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Full-Text Articles in Arts and Humanities
One Time, One Place? Richard Wright And Eudora Welty's Shared Visual Politics In The Depression Era, Mallory Blasingame
One Time, One Place? Richard Wright And Eudora Welty's Shared Visual Politics In The Depression Era, Mallory Blasingame
Electronic Theses and Dissertations
This thesis questions the absence of critical comparative studies of Mississippi-born authors Richard Wright and Eudora Welty. It argues that, though the authors' writing has traditionally been understood as residing on opposite sides of the political spectrum, they share a political vision of the rural South and urban North in the Depression era that is established in their documentary works—Wright's 12 Million Black Voices (1941) and Welty's One Time, One Place (1971)—and extends into such fictional works as Wright's "Big Boy Leaves Home" (1936) and Native Son (1941) and Welty's "Moon Lake" (1949) and "Flowers for Marjorie" (1941). In chapter …
It's Bigger And Hip-Hop: Richard Wright, Hip-Hop, And Masculinity, Marcos Julian Del Hierro
It's Bigger And Hip-Hop: Richard Wright, Hip-Hop, And Masculinity, Marcos Julian Del Hierro
Open Access Theses & Dissertations
In Native Son, Richard Wright presents a view of the impoverished, inner-city from an insider's perspective, which reflects the anger and hate brewing towards the rest of the nation as a result of living under harsh, isolating conditions. Wright's main character, Bigger Thomas serves as an archetypal ghetto figure both in his attitudes and the treatment he receives from Anglo Americans. Additionally, the reception of Native Son by a majority white reading audience also reflected the voyeuristic thrill of the bourgeoisie when consuming cultural products by African Americans. The selection of Wright's novel into the Book of the Month …
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
The Lunatic's Fancy And The Work Of Art, Shelly J. Eversley
Publications and Research
No abstract provided.