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Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston Jan 2024

Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston

LSU Doctoral Dissertations

Enslavement, colonization, and the systems that uphold racial injustice were and still are a series of new, unfathomable, and challenging experiences that prompt individuals within the diaspora to seek orientation. How does a human cope with centuries of attempts at the systematic destruction of their humanity, culture, and identity? How can they reclaim that identity, especially when so much of it seems lost? I address these questions by utilizing texts from the expansive body of work regarding ethnographic-historical-religious studies on Afro-spiritual practices to better analyze instances in literature in the ongoing practice of diasporic orientation. In this project, I argue …


'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott May 2022

'My Name Is Peaches': Black Women's Affect In The Blues Biomyth, Taylor C. Scott

LSU Doctoral Dissertations

For this project, I am interested in the study of nuanced self-representations of Black rage that appear within African American literary traditions, specifically the blues aesthetic, wherein artists narrativize a wide spectrum of intelligent and specific emotion--not just melancholy. Blues narratives in which Black people self-represent are in direct opposition to flattened narratives of certain affective modes such as anger as a useless, backwards, pathologized, and flat feeling that appear within dominant U.S. and global iconographies. What I see in the blues aesthetic is the capacity for a multichromatic approach to studying rage and Black authorship in America. By using …


Grotesque Masculinities In The Works Of Harry Crews, Barry Hannah, And Padgett Powell, Matt Brandon Blasi May 2022

Grotesque Masculinities In The Works Of Harry Crews, Barry Hannah, And Padgett Powell, Matt Brandon Blasi

LSU Doctoral Dissertations

“Grotesque Masculinities in the Works of Harry Crews, Barry Hannah, and Padgett Powell” explores how these authors use the grotesque to complicate, distort, and criticize hegemonic white Southern masculinity as represented in contemporary American literature. In “Grotesque Masculinities,” I argue that the presence of the grotesque mode in these author’s works offers a unique critical perspective by which to better understand how masculinity is constructed by and for white Southern men in literature, and how alternative configurations of identity are not only possible, but necessary to decenter whiteness and heteronormativity as dominant categories. Using what sociologists refer to as body-reflexive …


The Confederate Stories Of America: The Short-Story Cycle And The Representation Of The American South, Ikuko Takeda Nov 2021

The Confederate Stories Of America: The Short-Story Cycle And The Representation Of The American South, Ikuko Takeda

LSU Doctoral Dissertations

My dissertation examines the ways in which the short-story cycle has provided a unique generic framework for representing and investigating the complex interplay of contending forces that constitute what we think of as the American South. Often confused with a collection of disparate short stories or a novel, the short-story cycle is a collection of short stories in which each story is independent, but simultaneously interrelated to one another. Although the South has produced a number of short-story cycles or linked story collections, scholars have not paid much attention to the connection between the genre/form and the region. I consider, …


Free People Of Color In West Feliciana Parish, Louisiana, Evelyn Lenora Wilson Oct 2020

Free People Of Color In West Feliciana Parish, Louisiana, Evelyn Lenora Wilson

LSU Doctoral Dissertations

“Free People of Color in West Feliciana Parish, Louisiana” documents the presence, land ownership, business development, and personal relationships of free people of color in a rural Louisiana parish. Beginning with how free people of color came to be in the parish, it shows an absence of segregation by skin color in home ownership, business relationships, and friendships. Free people of color found themselves accepted in a community that valued their talents and skills and disregarded the color of their skin.

Free people of color bought and sold homes in whatever part of the parish suited them. Most lived surrounded …


Baton Rouge Slam!: An Obituary For Summer 2016: A Critical Performance Ethnography Of Eclectic Truth Poetry Slam, Joshua Hamzehee Apr 2020

Baton Rouge Slam!: An Obituary For Summer 2016: A Critical Performance Ethnography Of Eclectic Truth Poetry Slam, Joshua Hamzehee

LSU Doctoral Dissertations

This critical performance ethnography presents the theory, methodology, and practice surrounding the fieldwork, scripting, and performance of Baton Rouge SLAM!: An Obituary for Summer 2016. As participant-observer, director, and co-performer, I unpack social drama, performance ethnography, and slam culture by employing a lens rooted in critical race theory. Local poets permitted me to de- and re-contextualize their interviews into ensemble scenes and theatricalize their slam poems about the recent summer’s charged events. One year later, this involved and embodied process of ethnographic bricolage became the ensemble cast performance of Baton Rouge SLAM!: An Obituary for Summer 2016. Community members and …


"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva Jun 2019

"If They Don't Tell You, The Hair Will": Hair Narrative In Contemporary Women's Writing, Darina Pugacheva

LSU Doctoral Dissertations

The history of colonial and racial oppression made hair stories and testimonials fundamental to understanding hair as a unifying element particular for women of African descent in the post-slavery era. Seen as such, their hair narrations provide the first-person perspective of their life experiences while at the same time inviting a critical investigation of colonial and racial oppression. Contemporary women writers develop these types of narrations into a special language of hair that helps them tell a story that is not apparent or straightforward. This literary device that uses hair to uncover deeper social and political issues is bound up …


Women Of The Edward J. Gay Family As Textile And Dress Consumers In Louisiana, 1849-1899, Lindsay Danielle Reaves Apr 2019

Women Of The Edward J. Gay Family As Textile And Dress Consumers In Louisiana, 1849-1899, Lindsay Danielle Reaves

LSU Doctoral Dissertations

Economic, social, and cultural historians have studied and analyzed consumption behaviors throughout the 20th century and into the 21st century. Decorative household textiles and dress items are two product categories that follow the consumption process. American consumption behaviors during the introduction of mass-produced textiles and dress items throughout the 19th century have not been well documented.

The purpose of this research is to expand the knowledge of Southern planter-class women’s consumer behavior in relation to decorative household textiles and dress items. Arnould and Thompson’s (2005) Consumer Culture Theory and Belk’s (1988) research into possessions and the extended …


Epic Beginnings: A Symphonic Work And Aaron Copland (The American Stravinsky) Versus Igor Stravinsky, Terrell O. Jones Mar 2019

Epic Beginnings: A Symphonic Work And Aaron Copland (The American Stravinsky) Versus Igor Stravinsky, Terrell O. Jones

LSU Doctoral Dissertations

ABSTRACT

The first part of my dissertation is the original music written for this dissertation, which consists of tonal music that describes my life’s journey. I wanted to write something dark, melodic, and very energetic that described my struggles and shows the road I have taken. It exhibits everything that I have learned from my time here at the university. One of the many things that makes my passion so strong is the desire to express myself through music written for ensembles and used in films. The piece is entitled “Epic Beginnings.” Originally, it was named “The Last Dance,” a …


Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella Apr 2018

Development Of A Literary Dispositif: Convening Diasporan, Blues, And Cosmopolitan Lines Of Inquiry To Reveal The Cultural Dialogue Among Giuseppe Ungaretti, Langston Hughes, And Antonio D’Alfonso, Anna Ciamparella

LSU Doctoral Dissertations

This dissertation seeks to create a literary dialogue among the Italian poet Giuseppe Ungaretti, the African American author Langston Hughes, and the Quebecois writer Antonio D’Alfonso. Giuseppe Ungaretti and Langston Hughes were more or less contemporaries. Ungaretti was born in 1888 and Hughes in 1902, and both were active in modernist movements that shaped the literary history of their own countries. D’Alfonso was born in Canada about half a center after Ungaretti and Hughes. Besides significant generational differences, these three authors also underwent personal and intellectual experiences that shaped their writing in seemingly incomparable ways. While a traditional comparative approach …