Open Access. Powered by Scholars. Published by Universities.®

Arts and Humanities Commons

Open Access. Powered by Scholars. Published by Universities.®

Articles 1 - 5 of 5

Full-Text Articles in Arts and Humanities

Aids And The Distribution Of Crises: Foreword, Preface, And Introduction, Alexandra Juhasz, Nishant Shahani, Jih-Fei Cheng Jan 2020

Aids And The Distribution Of Crises: Foreword, Preface, And Introduction, Alexandra Juhasz, Nishant Shahani, Jih-Fei Cheng

Publications and Research

AIDS and the Distribution of Crises engages with the AIDS pandemic as a network of varied historical, overlapping, and ongoing crises born of global capitalism and colonial, racialized, gendered, and sexual violence. Drawing on their investments in activism, media, anticolonialism, feminism, and queer and trans of color critiques, the scholars, activists, and artists in this volume outline how the neoliberal logic of “crisis” structures how AIDS is aesthetically, institutionally, and politically reproduced and experienced.


Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths Jun 2017

Bricolage Propriety: The Queer Practice Of Black Uplift, 1890–1905, Timothy M. Griffiths

Dissertations, Theses, and Capstone Projects

Bricolage Propriety: The Queer Practice of Black Uplift, 1890-1905 situates the queer-of-color cultural imaginary in a relatively small nodal point: the United States at the end of the nineteenth century. Through literary analysis and archival research on leading and marginal figures of Post-Reconstruction African American culture, this dissertation considers the progenitorial relationship of late-nineteenth century black uplift novels to modern-day queer theory. Bricolage Propriety builds on work about the sexual politics of early African American literature begun by women-of-color feminists of the late 1980s and early 1990s, including Hazel V. Carby, Ann duCille, and Claudia Tate. A new wave of …


Lg Ms 041 Jean Vermette Papers, Anthony Marvullo Jun 2016

Lg Ms 041 Jean Vermette Papers, Anthony Marvullo

Search the Manuscript Collection (Finding Aids)

Provenance: The Jean Vermette Papers were donated by Jean Vermette in 2009. Ownership & Literary Rights: The Jean Vermette Papers are the physical property of the University of Southern Maine Libraries. Literary rights, including copyright, belong to the creator or her legal heirs and assigns. For further information, consult the Head of Special Collections. Cite as: Jean Vermette Papers, Lesbian, Gay, Bisexual, Transgender, Queer+ Collection, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries. Restriction on Access: Some materials are restricted until the year 2061 to protect privacy rights.

For further information, consult the Head of …


Preposterous America: The Language Of Inversion In Thoreau, Melville, And Hawthorne, Rasmus R. Simonsen May 2015

Preposterous America: The Language Of Inversion In Thoreau, Melville, And Hawthorne, Rasmus R. Simonsen

Rasmus R Simonsen, PhD

This dissertation stages a series of readings that activate the inherent pull towards a queer aesthetic of “preposterousness” in the American Renaissance. In the introduction, I claim that American Studies and Queer Studies have been mutually implicated ever since F.O. Matthiessen’s seminal work American Renaissance. In this way, I bring to light the nascent strands of homoeroticsm and “deviant” practices that disrupt the teleology of normative masculinity in the nineteenth century. My intervention develops a queer heuristic through an exploration of the classical figure of hysteron proteron—the rhetorical inversion of the order of things. As a master-trope for my investigation, …


Preposterous America: The Language Of Inversion In Thoreau, Melville, And Hawthorne, Rasmus R. Simonsen Aug 2013

Preposterous America: The Language Of Inversion In Thoreau, Melville, And Hawthorne, Rasmus R. Simonsen

Electronic Thesis and Dissertation Repository

This dissertation stages a series of readings that activate the inherent pull towards a queer aesthetic of “preposterousness” in the American Renaissance. In the introduction, I claim that American Studies and Queer Studies have been mutually implicated ever since F.O. Matthiessen’s seminal work American Renaissance. In this way, I bring to light the nascent strands of homoeroticsm and “deviant” practices that disrupt the teleology of normative masculinity in the nineteenth century. My intervention develops a queer heuristic through an exploration of the classical figure of hysteron proteron—the rhetorical inversion of the order of things. As a master-trope for my …