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Postmodern And Early Modern Theology: Derrida Meets Calderón The Derridean Parergon And Painting Theory In Calderón’S El Pintor De Su Deshonra, Camilo Mejia, Matthew Ancell, Phd.

Journal of Undergraduate Research

Simone Heller-Andrist’s The Friction of the Frame ingeniously employs the Derridean parergon as a methodological approach to analyze the mechanisms involved in the reading process. In The Truth in Painting, Derrida uses the term parergon in the context of a frame in a painting. The parergon is the frame of a painting and a part of the work that is commonly disregarded but influences and manipulates the interpretation of the work. Hence the parergon presents an interaction between the canvas of a painting, and its surroundings. It is neither purely inside nor outside, but it performs and operation that acknowledges …