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Copper Sun, Countee Cullen

Zea E-Books Collection

Poet, playwright, novelist, graduate of DeWitt Clinton High, New York University, and Harvard University, Countee Cullen (1903–1946) emerged as a leading literary figure of the Harlem Renaissance. Copper Sun, his second book of poetry, explores the emotional consequences of being black, Christian, bisexual, and a poet in Jazz Age America—such as in the following “Confession”:

If for a day joy masters me,

Think not my wounds are healed;

Far deeper than the scars you see,

I keep the roots concealed.

They shall bear blossoms with the fall;

I have their word for this,

Who tend my roots with rains of …

Caroling Dusk: An Anthology Of Verse By Negro Poets, Countee Cullen , Editor

Zea E-Books Collection

CONTENTS:

FOREWORD

PAUL LAURENCE DUNBAR • Ere Sleep Comes Down to Soothe the Weary Eyes • Death Song • Life • After the Quarrel • Ships that Pass in the Night • We Wear the Mask • Sympathy • The Debt

JOSEPH S. COTTER, SR • The Tragedy of Pete • The Way-side Well

JAMES WELDON JOHNSON • From the German of Uhland • The Glory of the Day Was in Her Face • The Creation • The White Witch • My City

WILLIAM EDWARD BURGHARDT Du BOIS • A Litany of Atlanta

WILLIAM STANLEY BRAITHWAITE • Scintilla • Rye …

A Black Prometheus Among The Gods: Illuminating African American Literary Tradition In Sam Greenlee's The Spook Who Sat By The Door, Kenneth L. Rainey Iii

Cal Poly Humboldt theses and projects

In his hard-hitting novel The Spook Who Sat by the Door Sam Greenlee aims to help his target African American audience to succeed and thrive as their true selves with the novel functioning as a guide to resisting the ever-present physical and spiritual threat faced daily. On the one hand the novel functions as a manual for civil uprising, but underneath that surface, Greenlee argues that true African American resistance comes through nurturing self-determination, self-love, and self-esteem. This project also argues that Spook ought to be located closer to the center of the African American literary canon and provides comparisons …

Why So Negative? Street Literature And Its Negative Effects On The African American Psyche, Lilly Lamia Simone

Theses (2016-Present)

Urban literature, more widely known as street lit is a genre of literature that glorifies and exaggerates drugs, violence, and sex in the lives of its African American characters. Through Street lit readers are introduced to the black man as a figure of power through illegal activity in his community, and black women as either overly aggressive or figures in need of protection. These novels choose loyalty over family, drugs, and athleticism over education, and money and power over morality. These novels and their glorifications cause African American people to see dream lives in goals that are not only unattainable …

A World Of Infinite Possibilities: Recoding Popular Culture In Modern U.S. Ethnic Fiction, Todd Martinez

UNLV Theses, Dissertations, Professional Papers, and Capstones

This project examines how the U.S. ethnic authors Ralph Ellison, Maxine Hong Kingston and Junot Díaz reflect the dynamic, reciprocal process of transculturation by decoding popular cultural forms. Using strategies made available by cultural studies, hemispheric theory and neoMarxism, critical attention will be directed to each author’s major literary work: Ellison’s Invisible Man, Kingston’s Tripmaster Monkey, and Díaz’s The Brief Wondrous Life of Oscar Wao. This dissertation further analyzes a hitherto overlooked area of U.S. multiethnic literary studies: the ethnic subject’s relationship to encoded popular culture forms and how they impact dentity formation. Recent scholarship has focused on the ethnic …

Race Youth In Twentieth-Century American Literature And Culture, Claire E. Lenviel

Theses and Dissertations--English

Race Youth in Twentieth-Century American Literature and Culture argues for the centrality of black youth, both real and literary, to the trajectories of African American literature and its repudiation of white supremacy. Drawing on research into the rise of the adolescent and teenager as distinct social categories, I argue that age-based subjectivity should inform how we read race-based subjectivity. My first chapter explores how early twentieth-century black periodicals push back against white supremacist theories of human development in an explicit appeal to what I call “race youth,” the children and adolescents who would take up the mantle of racial uplift. …

Green Thumbs: Cultivating Greenery And Personal Freedoms In Miné Okubo’S Citizen 13660 And Lorraine Hansberry’S A Raisin In The Sun, Akasha L. Khalsa

Conspectus Borealis

In her classic 1959 play, A Raisin in the Sun, Lorraine Hansberry explores the impacts of generations of violence, exploitation, and discrimination on an African American family in Chicago’s Southside. Throughout the play, a family house plant comes to symbolize the matriarch's hopes for her children, and her ability to nourish the plant reflects on her ability to fulfil her own modest dreams and provide for the dreams of her progeny. Similarly, we see plants fulfilling the same role in another tale of American racial injustice, namely Miné Okubo’s Citizen 13660, an illustrated personal account of the artist’s experience …

Toni Morrison: Biography, A Yęmisi Jimoh, Phd

A Yęmisi Jimoh

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Issues Of Modernity In Russian And U.S. Southern Discourse: Literary And Cinematic Crosscurrents, Zachary John Killebrew

Graduate Research Theses & Dissertations

This dissertation traces formulations of modernity, national and regional identity, and economy in the literature and film of Russia and the U.S. South from serfdom to the Second World War. Studying serf and slave narratives, Russian Realist and Southern Renaissance novels such as The Brothers Karamazov (1879), Demons (1872), The Sound and the Fury (1929), Tobacco Road (1932), and Wise Blood (1952), and American and Soviet films such as Volga, Volga (1938) and Cabin in the Sky (1943), this examination locates within Russo-Southern discourses a shared interest in striking out against Western or Northern epistemologies to assert a “peripheral” modernity …

"A Dark, Abiding, Signing Africanist Presence" In Walker Percy’S Dr. Tom More Novels, David Withun

The Coastal Review: An Online Peer-reviewed Journal

Many of the tropes, commonplaces, symbols, and values used and reflected by American literary works written by white authors, as Toni Morrison writes, are “in fact responses to a dark, abiding, signing Africanist presence.” The black/white racial binary and racial différance that mark this presence inform the use of racialized characters as signifiers in the novels of Walker Percy. In the Dr. Tom More novels Love in the Ruins and The Thanatos Syndrome, Percy adopts racial symbolism as a means toward his critique of the American notion of “the pursuit of happiness.” In Love in the Ruins, Percy …

Brother Outsider: Queered Belonging And Kinships In African American Men’S Literature, 1953-1971, Debarati Biswas

Dissertations, Theses, and Capstone Projects

Brother Outsider: Queered Belonging and Kinships in African American Men’s Literature, 1953-1971 builds on the work of women-of-color feminists since the late 1960s and queer-of-color critique in the works of José Esteban Muñoz, Robert Reid-Pharr, Roderic Ferguson, and Nadia Ellis, in order to chronicle the emergence of a queer tradition in mid twentieth century African American men’s literature. Through literary analysis and archival research on marginal figures of African American culture during this period, this dissertation proposes that the black pulp novels of Chester Himes, Robert Deane Pharr, Clarence Cooper Jr., and Iceberg Slim perform a queer critique of and …

The Fluid Pastoral: African American Spiritual Waterways In The Urban Landscapes Of Harlem Renaissance Poetry, Maren E. Loveland

Criterion: A Journal of Literary Criticism

In 1921 Langston Hughes penned, “My soul has grown deep like the rivers” in his poem “The Negro Speaks of Rivers” (Hughes 1254). Weaving the profound pain of the African American experience with the symbolism of the primordial river, Hughes recognized the inherent power of water as a means of spiritual communication and religious significance. Departing from the traditional interpretation of the American pastoral as typified by white poets such as Robert Frost and Walt Whitman, the African American poets emerging from the Harlem Renaissance established a more nuanced pastoral landscape embedded within urban cultures, utilizing water in particular as …

A Canada In The South: Marronage In Antebellum American Literature, Sean Gerrity

Dissertations, Theses, and Capstone Projects

This dissertation considers maroons—enslaved people who fled from slavery and self-exiled to places like swamps and forests—in the textual and historical worlds of the pre-Civil War United States. I examine a counter-archive of US literature that imagines marronage as offering alternate spaces of freedom, refuge, and autonomy outside the unidirectional South-to-North geographical trajectory of the Underground Railroad, which has often framed the story of freedom and unfreedom for African Americans in pre-1865 US literary and cultural studies. Broadly, I argue that through maroons we can locate alternate spaces of fugitive freedom within slaveholding territory, thereby complicating fixed notions of the …

'She Shall Not Be Moved': Black Women's Spiritual Practice In Toni Morrison's The Bluest Eye, Beloved, Paradise, And Home, Rondrea Danielle Mathis

USF Tampa Graduate Theses and Dissertations

‘She Shall Not Be Moved’: Black Women’s Spiritual Practice in Toni Morrison’s The Bluest Eye, Beloved, Paradise, and Home argues that from The Bluest Eye, Morrison’s debut novel, to her 2012 novel, Home, Morrison brings her female characters to voice, autonomy, and personal divinity through unconventional spiritual work. The project addresses the history of Black women’s activist and spiritual work, Toni Morrison’s engagement with unconventional spiritual practice, and closes with a personal interrogation of the author’s connection to Black women’s spiritual practice.

The Influence Of Literacy On The Lives Of Twentieth Century Southern Female Minority Figures, Laura Leighann Dicks

Graduate Theses and Dissertations

The American South has long been a region associated with myth and fantasy; in popular culture especially, the region is consistently tied to skewed notions of the antebellum South that include images of large plantation homes, women in hoop skirts, and magnolia trees that manifest in television and film representations such as Gone With the Wind (1939). Juxtaposed with these idealized, mythic images is the hillbilly trope, reinforced by radio shows such as Lum and Abner, and films such as Scatterbrain (1940). Out of this idea comes the southern illiteracy stereotype, which suggests that southerners are collectively unconcerned with education …

Transcultural Transformation: African American And Native American Relations, Barbara S. Tracy

Department of English: Dissertations, Theses, and Student Research

The intersected lives of African Americans and Native Americans result not only in Black Indians, but also in a shared culture that is evidenced by music, call and response, and story. These intersected lives create a dynamic of shared and diverging pathways that speak to each other. It is a crossroads of both anguish and joy that comes together and apart again like the tradition of call and response. There is a syncopation of two cultures becoming greater than their parts, a representation of losses that are reclaimed by a greater degree. In the tradition of call and response, by …

Toni Morrison: Sula, A Yęmisi Jimoh, Phd

A Yęmisi Jimoh

Article on Sula by Toni Morrison.

Dorothy West: The Wedding, A Yęmisi Jimoh, Phd

A Yęmisi Jimoh

Article on The Wedding by Dorothy West.

Epic, The Oral Community, And The Memory Of Emancipation In Ralph Ellison's Juneteenth, Patrice Rankine

Classical Studies Faculty Publications

As the recently published epistolary collection reveals, Ralph Ellison was an unabashed Americanist, for better and for worse. Ellison's faith in American identity and the democratic process, which is evident at the end of Invisible Man in the protagonist's determination to "affirm the principle on which the country was built [and not the men who did the violence]" (574), is again manifest in the posthumous novel, Juneteenth. According to John F. Callahan, Ellison's litearary executor, the novel celebrates "the indivisibility of the American experience" (Juneteeth xvi). James Alan McPherson (the African-American writer to whom Ellison showed a portion …

The Concept Of God In The Poetry Of The American Negro, Mary H. Jones Sr.

Electronic Thesis and Dissertation

Many authors have written much about the Negro and religion. Those who know the black man in American readily concede that he is by nature a lover of God, and that this great innate belief manifests itself in his daily life. Books of deep and light reading- some written in prose, others in verse- have been produced by American Negro men and women. Many of their works have mirrored forth the concept of God in the mind of the Afro-American; but this concept has not remained the same- this great faith is at present suffering decay.

Caroling Dusk: An Anthology Of Verse By Negro Poets, Countee Cullen , Editor

Electronic Texts in American Studies

Poets: Paul Laurence Dunbar • Joseph S. Cotter, Sr • James Weldon Johnson • William Edward Burghardt Du Bois • William Stanley Braithwaite • James Edward Mccall • Angelina Weld Grimke • Anne Spencer • Mary Effie Lee Newsome • John Frederick Matheus • Fenton Johnson • Jessie Fauset • Alice Dunbar Nelson • Georgia Douglas Johnson • Claude McKay • Jean Toomer • Joseph S. Cotter, Jr • Blanche Taylor Dickinson • Frank Horne • Lewis Alexander • Sterling A. Brown • Clarissa Scott Delany • Langston Hughes • Gwendolyn B. Bennett • Anna Bontemps • Albert Rice • …

Liberty Further Extended: Or Free Thoughts On The Illegality Of Slave-Keeping; Wherein Those Arguments That Are Used In Its Vindication Are Plainly Confuted. Together With An Humble Address To Such As Are Concerned In The Practice., Lemuel Haynes, Paul Royster , Ed.

Electronic Texts in American Studies

This is a regularized text of a private sermon or pamphlet manuscript, authored by a 23-year-old African American who had served in the “minuteman” militia and the Continental Army, and who became an ordained minister and was pastor to white Congregational churches for more than 50 years.

Haynes’ tract is an important and revelatory addition to the early anti-slavery literature in the American colonies. Only identified and published in 1983, it is uniquely situated at the crossroads of independence, anti-­slavery, Congregationalism, and African-American identity. Brought to light by Ruth Bogin, the work is testimony to the diversity of thought and …