Arts and Humanities Commons^™

Walking West: A Dérive Along The “Longest, Wickedest Street In America”, Conor Mcgarrigle Dr.

Conference Papers

Walking West centres on a dérive by the author along Denver’s Colfax Ave, the “longest , wickedest street in America”, with this paper an account of that dérive and its resulting artwork. Walking West comprised walking the length of Colfax in a single continuous movement while drawing a line on the sidewalk, tracing the route with a GPS device, while a satellite photograph captured the entire length of the street in a single image during the performance. The project additionally involved an outdoor screening of a film documenting the performance on prairie lands near Denver, and a gallery exhibition of …

#Riseandgrind: Lessons From A Biased Ai, Conor Mcgarrigle

Conference Papers

#RiseandGrind is a research-based artwork that, through a process of active engagement with the machine-learning tools of what is known as artificial intelligence, sought to make visible the complex relationship between the origins and context of training data and the results that are produced through the training process. The project using textual data extracted from Twitter hashtags that exhibit clear bias to train a recurrent neural network (RNN) to generate text for a Twitter bot, with the process of training and text generation represented in a series of gallery installations. The process demonstrated how original bias is consolidated, amplified, and …

Paper - A Reserve Or Backgound?, Brian Fay

Conference Papers

Paper: A Reserve or a Background?

“Using examples from contemporary practice and my own research, this presentation will discuss two models for the role of paper in drawing: as background and as reserve. It will focus on Walter Benjamin's definition for the graphic lines almost metaphysical relationship to the background, and compare it with Norman Bryson's model of the paper as a reserve, for him an 'area without qualities'.”