Arts and Humanities Commons^™

"I Am Your Father", Joshua Matthews

Faculty Work Comprehensive List

"Star Wars is supposed to be a generic mythological story with archetypes and narrative structures that transcend all cultures, both in space and in time."

Posting about ­­­­­­­­the influence of movies on our culture from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/i-am-your-father/

Countdown, Howard Schaap

Faculty Work Comprehensive List

No abstract provided.

Cleaver, Oscar Payne, 1905-1996 (Mss 106), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 106. Miscellaneous papers related to the military and civilian careers of Hart County, Kentucky, native Oscar Payne Cleaver, who was a lighting expert and was instrumental in the development of night vision equipment. Includes a brief reminiscence about his lighting work on the film “Gone With the Wind.”

"Gone With The Wind" (Sc 2438), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2438. Souvenir booklet sold at theaters showing the motion picture "Gone With the Wind." Includes illustrations, cast list, major players' credits, and information about the production.

Acting For The Camera Horace Poolaw's Film Stills Of Family, 1925-1950, Hadley Jerman

Great Plains Quarterly

During the late 1920s, American technology historian Lewis Mumford drafted these words in a manuscript that would become Technics and Civilization. At the same time, Kiowa photographer Horace Poolaw began documenting daily life in southwestern Oklahoma with the very technology Mumford alleged altered the way humanity saw itself. As Poolaw began making dramatically posed, narrative-rich portraits of family members, Mumford asserted that the modern individual now viewed him or herself "as a public character, being watched" by others. He further suggested that humankind developed a "camera-eye" way of looking at the world and at oneself as if continuously on display. …

Hall, Timothy W. (Fa 500), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 500. Paper: "Folklore in Cinema," by Timothy W. Hall, which examines urban legends found in popular movies. This paper was done for a folk studies class at Western Kentucky University.

Masters, John Post, D. 1973 (Sc 2126), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Small Collection 2126. Typescript of a paper written by John Post Masters, Bowling Green, Kentucky, in 1964 and titled "The Start of Silent Moving Pictures in the United States."

Kenney, Melissa R. (Fa 503), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid only for Folklife Archives Project 503. Paper: "Urban Legends in Motion Pictures," written by Melissa R. Kenney for a folk studies class at Western Kentucky University. Includes a video cassette containing clips discussed in the paper.

Peach, Jewell (Fa 355), Manuscripts & Folklife Archives

FA Finding Aids

Finding aid and full-text scan of paper (Click on “Additional Files” below) for Folklife Archives Project 355. Paper: "Folklore in Film" written by Jewell Peach for a Western Kentucky University folk studies class.

"New" Hollywood Narratives: An Analysis Of Boogie Nights And Magnolia, Andrew C. Cate

Honors Projects

Explores the idea of the Hollywood narrative through an analysis of two Hollywood ensemble films by filmmaker, Paul Thomas Anderson: Boogie Nights and Magnolia. Considers the question of the existence of a "new" Hollywood narrative in these films.

"What It Takes To Be A Man": A Comparison Of Masculinity And Sexuality In Rebel Without A Cause And River's Edge, Alyssa Costa

Honors Projects

Compares the teen films, Rebel without a Cause and River's Edge, using cultural studies to analyze what they reveal about the complexities of masculinity and sexuality. Contends that while the cultural ideologies of the 1950s and 1980s promote a tough-guy hyper-masculinity, these films offer multiple models of masculinity, various forms of homosocial bonds, and veiled messages about homosexuality.

"You're Tearing Me Apart"! Investigating Ideology In The Image Of Teens In The 1950s, Danielle Bouchard

Honors Projects

Using cultural studies as a critical paradigm and ideological analysis as methodology, argues that gender, sexuality, and the nuclear family are core issues treated in two films and one television program from the 1950s featuring American teenagers. Focuses on the classic juvenile delinquent film, Rebel without a Cause, the quintessential clean teen film, Gidget, and the television series, Leave It to Beaver.

Interview With Mary Bryant (Benton) Fitts Regarding Her Life (Fa 154), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of an interview with Mary Brant (Benton) Fitts conducted by Karen Owen for an oral history project titled "A Generation Remembers, 1900-1949." Fitts discusses her life and times, including information about growing up in Utica and Owensboro, Daviess County, Kentucky, her children, social life and customs, race relations, World War II, and sundry other topics. Mrs. Fitts was a housewife and mother of two.

Interview With Dora Landrum Regarding Her Life (Fa 154), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of an interview with Dora Landrum conducted by Kevin Eans for an oral history project titled "A Generation Remembers, 1900-1949." Landrum discusses her life and times, including information about the Great Depression, how the New Deal programs affected Ohio County, Kentucky, motion pictures, radio, World War II, Pearl Harbor, the atomic bomb, rationing, her running for State Senate in 1949, and Democratic politics.

Interview With Allyene Gregory Regarding Her Life (Fa 154), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of an interview with Allyene Gregory conducted by Steve Vied for an oral history project titled "A Generation Remembers, 1900-1949." Gregory discusses her life and times, including information about growing up in Sorgho, Daviess County, Kentucky, education, childhood games, her father's farm, African Americans, social customs and historic events in the community, as well as her teaching career.

Interview With Lattie Edds And Essie Thomason Regarding Their Lives (Fa 154), Manuscripts & Folklife Archives

FA Oral Histories

Transcription of an interview with Lattie Edds and Essie Thomason conducted by Judi Hetrick for an oral history project titled "A Generation Remembers, 1900-1949." They discuss their life and times, including information about growing up in McLean County and Hancock County, Kentucky, social life and customs, weaving, childhood chores and games, teachers and teaching, one-room schools, farms and farming, courtship, televisions, radios, the Great Depression, floods, and influenza.

"Myth Of The River Kwai", Ian P. Watt

Special Collections: Oregon Public Speakers

No abstract provided.