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American Studies

Senior Projects Spring 2018

Identity

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Full-Text Articles in Arts and Humanities

Reporting Identity: Social And Political Implications Of Adding A Mena Category To The U.S. Census, Mehgan Rose Abdel-Moneim Jan 2018

Reporting Identity: Social And Political Implications Of Adding A Mena Category To The U.S. Census, Mehgan Rose Abdel-Moneim

Senior Projects Spring 2018

The Census Bureau has been testing a new category called MENA for the 2020 census that would better describe the Middle Eastern and North African population in the United States, but in January of 2018, the agency announced that the category requires further research. In this work, I connect the development of a MENA identity category to historical events, sociological theory, current politics and public concerns related to the following questions: What are the social and political implications of including a MENA category on the U.S. census? What does the movement to add a MENA identifier to the census tell …


Nation, Self, And Foreign Space: Exploring The Expatriation Of James Baldwin, Henry James, And Edith Wharton, Emily Monroe Weisman Jan 2018

Nation, Self, And Foreign Space: Exploring The Expatriation Of James Baldwin, Henry James, And Edith Wharton, Emily Monroe Weisman

Senior Projects Spring 2018

This project explores the expatriation of James Baldwin, Henry James, and Edith Wharton. Through their fiction and personal journeys abroad, Baldwin, James and Wharton seek to answer the question of what it means to be an American. This trio of writers chose to leave America at some point or another in order to find both literary and personal freedom from the confinement that was brought upon them by the space of America.

Baldwin, James, and Wharton explore the effects of race, class, and gender on an individual in the space of America versus the space of Europe. The novels that …


Xx Openings, Jackson Siegal Jan 2018

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …