Arts and Humanities Commons^™

Murderess Row: Selling Morals To 1920s America, Rachel Goldsmith

Schultz-Werth Award Papers

Genevieve Forbes-Herrick gave her thoughts on Maurine Watkins’ new play “Chicago” in the October 16th, 1927, edition of the Chicago Tribune. Forbes-Herrick requested that the management reserve a block of seats for a few local women who “tarried on the fourth floor of the building at Dearborn Street and Austin Avenue long enough to get themselves into a play”. In Forbes-Herrick’s opinion, Beulah Annan should have been given an aisle seat for her incredible beauty, inspiring the character named Roxie. The next best seat should have gone to the incredibly stylish Belva Gaertner to witness the characterization of Velma. Moonshine …

So Well Begun And So Much Needed: Building Up Libraries For Residents Of Iowa's State Institutions, Lisa R. Lindell

Hilton M. Briggs Library Faculty Publications

No abstract provided.

‘The Future’S Not Ours To See’: How Children And Young Adults Reflect The Anxiety Of Lost Innocence In Alfred Hitchcock’S American Movies., Jason Mcentee

English Faculty Publications

Introduction:

In The Man Who Knew Too Much (1956), the Ambassador, while plotting to kill the Prime Minister, orders the kidnapped American child Hank McKenna killed, telling his would-be gunman, Edward Drayton: “Don’t you realize that Americans dislike having their children stolen?” Earlier in the movie, Jo McKenna entertains her son and husband by singing “Que Sera Sera,” and its playfulness becomes darkly ironic when she sings “the future’s not ours to see” on the eve of her son’s kidnapping.
The movie unfolds as a cat-and-mouse game in which the McKennas desperately try to locate and save their kidnapped son, …

"So Long As I Can Read": Farm Women's Reading Experiences In Depression-Era South Dakota, Lisa Lindell

Hilton M. Briggs Library Faculty Publications

During the Great Depression, with conditions grim, entertainment scarce, and educational opportunities limited, many South Dakota farm women relied on reading to fill emotional, social, and informational needs. To read to any degree, these rural women had to overcome multiple obstacles. Extensive reading (whether books, farm journals, or newspapers) was limited to those who had access to publications and could make time to read. The South Dakota Free Library Commission was valuable in circulating reading materials to the state's rural population. In the 1930s the commission collaborated with the USDA's Extension Service in a popular reading project geared toward South …

Us Army Soldier-Artists In Vietnam (Cat Iv, 15 August To 31 December, 1967), James Pollock

South Dakota State University, Alumni Publications

From August 1966 through 1970 the US Army sent teams of artists into Vietnam to record their experiences as soldier artists. In 1967, Private First Class Jim Pollock was sent to Vietnam as a soldier artist on US Army Vietnam Combat Art Team IV from Aug. 15 to Dec. 31 1967.

The Immediacy Of Narrated Combat: Operation Iraqi Freedom As Public Spectacle, Jason Mcentee

English Faculty Publications

From the Vietnam War to Operation Desert Storm to Operation Iraqi Freedom, Americans have seen a dramatic shift in the ways they see combat - countless, and often dubious, images certainly impact how they interpret their warriors' actions. Iraqi Freedom presents an interesting shift in the immediate availability of numerous fiction and non-fiction narratives often stemming from the accounts of the soldiers themselves. I refer to this shift as the immediacy of narrated combat. Iraqi Freedom, unlike Vietnam and Desert Storm, has seen an almost immediate response in terms of the narratives we see and read, including movies, television programs, …

Bringing Books To A "Book-Hungry Land": Print Culture On The Dakota Prairie, Lisa Lindell

Hilton M. Briggs Library Faculty Publications

The dearth of reading material was a recurring lament in the writings and memoirs of Dakota settlers in the late nineteenth and early twentieth centuries. “I was born with a desire to read, . . . and I have never gotten over it,” declared Henry Theodore Washburn, recalling his Minnesota boyhood and homesteading years in Dakota Territory, “but there was no way in those days to gratify that desire to any great extent.”1 This lack was indeed of consequence. In the pre-electronic era, print was a primary means of obtaining information, insight, and pleasure. High rates of literacy, sharp increases …

Pynchon's Age Of Reason: Mason & Dixon And America's Rise Of Rational Discourse, Jason Mcentee

English Faculty Publications

By drawing upon astronomer Charles Mason and surveyor Jeremiah Dixon for the unlikely protagonists of Mason & Dixon (1997), Thomas Pynchon develops a revisionist history of these two Englishmen as they come to terms with America in the so-called Age of Reason, which was informed by a European philosophical movement with its roots in rational discourse aimed at cultural and political intellect that eventually served as the foundation for American independence and democracy. But as Thomas Paine suggests, time wields a stronger power than does reason, and what history calls the Age of Reason may remind one of an ideal …

The Novel-To-Film Translatability Of Satire In The The Day Of The Locust And Wise Blood, Jason Mcentee

English Faculty Publications

It comes as no surprise that the critical work focusing on Nathanael West's The Day of the Locust (1933) and Flannery O' Connor's Wise Blood (1952) sheds much light on the motifs satirical and otherwise at work in the novels. However, the film versions of the novels, those by legendary directors John Schlesinger (1969's Midnight Cowboy) and John Huston (1941's The Maltese Falcon), respectively, remain open to investigating how satire works within them. On the one hand, for instance, the popular vein of criticism regarding West and his Hollywood novel seems focused by the Frankfurt school of thought-mostly Adorno, and …

Conquering A Wilderness: Destruction And Development On The Great Plains In Mari Sandoz's Old Jules, Lisa Lindell

Hilton M. Briggs Library Faculty Publications

Jules Ami Sandoz came to America in 1881 at the age of 22. Following a three-year sojourn in northeastern Nebraska, he headed further west, settling in the recently surveyed region northwest of the Nebraska Sandhills. In Old Jules, the biography of her pioneer father, Mari Sandoz presented a character filled with conflicts and contradictions. Pitted against Jules's dynamic vision of community growth was his self-centered and destructive nature. Well aware of the more unsavory qualities exhibited by her father. Sandoz nonetheless maintained that he and others like him were necessary to the development of the West. This recognition did not …