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Representing Black Power: Handling A "Revolution" In The Age Of Mass Media, Craig Peariso Apr 2015

Representing Black Power: Handling A "Revolution" In The Age Of Mass Media, Craig Peariso

Craig J. Peariso

After attending a Black Panther Party press conference in 1967, a reporter for the San Francisco Chronicle wrote, “If a Hollywood director were to choose them as stars of a movie melodrama of revolution, he would be accused of typecasting” (quoted in Moore 1971: 257). While this reporter quickly backed away from suggesting that there was anything suspicious about the Panthers’ media-friendly tactics—saying that party founders Bobby Seale and Huey Newton “are not actors and this is not Hollywood”—others were not so politic. Drama critic Robert Brustein, for example, wrote that the party’s press conferences and photo-ops suggest that their …


"Fresh Impressions" Invitational Regional Printmaking Exhibition, University Of Toledo, Center For Visual Arts, Christopher Ganz Aug 2014

"Fresh Impressions" Invitational Regional Printmaking Exhibition, University Of Toledo, Center For Visual Arts, Christopher Ganz

Christopher Ganz

Featuring the work of 12 printmakers, coinciding with the PRINT CITY, Mid America Printmaking Conference in Detroit.


The Evolving System, International Invitational Printmaking Portfolio, Christopher Ganz Aug 2014

The Evolving System, International Invitational Printmaking Portfolio, Christopher Ganz

Christopher Ganz

Intaglio print on chine colle', "Reclamation" 11" x 14", created for 'The Evolving System" themed portfolio, an invitational international printmaking exchange portfolio exhibition, displayed Whitdel Arts Center in collaboration with the Mid American Printmaking Conference hosted by Wayne State, Detroit, MI, Sept. 12 – Oct. 18, 2014


34th Annual National Print Exhibition At Artlink, Christopher Ganz Apr 2014

34th Annual National Print Exhibition At Artlink, Christopher Ganz

Christopher Ganz

No abstract provided.


Shades: Contemporary Drawing, Group Exhibition Of Four Artists, Christopher Ganz Mar 2014

Shades: Contemporary Drawing, Group Exhibition Of Four Artists, Christopher Ganz

Christopher Ganz

My large drawings are featured with the works of three other artists working in the media of drawing, in an exhibition that seeks to capture contempoary trends in drawing across the nation.


Lean In Or Lean Back: Reproducing Sustainable Livelihoods In The Transnational Indigenous Art Market, Blaire Gagnon Feb 2014

Lean In Or Lean Back: Reproducing Sustainable Livelihoods In The Transnational Indigenous Art Market, Blaire Gagnon

Blaire Gagnon

No abstract provided.


Manual Of Arms Preview, Kate Walker Dec 2013

Manual Of Arms Preview, Kate Walker

Kate Walker

Video preview


Preserving Culture: Evolving Traditions And Outside Influences Facing The Ecuadorian Amazon, Joe Molinaro, Richard Burkett Dec 2012

Preserving Culture: Evolving Traditions And Outside Influences Facing The Ecuadorian Amazon, Joe Molinaro, Richard Burkett

Joe Molinaro

The term indigenous peoples refers to any ethnic group native to a place. Historically, these groups have been deemed unimportant or insignificant when the land they inhabit is overtaken by powerful government or states.


Falling Into Place (Land/Mark Exhibit), Gretchen Batcheller Dec 2012

Falling Into Place (Land/Mark Exhibit), Gretchen Batcheller

Gretchen D Batcheller

Land/Mark is a faculty exhibition featuring paintings and sculpture by Pepperdine University Art Department faculty members Gretchen Batcheller and Ty Pownall. Each artist's work represents visual and spatial links to experiences that explore the balance between place, locality, time, context, and space. The exhibit was on display in Pepperdine's Frederick R. Weisman Museum of Art in Malibu, California, December 3-13, 2013.


Hoop, Kate Walker Oct 2012

Hoop, Kate Walker

Kate Walker

A whole football field of queer people, hula hooping in formation, moving in unison, individuals involved in a mass action together. This was my initial vision for this project. Early video art in the 1960’s was often used to document political events, ephemeral moments, and transient communities. New technology had turned its lens against mainstream media, and made room at the dinner table for alternate voices. What does a queer aesthetic look like in 2010? How can queer community and art come together in relation to specific locations and current issues? These are some of the questions asked by this …


Ink And Clay 38, Online Exhibition Catalog, Caroline Earley Dec 2011

Ink And Clay 38, Online Exhibition Catalog, Caroline Earley

Caroline Earley

Ink & Clay is an annual competitive exhibition of prints, drawings and ceramics sponsored by Cal Poly Pomona’s W. Keith and Janet Kellogg University Art Gallery. 2012 marks the 38th year for this juried exhibition, which is open to all artists across the western United States, including Alaska and Hawaii.


Capitol, Kate Walker Dec 2011

Capitol, Kate Walker

Kate Walker

This project involves students and faculty from Boise State University Art Department in a semi-reenactment of Raphael’s “The School of Athens”, 1510-11. Rather than the homogenous cultural elite of Raphael’s painting, which depicts philosophers, scientists and artists of classical Greece and the high Renaissance, we see an ordinary and diverse group of students. This project aims to open up a conversation around civic agency and ‘group’ identity by tracing a shift between a ‘staged’ informal gathering of people, which recalls day-to-day campus life or a similar public meeting space into this formal tableau from another era.


...Touch...Pause...Engage, Kate Walker Dec 2010

...Touch...Pause...Engage, Kate Walker

Kate Walker

Two of Kate Walker’s works Player Black and The Defenders 1 reflect her interest in making art as a record, sourcing everyday events and cultural ephemera for their story telling potential. Both render parts of rubgy players in the act of kicking or being tackled, and in The Defenders 1 Walker paints the figures over floral wallpaper.


Regarding India, Conversations With Artists. Video Interview Website, Kathryn Myers Dec 2010

Regarding India, Conversations With Artists. Video Interview Website, Kathryn Myers

Kathryn Myers

Regarding India is series of video interviews with contemporary artists living and working in India. Reflective of a dynamic and diverse contemporary art scene the interviews engage aspects of Indian history, society, culture and current events through the creative work, experiences, and insights of artists. The series is ongoing and will eventually include over sixty interviews.


Complete Newspaper, Magazine, Tv, Radio, Podcast, And Blog Press Coverage, Laura Kina Dec 2010

Complete Newspaper, Magazine, Tv, Radio, Podcast, And Blog Press Coverage, Laura Kina

Laura Kina

Visit the artist website for a comprehensive list of popular press coverage from 2002-present: http://www.laurakina.com/press.html


Square2 (Screening), Kate Walker Dec 2010

Square2 (Screening), Kate Walker

Kate Walker

HooP (2010) is a work by video artist Kate Walker, made in collaboration with the LGBT (Lesbian, Gay, Bisexual and Transgendered) community in Nelson. It documents a public event staged by the artist, where members of this community participated in a mass hula hooping event. This followed weeks of practice, and the formation of a diverse and inter-generational group of keen participants.

Swaying hips, circular rhythms and shuffling feet resound in the film. Moments of pathos, seriousness and vulnerability are inevitably punctured by the innate humour of the mass hula event. Both the euphoria of collective action, and more personal …


Art Work - “Loving: Elena Rubin” And “Loving: Shoshanna Weinberger”, Laura Kina Dec 2009

Art Work - “Loving: Elena Rubin” And “Loving: Shoshanna Weinberger”, Laura Kina

Laura Kina

OTHER TONGUES: MIXED-RACE WOMEN SPEAK OUT is an anthology of poetry, spoken word, fiction, creative non-fiction, spoken word texts, as well as black and white artwork and photography, explores the question of how mixed-race women in North America identify in the twenty-first century. Contributions engage, document, and/or explore the experiences of being mixed-race, by placing interraciality as the center, rather than periphery, of analysis.


Exhibition Essay And Retrospective - "Laura Kina: A Many-Splendored Thing", Laura Kina Dec 2009

Exhibition Essay And Retrospective - "Laura Kina: A Many-Splendored Thing", Laura Kina

Laura Kina

Larry Lee. “Laura Kina: A Many-Splendored Thing.” Foundation for Asian American Independent Media 15th Annual Asian American Showcase catalogue. 2010. April 2 - May 30, 2010 Gene Siskel Film Center A retrospective featuring over thirty selected paintings, drawings and textiles (1995-present) from her Refrigerator, Hapa Soap Opera, Loving, Aloha Dreams, and Devon Avenue Sampler series as wellas some early and new works on exhibit for the first time. Kina's art collectively embraces "ikigai" or the Japanese belief of "a sense of life worth living" and reflects her "postcolonial pop aesthetic" as a multiracial Okinawan Jewish artist/educator/scholar living in a South …


Cover Image And Featured Artist - Zeek: A Jewish Journal Of Thought And Culture, Laura Kina Dec 2009

Cover Image And Featured Artist - Zeek: A Jewish Journal Of Thought And Culture, Laura Kina

Laura Kina

Kina, Laura “Sugar.” ZEEK: A Jewish Journal of Thought and Culture. Winter 2010. Cover image and p.62-65.


Inside Out: Representations Of Women And Work On Popular Television, Liz Linden, Jen Kennedy Dec 2009

Inside Out: Representations Of Women And Work On Popular Television, Liz Linden, Jen Kennedy

Liz Linden

Inside Out: Pregnant Actresses Playing Nonpregnant Characters, a video montage by artist Liz Linden, was originally exhibited in combination with the video Outside In : Fictional Commercials for Real Products at Art in General in New York in Hay 2009. Both videos use appropriated television clips to point to the formal and ideological mechanisms ~that structure our relationship to materials and content that we are confronted with on an almost daily basis, but which are often overlooked or dismissed as benign or banal. Displayed side-by-side on TV monitors, a reference to the videos' source material, together Inside Out and Outside …


Hoop, Kate Walker Dec 2009

Hoop, Kate Walker

Kate Walker

In HooP members of the LGBT community in Nelson, New Zealand gather for a mass hula hoop event, in this work about body physicality and visual spectacle. Swaying hips, circular rhythms and shuffling feet resound. Moments of pathos, seriousness and vulnerability are punctured by the innate humour of the mass hula event. This art work confounds the stereotypes of queer communities. The usual reasons queer community might gather are to organise for political or social action, or to socialize without a sense of being 'other'. Something else is happening here. 

The history of video art as a document of community …


Art Series - Sugar, Laura Kina Dec 2009

Art Series - Sugar, Laura Kina

Laura Kina

Set during the 1920’s-1940’s, Laura Kina’s SUGAR paintings (2010-present) recall obake ghost stories and feature Japanese and Okinawan picture brides turned machete carrying sugar cane plantation field laborers on the Big Island of Hawaii. Kina’s paintings take us into a beautiful yet grueling world of manual labor, cane field fires and flumes. View the series: http://www.laurakina.com/sugar.html


Art Work - "The Kina Aronsons" In Sh'ma: A Journal Of Jewish Responsibility, Laura Kina May 2009

Art Work - "The Kina Aronsons" In Sh'ma: A Journal Of Jewish Responsibility, Laura Kina

Laura Kina

"The Refrigerator Door." Sh'ma: A Journal of Jewish Responsibility. No. 39 Vo. 661. June 2009: 9. Featuring "The Kina Aronsons" (2001, acrylic and collage on canvas, 62 x 28 1/2 in.)


Autopoios, Caroline Earley Feb 2009

Autopoios, Caroline Earley

Caroline Earley

No abstract provided.


Art Series - Devon Avenue Sampler, Laura Kina Dec 2008

Art Series - Devon Avenue Sampler, Laura Kina

Laura Kina

Devon Avenue Sampler (2009-2011) is a portrait of a diasporic South Asian/Jewish community in Chicago, IL. This textile series, which uses indigo dye and khadi fabric, was hand embroidered by artisans from a fair trade women’s organization in Mumbai, India. View the series: http://www.laurakina.com/devon.html


Featured Artist - "The New Authentics: Artists Of The Post-Jewish Generation", Laura Kina Dec 2007

Featured Artist - "The New Authentics: Artists Of The Post-Jewish Generation", Laura Kina

Laura Kina

Boris, Staci and Sarah Giller Nelson. The New Authentics: Artists of the Post-Jewish Generation. Chicago, IL: Spertus Press, 2007: 40-41 and 91-95. (catalogue)

"The New Authentics" are twenty-first century American Jews. Curated by Spertus Museum Senior Curator Staci Boris, the exhibit and this accompanying catalogue, The New Authentics, explores contemporary notions of Jewish identity through the work of 16 artists living in the United States. Engaged in the global art community, these artists insert traces of, consciously draw from, or directly address their experiences as Jews, and they are brought together here for the first time in a Jewish context. …


The M At The End Of The Earth, Kate Walker, Cliff Fell Dec 2007

The M At The End Of The Earth, Kate Walker, Cliff Fell

Kate Walker

The M at the End of the Earth is a cross-disciplinary video project, which moves between the genres of poetry and video art. The nostalgic experience of the great American road trip with its associations of endless space is reenacted using landscape footage of the American Southwest. This footage of US Route 95 in Nevada runs alongside the Nevada Test Site. The voice over is a reading of a section of Fell’s poem of the same name, published in his collection Beauty of the Badlands (Victoria University Press, 2008).


"Mixed Heritage Art", Laura Kina Dec 2006

"Mixed Heritage Art", Laura Kina

Laura Kina

"Mixed Heritage Art."Mixed Heritage Center. December 2007 . (essay) An introductory overview essay for the Mixed Heritage Center Arts section.


Art Series - Aloha Dreams, Laura Kina Dec 2006

Art Series - Aloha Dreams, Laura Kina

Laura Kina

Aloha Dreams (2007) In this mixed media painting series and installation, Kina examines her Orientalist impulse for heritage tourism. Looking nostalgically at her family’s history as Okinawan sugar cane plantation workers on the Big Island of Hawaii, she ultimately finds herself through mediated pop images of paradise and in the very real space of a Midwestern Vietnamese nail salon. View the series: http://www.laurakina.com/aloha.html


Elsewhere, Kate Walker Dec 2006

Elsewhere, Kate Walker

Kate Walker

Elsewhere traces themes of dislocation, loss and cross-cultural exchange. It documents moments of contact based on an email exchange between the two artists and friends, as they try to retain points of connection. A flight into Nelson, New Zealand, advertising LED screens, night-time street noise are the fragments that build this inter-continental dialogue.