Arts and Humanities Commons^™

Proletarian Modernism : Aesthetic Intervention In Naturalist Epistemology In Steinbeck, Wright And Mccullers, Kenji Kihara

Legacy Theses & Dissertations (2009 - 2024)

This dissertation explores three proletarian novels published at the end of the Depression era—John Steinbeck’s The Grapes of Wrath, Richard Wright’s Native Son, and Carson McCullers’s The Heart Is a Lonely Hunter—in light of how their aesthetics complicates the inherited epistemology of literary naturalism in response to the changing political climates in the age of the Popular Front. Calling these texts “proletarian modernism,” I investigate how their aesthetics mediate the relations among Marxist ideas, political solidarity and the American value of individualism in an age when it became gradually difficult to fundamentally criticize capitalism and liberalism.