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Hip Hop And The Huxtables: Identity, Hip Hop, And The Cosby Effect In Colson Whitehead's Sag Harbor, Jonathan Naumowicz

The Graduate Review

Identity is a tricky thing for anyone in the formative years of adolescence, a thing made much more complex when you don’t fit the mold of any preexisting social group. For a black American in the 1980s, the formulation of identity was a remarkably unique challenge. The rise of hip hop as a major element of American culture gave a far-reaching voice to the challenges faced many black Americans, but its roots in and content about impoverished, usually violent urban areas offered a decidedly limited and negative view of black Americans. In Sag Harbor, Colson Whitehead delves into this complicated …