Arts and Humanities Commons^™

Direct Responsibility: Caspar Weinberger And The Reagan Defense Buildup, Robert Howard Wieland

Dissertations

This dissertation explores the life of Caspar Weinberger and explains why President Reagan chose him for Secretary of Defense. Weinberger, not a defense technocrat, managed a massive defense buildup of 1.5 trillion dollars over a four year period. A biographical approach to Weinberger illuminates Reagan’s selection, for in many ways Weinberger harkens back to an earlier type of defense manager more akin to Elihu Root than Robert McNamara; more a man of letters than technocrat. And yet Weinberger, the amateur historian, worked with budgets his entire public career. Essentially, Pentagon governance is the formation of a military budget that proscribes …

Updike, Morrison, And Roth: The Politics Of American Identity, Christopher Steven Love

Dissertations

My dissertation analyzes American identity in the works of John Updike, Toni Morrison, and Philip Roth. Specifically, I examine American identity in Updike’s Rabbit tetralogy (1960-1990); Morrison’s trilogy of novels Beloved (1987), Jazz (1992), and Paradise (1998); and Roth’s trilogy comprising the novels American Pastoral (1997), I Married a Communist (1998), and The Human Stain (2000). The studied texts of these three novelists, I argue, attack national myths and undermine exclusive narratives that are incongruent with the nation’s ideal identity as a pluralistic and democratic nation.

Explorations: Five Science Fiction Stories, Daniel Joseph Pinney

Dissertations

These stories explore a universe populated by the stuff of space opera—enormous space stations, mysterious alien artifacts, starships and terraforming and emission nebulae, a human civilization that over millennia has spread across the galaxy. These explorations are not conducted by the usual swashbuckling heroes of space opera, however, but rather by the sorts of people who would have to live and make a living in such a future.

The perspectives from which this future is explored include those of an asteroid miner who loses his ship even as he is discovering the wonders of art, a man whose misuse of …

Telling Their Own Story: How Student Newspapers Reported Campus Unrest, 1962-1970, Kaylene Dial Armstrong

Dissertations

The work of student journalists often appears as a source in the footnotes when researchers tell the story of perhaps the most significant period in the history of higher education in the United States – the student protest era throughout the 1960s and early 1970s. Yet researchers and historians have ignored the student press itself during this same time period. This dissertation considers how the student reporters and editors did their job during major protests that occurred between 1962 and 1970, and tells not only the story of reporting protest but the individual stories of the student journalists.

The key …

Gothic Slumming: Realist Writers And Gothic Texts In Progressive Era America, Gillian Nelson Bauer

Dissertations

During the Progressive Era, American realist and naturalist writers frequently employed the gothic mode. In contrast with critics who contend that the gothic is a subversive or disruptive mode, I suggest that the relationship between realism and the gothic is one of collaboration rather than conflict. These modally mixed works, which I refer to as gothic realism, express class anxieties that arose during this period, concerns that resulted from the rapid urbanization, immigration, increased cross-class interaction, and economic precariousness that mark the latter end of the nineteenth and the early years of the twentieth centuries. Following Teresa Goddu, I consider …

The Costumed Catholic: Catholics, Whiteness, And The Movies, 1928 - 1973, Albert William Vogt Iii

Dissertations

Abstract

This dissertation examines the impact movies had on the place of Catholics of European descent in mainstream white America. Most scholars who study the history of Catholic populations in this country assume that they attained whiteness at some point. Whether with the Irish in the late nineteenth century, or more generally when urban parishes began the move to the suburbs post-World War II, the historiography claims that Catholics earned white status. However, an analysis of twentieth century American film complicates the historiography of Catholicism. A set of negative stereotypes, instead, have colored the presentation of the religion in cinema …

Not Peace But The Sword: Violence In Contemporary American Catholic Literature, Michael O'Connell

Dissertations

In this dissertation, I argue that violence is a consistent theme in contemporary (post-1945) fiction written by American Catholics, and that these authors employ violence as an aesthetic strategy that is best, and perhaps only, understood when approached through the philosophical and imaginative discourses of their Catholic faith. While the violence in contemporary fictions can be viewed as a product of the power dynamics at work in the modern age, I contend that these power dynamics are not a central concern for Catholic authors. Rather, in Catholic fiction, violence functions as a catalyst that leads characters toward a moment of …