Arts and Humanities Commons^™

Art That Heals, Christina Cardona

Capstones

Beryl Brenner was a creative arts therapist for 40 years, and helped veterans heal from war traumas through art all across the city. For the past 11 years, she was at the Brooklyn Campus of the VA NY Harbor Healthcare system in Bay Ridge, where she developed the art therapy program. https://christinacardona1.wordpress.com

The Unity Mural: Bridging Communities Through Artmaking, Margaret A. Walker

International Journal of Lifelong Learning in Art Education

A visual essay of a community based art education mural between two universities and a local community, following a tragic hate crime.

Older Artists And Acknowledging Ageism, Liz Langdon

International Journal of Lifelong Learning in Art Education

Intergenerational (IG) learning has the potential to reinforce ageist ideas, through the culturally produced binary of old and young which often describes IG learning. This research with older artists revealed implicit age bias associated with a modernist tradition in art education which minimized the value of art production viewed as feminine. Language associated with ageism shares the descriptors of the feminine and seep into our perceptions. Cooperative action research with multi-age participants facilitated personal growth and through critical reflection, implicit ageism revealed in the researcher’s prior perspective is revealed.

Leaf-Ing A Legacy, Susan R. Whiteland

International Journal of Lifelong Learning in Art Education

Leaf-ing a Legacy is the story of a university art education class that joined with an elementary classroom and residents in a long term health/rehabilitative center through a service-learning project that utilized digital technology and art making in a problem-based learning format to explore the concept of legacy. Evidence was found that the experience promoted socio-emotional learning and fostered the building of socio-emotional capital for the participants involved.

Editorial, Pamela H. Lawton

International Journal of Lifelong Learning in Art Education

No abstract provided.

International Journal Of Lifelong Learning In Art Education 2018 Full Issue, Pamela H. Lawton

International Journal of Lifelong Learning in Art Education

No abstract provided.

The Study Of Culturally Relevant Visual Imagery And Student Interest In Contemporary Secondary Art Classrooms, Carly Marie Anderson

MSU Graduate Theses

Contemporary art pedagogy indicates some educators are using visual cultural exemplars that contain little cultural relevance to many students in their secondary art classrooms. The purpose of this study was to investigate students’ preferences and interests concerning visual imagery as the focus of curricular content in current secondary art classrooms in Southwest Missouri. This investigation began with a review of visual imagery within traditional fine art academies and what role this imagery plays in contemporary art rooms. The research question included: Were current secondary art students more interested in contemporary, culturally relevant imagery or traditional Eurocentric Western fine art imagery? …

A Renaissance Of The Visual Arts In Worship For Churches Of Christ, Heather Heflin Hodges

Doctor of Ministry Theses

This Doctor of Ministry thesis presents the results of a project in which a group of four artists from across the United States met via video conference to create liturgical art activities that can be integrated into the Sunday morning worship for Churches of Christ. The problem identified at the beginning of the project was a lack of integration of the visual arts in worship in Churches of Christ. I understood this lack to be due in part to an iconoclastic heritage in Protestantism as well as a focus on rational intellectualism and desire for simplicity in worship as a …

The A.H. Kotz Unnatural History Exhibit, Marian R. Trainor

Honors College Theses

An exploration in two parts into the development of a narrative through manufactured evidence designed specifically to encourage the suspense of disbelief. The physical work exists within a faux anthropological museum exhibition focused around a human whose history and existence is entirely fabricated. The structural work is the layers of historical and practical research used to develop the suggestion of reality. The exhibit contains samples of the research, artifacts, and specimens collected by the deceased naturalist August Hermann Kotz, along with his falsified history. The second part consists of an overview of the research process and techniques needed to successfully …

Brooks, Larry (Fa 1228), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1228. Student paper titled “Blacksmithing” in which Larry Brooks explores the history of blacksmithing, the proper way to shoe a horse, appropriate tools and supplies, and how craftsmen use various smithing methods to repair items such as shovels, plows, and wagon wheels. Brooks collected information from Earl Austin, a longtime farmer and blacksmith from Beaver Dam, Kentucky. The paper also contains black and white photographs of blacksmithing implements, the shoeing process, and Austin’s workspace.

Producing, Collecting, And Exhibiting Bizango Sculptures From Haiti: Transatlantic Vodou On The International Art Scene, Catherine Benoît, André Delpuech

Anthropology Faculty Publications

No abstract provided.

Ownership And Violence Against Women Of Color Reflected Through The Lens Of Anglo Saxon Theology, Jennifer Herring, Luraine Kimmerle

Violence Against Women conference

In the American cultural mind, white bodies have been upheld as ideal. In addition, the male body has received praise, greater access, and safety on the streets, in business, education, and the wider world. In the arena of higher education students tend to discover how their personal sociocultural perspective informs ownership of the lack thereof. It is through this reality that the idea of ownership is seen when it comes to violence inflicted on/received by women. When race is included in the violence against women dialogue we uncover the branches of Anglo-Saxon Exceptionalism, planted by the theologies and worldviews of …

Vision Boards – Redefining Your Journey Through Visualization, Laura Marotta, Eleena Rioux

Violence Against Women conference

Women who have been through trauma, specifically violence or abusive situations, often feel a lack of control, which can permeate into their lives, even after post-treatment therapy and services. After a traumatic experience, we often need to retrain our brains and hearts by engaging with interests that are within our sphere of control. One of the most powerful activities that can aid in this transition is art-making. Making art can be a very personal, expressive, non-threatening and empowering experience. This workshop will take you through the journey of creating your own vision board, using basic art materials. Many start-ups and …

Creating Coping Mechanism: An Anatomy Of A Gallery-Based Installation And Performance Work, Jamie M. Kutner

LSU Master's Theses

The project described in this paper is an exhibition of gallery-based durational performance art, and resulting three-dimensional artifacts, that was created through a tangled process of relapse and recovery from mental illness. The first section of this paper peers into the parameters of ephemeral artistic practice. I discuss the process of merging my recovery and creative practice through performance art, and then parse the discussion of the work into the categories of performer, audience, site, and time. Section II details various aspects of spectator experience through a second-person narrative tracing the crowd flow of the exhibition. I conclude with an …

Heritage, Tradition, And Craft In Quiltmaking (Fa 1131), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1131. Collection contains Interviews, photographs, and informant data sheets relating to Sandy Staebell's project with quiltmakers in Allen County and Monroe County, Kentucky and Macon County, Tennessee for the 2017-2018 Osby Lee Hire and Lillian K. Garrison Hire Memorial Lecture Series.

Parallel Tracks: Three Case Studies Of The Relationship Between Street Art And U.S. Museums In The Twenty-First Century, Erin Rolfs

LSU Master's Theses

An examination of three case studies involving U.S. museum exhibitions of street and graffiti art in the twenty-first century. This thesis covers the Brooklyn Museum of Art’s “Graffiti” show in 2006, Los Angeles’s Museum of Contemporary Art’s “Art in the Streets” in 2011, and the 2012-2015 activities of the Baton Rouge Museum of Public Art. These events offer a chronological and geographical range to provide a broad scope of investigation into the pitfalls and opportunities of museum’s exhibiting graffiti and street art. The heart of this research is not to prolong the debate about whether museums endanger their authority when …

Un/Doing Spirituality: Contemporary Art, Cosmology, And The Curriculum As Theological Text, Clark Adam Goldsberry

Theses and Dissertations

Talking about spirituality can be uncomfortable. The topic is especially precarious within the sphere of education. Despite the discomfort and precarity, many scholars argue that there may be room in the postmodern curriculum for safe, open, and generative dialogue about religion and spirituality as cultural phenomena. These curriculum theorists (see Slattery, 2013; Doll, 2002; Huebner, 1991; Noddings, 2005; Whitehead, 1967a/1929; Wang, 2002) propose a sensitive critique of spirituality and religion that can lead to cultural healing, re-membering, re-integration and re-collection (Huebner, 1991). In an increasingly fractured world (Slattery, 2013), where spiritual and religious underpinnings cause an array of conflict, this …

Facilitating Student Autonomy: An Exploration Of Student-Driven Curriculum Development And Implementation, Edwin James Keyes

Theses and Dissertations

In order to improve his own teaching practice, the researcher observed and studied student-driven approaches to public art education that not only achieved the aims of the national standards, but also encouraged secondary students' engagement with art in personally relevant ways. Inspired and informed by these observations and studies, the researcher developed a curriculum based more on student concerns, which was studied using action research. The action research approach was driven by experimentation with the curriculum's content as well as its implementation and is fundamentally about improving the researcher's own teaching practice. Hence, the study focuses largely on the researcher's …

Transit, Christopher Janke

Masters Theses

This written thesis, transit, accompanies an exhibition by the same name and serves to contextualize the exhibit. The written portion begins with an inquiry into the nature of the contextualization itself, questioning the nature of the relationship between the written thesis, the exhibit, and the University which explicitly requires and connects the two, especially the ways that the written word as granted authority through an institution of higher education might undermine the exhibit’s intent to provoke thought into other forms of knowledge and other avenues of legitimacy than those presented by this institution.

The thesis discusses the philosophic question sometimes …

Counting Crow’S Feet: Harvard Gives Back To Its Honorary Doctors The Third Loop On Their Gowns, Stephen Wolgast

Transactions of the Burgon Society

No abstract provided.

The Academic Dress Of The University Of Essex, Edmund Eggleston

Transactions of the Burgon Society

No abstract provided.

Conforming To The Established Standards: American Degree Colours (1936–1961), Kenny Suit

Transactions of the Burgon Society

No abstract provided.

Simpson, Mickel Paul (Fa 1216), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 1216. Student paper titled “Mailboxes in Folklore” in which Mickel Paul Simpson examines mailboxes through an artistic lens. The paper outlines Simpson’s journey across several counties and documents mailboxes with a definitive folk art aesthetic. Simpson gathered his information from mailbox owners, and the paper providesa brief description of each informant and a photograph of the mailbox.

Between The Bars, Unique Shaw-Smith Dr, Eliese Maxwell, Victoria Otero, Catherine Trujillo, Habib Placencia Adissi

Creative Works

“Between the Bars” is a senior project exhibition, in collaboration with Cal Poly Sociology Professor Dr. Unique Shaw-Smith. Featuring artwork produced by incarcerated artists, the goal is to undo negative stereotypes and to empower the rehabilitation of incarcerated artists individually and collectively through art.The exhibit demonstrates that rehabilitation does occur in prison and emphasizes that art has the power to transcend all social differences and divisions. The exhibit features more than 60 works in diverse mediums including sculpture, painting, and poetry by 34 incarcerated artists from California Men’s Colony.

This catalog represents the onsite exhibit of the same name, which …

Litter On Wheels: An Ocean Garbage Art Car, William J. Leconey, William H. Gibson

Student Publications

In the Fall term of 2018, Gettysburg College seniors Bill LeConey and Will Gibson created the world's first Ocean Garbage Art Car, by covering an old Ford truck with plastic bottles (and other trash commonly found in our oceans), to raise awareness about anthropogenic pollution in our seas. Since the 1950’s, plastics have been an essential and ubiquitous commodity in nearly every society on the planet. Plastics find their way into just about every aspect of our lives - from water bottles and cell phone cases, to even advanced medical equipment and space shuttles - it’s no secret how prevalent …

A Field Guide For Weathering: Embodied Tactics For Collectives Of Two Or More Humans, Jennifer Mae Hamilton, Astrida Neimanis

The Goose

In our inherited meteorological practices and frameworks, weather conditions are managed for us in a range of ways (for example, through architecture, technology, commodity culture, infrastructure, economic rationale). This field guide brings the weather back to the body. A traditional field guide provides tools for the individual sovereign human subject to observe and document nature “over there”. In contrast, through a range of different activities, our field guide not only invites investigation and cataloguing of the field that we also comprise, but also challenges what counts as a noteworthy observation regarding the weather and also climate.

Sea Squad, Liam Geary Baulch

The Goose

The Sea Squad is a band of cheerleaders against climate change. Taking action as a team in formation, they gather momentum, inviting all people to cheer with them, mimicking the infinitely expandable nature of the seas' molecular structure. The work was developed and performed as a bilingual project at Est-Nord-Est in Saint-Jean-Port-Joli, Quebec, Canada, and has since been performed and exhibited internationally. The following poems are some of the chants that Sea Squad use to get a crowd cheering together against climate change.

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

Four Decades Ron Geibert: Emeritus Professor - Works From 1978 - 2017, Ronald R. Geibert, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

A retrospective showing featuring color street photography, installations, Orwellian prints, and electronic kiosks and complemented with a re-showing of a 1986 exhibition, and the 1997 CD-ROM with rare video and audio components, illustrating the role of social and recreational events during the Great Depression and photographic artworks added to the Wright State University permanent collection from the dozen shows curated by Professor Emeritus Ron Geibert from 1986 to 2007

Next To A River: Mobility, Mapping, And Hand Embroidery, Sharmistha Kar

Electronic Thesis and Dissertation Repository

This MFA project explores identity, mapping, and embroidery as broadly considered regarding ideas of place and landscape. Concepts such as travel, the familiar, the temporary, the known, and the unknown are motivating notions that I examine through academic study alongside techniques of hand embroidery. Throughout my MFA project, a series of material and technical choices were crucial to my reflecting on ideas of resemblance, mapping, migration, and archiving in order to further understand my identity.

A series of texts on resemblance, archiving, and mapping by Michel Foucault, Arjun Appadurai, and Tom Vanderbilt, along with references to the art practices and …