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From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
From Borderlands To Border Islands: Intersections Between Anzaldúa's Chicana Feminist Theory And U.S. Latina Literature From The Hispanic Caribbean, Cristina Gonzalez Martin
Theses and Dissertations
This thesis studies three texts by three U.S. Latina authors from the Hispanic Caribbean through the lens of Chicana feminist border theory. The works analyzed are How the García Girls Lost Their Accents (1991) by Dominican author Julia Alvarez, Dreaming in Cuban (1992) by Cuban-American novelist Cristina García, and the memoir Almost a Woman (1998) by Puerto Rican author Esmeralda Santiago. The theoretical framework used is Gloria Anzaldúa’s Borderlands/La Frontera: The New Mestiza. The objective is to show how these texts manifest the formation of a hybrid, diasporic, in-between identity that corresponds with Anzaldúa’s definition of mestiza consciousness or la …
Custodian Of The Specie: White Women, Capital, And Slavery In The Hemispheric South, Jenny Leroy
Custodian Of The Specie: White Women, Capital, And Slavery In The Hemispheric South, Jenny Leroy
Dissertations, Theses, and Capstone Projects
My dissertation argues that white women played crucial roles in the economic, political, and cultural circuits that linked the United States and Cuba, and the hemisphere broadly, during the nineteenth century. It inserts white women into a historical account of U.S. imperialism by analyzing the literary works of a number of American women who traveled to or simply fantasized about Cuba during this period of intense and widespread interest in the island. It identifies white women not just as providing the symbolic rationale for Cuban annexation or intervention – the preservation of their chastity being a common justification for the …
Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia
Fragmentation And Multiplicity In Cuban-American Identity: In Cuba I Was A German Shepherd By Ana Menéndez And Memory Mambo By Achy Obejas, Daimys E. Garcia
Dissertations, Theses, and Capstone Projects
Maria Lugones offers a new way of perceiving the world, which makes visible that fragmentation is not a valuable and transgressive understanding of identity, as Western philosophy and some political theory suggests. What Lugones believes in, as a strategy of resistance to the dominant gaze, is multiplicity – mestizaje. Using Lugones’s framework, this thesis will look at the different aspects of Cuban-American characters in In Cuba I was a German Shepherd by Ana Menéndez and Memory Mambo by Achy Obejas. Each novel offers insight into how characters develop and understand themselves (and others) when they use language that shows that …
"Refuge Of The Frivolous And Thirsty": Pleasure Seeking And Barbarian Virtue In The U.S. Laboratory For Empire, Rachel Christine Steely
"Refuge Of The Frivolous And Thirsty": Pleasure Seeking And Barbarian Virtue In The U.S. Laboratory For Empire, Rachel Christine Steely
Open Access Theses
Scholars have frequently referred to Latin America, and to Cuba in particular, as a "laboratory for empire" for the United States in reference to the experimentation with military occupation, political intervention, and financial manipulation that American actors practiced in this region during the early twentieth century. This thesis stretches the laboratory motif to include pleasure seeking as an additional channel through which American actors exerted influence on Cuba and as a critical driving force of U.S. imperial projects. Americans made use of their Cuban "laboratory for pleasure" as an uncivilized space in which they could evade the moral rubric of …
Lo Barroco Lezamesco En Paradiso, Leonardo Venta
Lo Barroco Lezamesco En Paradiso, Leonardo Venta
USF Tampa Graduate Theses and Dissertations
In this thesis I argue that José Lezama Lima's Paradiso is unique among Latin-American novels of the 1960s because it is a hybrid of literary genres - narrative and essay, as well as a "poetic system." Through an open literary framework, the author explores the essence of "cubanía" though language that is both colloquial and elaborate, both devoted to traditions and aiming for transgressions: a novel that reaches for the pinnacle of neobaroque prose. To sustain my argument, I have performed an exhaustive exegesis of my primary text, as well as extensive external research in secondary texts of the highest …
A Marriage Of Convenience: Batista And The Communists, 1933 - 1944, Charles Clayton Hollenkamp
A Marriage Of Convenience: Batista And The Communists, 1933 - 1944, Charles Clayton Hollenkamp
USF Tampa Graduate Theses and Dissertations
This paper examines the relationship between Fulgencio Batista and the Communist Party of Cuba. At odds during the first several years of Batista's rule, when strikes and repression were the topics of the day, the two sides eventually saw in each other a means to an end. In efforts to understand the Cuban Revolution of the late 1950's, historians often portray Batista as a dictatorial puppet of American business and policy. Contrary to this image, in his first regime (1934 until 1944), Batista presided over the creation of a nominal constitutional democracy. To do this he needed the support and …
Hemingway's Cante Jondo: The Old Man And The Sea, Michael J. Tucker
Hemingway's Cante Jondo: The Old Man And The Sea, Michael J. Tucker
Masters Theses, 1990-1999
The Old Man and The Sea leads to a reading of The Epistle of James through Ernest Hemingway's deep understanding of Spanish Catholicism and Cuban culture; Hemingway's greatest work, it is his cante jondo, his "deep song" in homage to the suffering of his generation. Cante jondo, like The Old Man and The Sea, moves at a ballad tempo, speaks to life and death struggles, and embraces sorrow and joy in equal measure. Cante jondo, similarly, casts a mournful tone in its flamenco rhythms not unlike that Hemingway reveals in The Old Man and The Sea. What Flamenco …
Hemingway's Cante Jondo: The Old Man And The Sea, Michael J. Tucker
Hemingway's Cante Jondo: The Old Man And The Sea, Michael J. Tucker
Masters Theses, 2010-2019
The Old Man and The Sea leads to a reading of The Epistle of James through Ernest Hemingway's deep understanding of Spanish Catholicism and Cuban culture; Hemingway's greatest work, it is his cante jondo, his "deep song" in homage to the suffering of his generation. Cante jondo, like The Old Man and The Sea, moves at a ballad tempo, speaks to life and death struggles, and embraces sorrow and joy in equal measure. Cante jondo, similarly, casts a mournful tone in its flamenco rhythms not unlike that Hemingway reveals in The Old Man and The Sea. What Flamenco …