’. Lacan expands on Freud’s discovery of the primacy of the unconscious (the id) and concentrates on how the unconscious is structured as a language. He argues that human subjectivity is formed by three realms: The mirror stage which initiates the child into the imaginary, the language which initiates the child into the symbolic and the realm of the real which is always veiled and out of reach.
Lastesis: Mass-Collaboration + Mass-Contaminated Language = Changing The Story, Silvia Márquez Pease
Lastesis: Mass-Collaboration + Mass-Contaminated Language = Changing The Story, Silvia Márquez Pease
Department of Art and Art History
LasTesis, a Chilean performance group that choreographed a feminist dance and chant titled Un violador en tu camino (2019) (A rapist in your path) gathers women of all ages and backgropunds. Their bodies dance and chant in unison echoing the tethered notions of collaboration and contamination as thinking, as a massive contamination. This article explores how contamination affects identity and how it also enables the trace of a traumatic past while imagining different futures that are imminent and important. I argue that this knowledge and assertive action exemplified in the performance Un violador en tu camino involves a physical reclaiming …
The Beautiful Is Unveiled, Silvia Márquez Pease
The Beautiful Is Unveiled, Silvia Márquez Pease
Department of Art and Art History
The beautiful is unveiled and resides in the goodness that is within human beings. Beings emanate the goodness within; thus, whoever possesses goodness is able to unveil beauty.
Why Only Art Can Save Us: Aesthetics And The Absence Of Emergency By Santiago Zabala., Silvia Márquez Pease
Why Only Art Can Save Us: Aesthetics And The Absence Of Emergency By Santiago Zabala., Silvia Márquez Pease
Department of Art and Art History
Throughout history, we find ourselves searching for ways to nurture empathy and justice to cope with the political world crisis and improve our lives. The book, Why Only Art Can Save Us, written by a contemporary philosopher and author, Santiago Zabala, questions how the creation of art can shift the reasoning and existential being of humanity; and how art could be the only salvation to the political world crisis. Thus, Why Only Art Can Saves Us, is a philosophical, political, and existential reflection on the appeal and aesthetic qualities of art in the 21st century.
Evita, Rapsodia Inconclusa By Nicola Constantino, Sixty-Eight Years Later, Silvia Márquez Pease
Evita, Rapsodia Inconclusa By Nicola Constantino, Sixty-Eight Years Later, Silvia Márquez Pease
Department of Art and Art History
The exhibit of contemporary Argentinean artist Nicola Costantino, “Rapsodia Inconclusa,”[i] at the 55th International Art Exhibition La Biennale di Venezia in 2013 depicts glory and tragedy. More than sixty-eight years after the death of Evita, informed by generations of Argentine women, Nicola Costantino portrays the beloved national icon of Evita. Indeed, as the artist explains, the installations highlight both Evita’s glory and her tragedy, in an unusual way that must not go unexamined. “Rapsodia Inconclusa’s” video installations and kinetic sculpture tell the story of a woman, Eva Duarte de Perón, in a series of aesthetic encounters that frame the …
A Dialogue On Marta Minujin's Happening: Leyendo Las Noticias (Reading The News), Silvia Márquez Pease
A Dialogue On Marta Minujin's Happening: Leyendo Las Noticias (Reading The News), Silvia Márquez Pease
Department of Art and Art History
Marta Minujín’s Leyendo las noticias is a happening that combines feminine subjectivity with the socio-political, creating a dialogue around notions of trace, the feminine, text, meaning, and impermanence. Specifically, how these notions affect the women living in an unstable and pluralistic world. It depicts a woman as a ‘participatory woman’ talking about women, in a conflicted patriarchal society. I would argue that the popular Marta Minujín’s Leyendo las noticias, represents a ‘slippage,’ for women (Cixoux 1976) amid a repressive culture, and a historical context of a Dirty War, violence, and fear. Martin Heidegger, Jacques Derrida, Helene Cixous, Jane Bennett, and …
Imagining Costumbrismo: Connecting Image And Text In Nineteenth-Century Colombian Cuadros De Costumbres, María Sol Echarren
Imagining Costumbrismo: Connecting Image And Text In Nineteenth-Century Colombian Cuadros De Costumbres, María Sol Echarren
FIU Electronic Theses and Dissertations
Influenced by nineteenth-century scientific trends, Costumbrismo was a literary and artistic genre combining aspects of Romanticism and Realism and presenting traditional customs of autochthonous daily life. Nineteenth-century cuadros de costumbres, or “sketches of manners,” often used local color to depict national scenes, regional types, and cultural traditions. The cuadros, comprised of short but illustrative writings published as periodical pamphlets, contained visually charged descriptive language infused with a didactic objective in order to shape readers’ perspectives about the nation and present specific sociopolitical philosophies.
This dissertation analyzes the connections between literature and art through the written cuadros de costumbres …
Belkis Ayón: Fear, Confusion, Trance, Dignity, And The Sublime., Silvia Márquez Pease
Belkis Ayón: Fear, Confusion, Trance, Dignity, And The Sublime., Silvia Márquez Pease
Department of Art and Art History
Belkis Ayón, a cuban artist, takes it upon herself to reveal a secret, to be a transgressor. She believes to be the alter ego of the legendary Sikán, a princess who was punished because she shared the secrets of the Abakuá knowledge that were reserved only for men. I argue that the work of Belkis Ayón caters to the possibility of attainable sublimity through paradoxes of confusion and fear; a state of unsettling discomfort and a sensing of something greater than oneself. And yet, this state of paradoxical affects, predicated by confusion, fear, and trance, result in obsolete boundaries and …