Arts and Humanities Commons^™

Collections & Connections -- Fall-Winter 2010, Jennifer Wilson

Collections & Connections

This is the Fall-Winter issue of WKU Libraries' biannual newsletter distributed among Library and Museum Friends and the entire WKU community. This issue features the project for The Horse in Kentucky Exhibit," "Harry Potter Night event in the Kentucky Building, the coming Christmas activities in the Kentucky Museum, the upcoming Southern Kentucky Book Fest, and the "Fall into Books" program that has just concluded. In this issue, there are also reports on the Libraries' food drive, its Java City concerts, the popular "Far Away Places" and "Kentucky Live!" talk series and the ongoing construction of the Confucius Institute Experience Center …

Taft, Anne Celine (Fa 15), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 15. Interviews conducted by Anne Celine Taft with Zeleme (Brashear) Cottrell, about her weaving. Cottrell discusses the weaving process in depth and how it has affected her life.

Remember Me When I Am Gone - Exhibition (Fa 530), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 530. Materials related to the quilt exhibition, "Remember Me When I Gone," held at the Kentucky Museum, Western Kentucky University in 1995. Includes interviews with quiltmakers about their friendship and memory quilts.

Where Book Art And Technology Mingle, Peter D. Verheyen, Richard Minsky

Libraries' and Librarians' Publications

Interview of Peter D. Verheyen by Richard Minsky. Peter Verheyen, conservator, bookbinder, and creator of the Books Arts Web, discusses the current state of book arts. Although he creates impeccable fine bindings that have won international awards, Peter Verheyen's huge contribution to the field of book art has little to do with making or conserving physical books. His magum opus is the Book Arts Web (philobiblon.com), the main location on the Internet for book art information and resources, from online exhibitions to tutorials, opportunities, blogs, and reference materials.

Temple Family Papers (Mss 241), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 241. Correspondence; financial and legal papers; genealogy and other material related to the Temple family of Warren County, Kentucky, particularly that of Adalaska L. and Mary Camilla (Miller) Temple and their daughter Ruth Hines Temple. Over 400 pieces of artwork on paper by the latter are found in the collection, including pencil, as well as, pen and ink drawings, watercolors, pastels, and other graphic and creative design work.

Lost And Found: We Are Where We Were, Brian Fay

Exhibition Catalogues

No abstract provided.

Masculine Regeneration And The Attenuated Body In The Early Works Of Nandalal Bose, Niharika Dinkar

Art, Design & Visual Studies Faculty Publications and Presentations

In 2008, the works of the Bengali artist Nandalal Bose (1882-1966) enjoyed a rare North American museum tour, first at the San Diego Museum of Art and then at the Philadelphia Museum of Art. In this first major international excursion, Bose‟s works were celebrated as an exemplar of the new modern visual language adopted by nationalist artists as they rejected Europeanized academic techniques in vogue around the turn of the twentieth century. Along with stalwarts like Abanindranath Tagore, Asit Haldar and Kshitindranath Majumdar, the ‘swadeshi’ (indigenous) artists marked an emphatic turn to revive an „Indian‟ aesthetic that has been seen …

Universality And Its Discontents: The Louvre And Guggenheim Abu Dhabi As A Case Study In The Future Of Museums, Catherine R. Skluzacek

Art and Art History Honors Projects

The contemporary museological community faces increasing competition in the global marketplace to prove its relevance. Accordingly, franchises of leading institutions will now appear in Abu Dhabi, UAE, that approach this problem by presenting art in a comparative international perspective rather than as fragmentary narratives of disparate cultures. Furthermore, shifts in state financial support and the purposes of collecting within museum institutions have led to the adoption of administrative policies like those used by multinational corporations. This new model of museological practice presented by the Louvre and Guggenheim Abu Dhabi resolves the paradox of protecting cultural diversity within universal museums.

Be Much: Teaching The Principles Of Design, Lois J. Chattin

Art Graduate Theses and Projects

What constitutes a piece of artwork? Is it the subject matter, the idea, the meaning, or the way in which it is made that realizes its success? Or is it the mere fact that human beings created it with purpose? If two pieces of artwork address the same subject, can one be considered better or more compelling than the other? Is there even such a thing as “good art” as opposed to “poor art”, or is that a debate that can only be answered within a culture or time period? Can one really judge the value of art, or is …

Maelstrom, Gertrude L. Teijink

School of Art, Art History, and Design: Theses and Student Creative Work

My work is a confrontation with the conflict between our everyday activities, and the fleetingness of our existence. We are dragged through time and through space, but ultimately we are unavoidably lost in a swirl of oblivion. Given this dissonance, I question the meaning of our everyday activities. Can we find satisfaction with what we do? And why are we compelled to do it? The case I try to make for the meaning of life’s repetitive or renewal actions is made largely in reference to myself, which gives my work an undeniable autobiographical component.

For my thesis work, I photograph …

From Baa To Eye: Language As Images, Yinghua Zhu

School of Art, Art History, and Design: Theses and Student Creative Work

From Baa to Eye: Language as Images

Languages, as I understood, are the most direct confrontation of cultures because of their inherent culture iconicity. My approach to employ the English language as a subject matter is to interpret the culture it represents. I use language as a metaphor to address the boundary, the inadequacy, the longing, the contradiction, the adaptation, the curiosity, and the frustration that one encounters when different cultures clash. These clashes are valuable because they help me recognize and appreciate the differences, or in other words, the otherness. Otherness is a fundamental category of human thought. It …

Breathe... Keep Breathing., Shaun C. Kiel

School of Art, Art History, and Design: Theses and Student Creative Work

I work with short-duration seamless video loops. My work simultaneously depicts and emulates the material composition of time, specifically how action composes time and how time can compose or construct objects.

My work is self-reflexive. Self-reflexive means that a product actively considers or examines its own production. In video this means breaking either the illusion of depicted time as real time or the illusion of the depicted image as real space. Video loops are self-reflexive by function. Their periodic recurrence points out the artifact of the medium.

The periodic recurrence of video loops also changes the narrative quality of the …

Once-Removed (And Other Familiar Relations), Emily Newman

School of Art, Art History, and Design: Theses and Student Creative Work

Conventional perceptions of space rouse my investigation of images as stand-ins for an objects reference. Removing the context of an object changes the once tangible form. No longer able to be touched, used or relate to its original environment, an object transformed into an image exists solely for our visual and psychological perceptions.

In substituting one for the other, image for object and vise versa, a hierarchy occurs. Its previous existence now establishes a mental presence, shifting the future recollection of such an image to precede or replace the actual object in memory. Proxy of image for object and object …

Color Psychology And Graphic Design Applications, Rose M. Rider

Senior Honors Theses

Color filters humanity’s perception of the world and alters people’s relationship with their surroundings. It influences human perception, preference, and psychology throughout the lifespan. Color preferences appear in infants as young as three months old, and typically change with age. Some responses to color may be innate, and some may be learned from nature or culture. Cool hues are relaxants, and are generally preferred over their more arousing warm counterparts. Color is a subtle but pervasively influential element in graphic design. It permeates graphic representations in packaging, advertising, and branding. Slight variations in color can advance or devastate design effectiveness …

Cut, Bryan Drew

School of Art, Art History, and Design: Theses and Student Creative Work

The act of cutting is to sever, to divide an object or even an idea into separate parts of its original state. Non-tangibles can also in a sense be ‘cut’, like gaps in memories or modifications of beliefs or ideas. My work encompasses these definitions of cutting. Working mostly from photos, I use imagery from personal experience, such as meat from my hunting experience, patterns from nostalgic blankets, or photos of people in my life. Other times, I choose imagery simply because I feel compelled to paint it, or it feels somehow needed within the composition. My process begins by …

Black, White, Brown, Aisha S. Harrison

School of Art, Art History, and Design: Theses and Student Creative Work

BLACK, WHITE, BROWN Aisha Shani Harrison, M.F.A University of Nebraska, 2010

Adviser: Gail Kendall

I address emotions and perceptions that are complex and multifaceted. My goal is for the work to communicate these emotions in a way that makes them accessible to others. Most people have felt disconnected, longing, anticipation, relief, anger, frustration and have experienced internal conflict. While this work touches on these emotions, there is, because of who I am, a set of questions I am asking regarding racial identity.

This autobiographical work is a series of ceramic figures that are engaged with symbolic objects which together form …

I'Ve Fallen In Love With Every One Of You..., Kayleigh L. Speck

School of Art, Art History, and Design: Theses and Student Creative Work

Photographs best show and describe the world, capturing a split second in time without necessarily providing the viewer with any sort of explanation or answer as to why something looks the way it does. Although the camera captures images of the “real,” it has the ability to tell lies. It changes our perception of space, the color of light, and the way things look overall. This is the reason I have chosen this medium; I want to see what my world looks like in a photograph.

Through these photographs of the every day lives of my subjects and myself, I …

Urban Dystopia, John Mccaughey

Honors Projects

Depicts American urban decay in large scale murals and small chine colle prints. Includes the project proposal and a reflective essay, along with photos of the murals and selected prints.

El Muralismo: El Papel De Los Murales En La Lucha De Los Organismos Sociales En La Ciudad De Buenos Aires = Muralism: The Role Of Murals In Social Organizations, Loren Crosier

Independent Study Project (ISP) Collection

There are an ever-growing number of social movements in the city of Buenos Aires, and a number of these groups are using art in the streets in an attempt to “recuperate” urban neighborhoods. Muralism is an art form and a concept that has a long legacy of militancy and vanguardism. This paper will address the breach between art as a product and a social reality by analyzing the meaning of muralism. What is the role of the muralist and what is the social function of the mural? Or more importantly, what is the social function a social organization or movement …

Nor Sanavongsay Interview, Sittha Abhay

Asian American Art Oral History Project

Nor's Biography:

My name is Nor, pronounce Naw, I was born in Thailand. My family moved to the US when I was four years old. We landed in Kingport, TN and stayed with our sponsors for about six months before heading up to Illinois.

I grew up watching Transformers, Bruce Lee movies, Thundercats, and all the great 80's cartoons. I also have a facination with comic books and graphic novels. I began drawing at the age of six with my uncle as a mentor. I honed my artistic skills as the years pass by.

Nor's Websites:

http://www.nawdsign.com/

http://xiengmieng.com/

Lani Montreal Interview, Thi Navi Thach

Asian American Art Oral History Project

2010 interview with Filipina teacher, writer, performer Lani T. Montreal by Thi Navi Thach

Ann Poochareon Interview, Christina Yang

Asian American Art Oral History Project

2010 interview with new media artist Ann Poochareon by Christina Yang

Tatsu Aoki Interview, Brian Callahan

Asian American Art Oral History Project

2010 interview with musician Tatsu Aoki

Li Lin Lee Interview, Barry Au

Asian American Art Oral History Project

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Artist Biography
Li Lin Lee is a self-taught painter who over the years has attended many exhibitions. Many of his earlier exhibitions had his group panel paintings while later ones displayed solo works. Born in Jakarta, Indonesia, he studied biochemistry at the University of Pittsburgh in Pennsylvania. He has traveled many places in Southeast Asia. Among his solo exhibitions: Symbiology and Urban Archaeology was displayed at Walsh Gallery in Chicago in 2001 and 2008 respectively.

Tina Ramirez Interview, Karina Lopez

Asian American Art Oral History Project

2010 interview with poet Tina Ramirez

Dahuang Zhou Interview, Julia Lin

Asian American Art Oral History Project

2010 interview with multimedia artist and entrepreneur DaHuang Zhou

Chi Jang Yin Interview, Anna Huang

Asian American Art Oral History Project

2010 interview with experimental documentary filmmaker Chi Jang Yin by Anna Huang

Indira Freitas Johnson Interview, Michelle Burke

Asian American Art Oral History Project

Bio: Indira Freitas Johnson was born in Mumbai, India. She has received undergraduate degrees from Sir J.J. Institute of Applied Art and the University of Bombay. She also received a masters degree in fine arts from The School of the Art Institute of Chicago in 1967. Her father was an artist and her mother was a social activist, both of whom she was influenced by. She strongly believes that art and activism are a powerful combination for social change. Indira founded the Shanti Foundation for Peace in 1993 in response to the rise of ethnic violence. This foundation helps people …

Von Kommanivanh Interview, John Pluciennik

Asian American Art Oral History Project

2010 interview with Loatian born/Chicago based painter Von Kommanivahn by John Pluciennik

Sam Del Rosario Interview, Nancy Shaba

Asian American Art Oral History Project

2010 interview with writer and the former ED of the Asian American Artists Collective- Chicago Sam del Rosario by Nancy Shaba.