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Full-Text Articles in Arts and Humanities

Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane Dec 2014

Dirty Modernism: Ecological Objects In American Poetry, Michael D. Sloane

Electronic Thesis and Dissertation Repository

This dissertation examines how early-to-mid twentieth century American poetry is preoccupied with objects that unsettle the divide between nature and culture. Given the entanglement of these two domains, I argue that American modernism is “dirty.” This designation leads me to sketch what I call “dirty modernism,” which includes the registers of waste, energy, animality, raciality, and the sensual. Reading these registers, I turn to what I call “ecological objects,” or representations of how nature and culture come together, which includes trash, natural resources, inanimals, and tools. Through an ecocritical mode of analysis, I introduce dirty modernism with the Baroness Elsa …


Fridy, Wilford Eugene, B. 1934 (Mss 384), Manuscripts & Folklife Archives Sep 2014

Fridy, Wilford Eugene, B. 1934 (Mss 384), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 384. Correspondence, class materials, published and unpublished papers, and research material collected by Dr. Wilford E. Fridy in his study of Robert Penn Warren and his writings. Includes an untitled and unpublished novel by Robert Penn Warren, correspondence between Fridy and Warren, and photos of Warren and Guthrie, Kentucky, Warren’s hometown.


The Vastness Of Small Spaces: Self-Portraits Of The Artist As A Child Enclosed, Matthew John Burgess Jun 2014

The Vastness Of Small Spaces: Self-Portraits Of The Artist As A Child Enclosed, Matthew John Burgess

Dissertations, Theses, and Capstone Projects

A tent of bed sheets, a furniture fort, a corner of the closet surrounded by chosen objects--the child finds or fashions these spaces and within them daydreaming begins. What do small spaces signify for the child, and why do scenes of enclosure emerge in autobiographical self-portraits of the artist? Sigmund Freud's theory that the literary vocation can be traced to childhood experiences is at the heart of this project, especially his observation that "the child at play behaves like a writer, in that he creates a world of his own, or rather, re-arranges the things of this world in a …


Rapture, John Gery May 2014

Rapture, John Gery

John R O Gery

No abstract provided.


The Girl I Knew Once, John Gery May 2014

The Girl I Knew Once, John Gery

John R O Gery

No abstract provided.


Bestial Oblivion, John Gery May 2014

Bestial Oblivion, John Gery

John R O Gery

No abstract provided.


Black Lazarus: Conjure Book, Melissa Anne Morrow May 2014

Black Lazarus: Conjure Book, Melissa Anne Morrow

Theses and Dissertations

Black Lazarus: Conjure Book is a hybrid-genre collection of poems (including lyric, narrative, graphic, prose, and combinations of these four forms) uttered in the voices of fictitious personas based on the participants pictured in, the historical circumstances surrounding, and one inscribed artifact of a postcard depicting the lynching of Allen Brooks in Dallas, Texas on March 3, 1910. The theoretical scaffold for the manuscript is "triangulation," a method used by qualitative researchers to validate their studies by exploring research issues from multiple perspectives. Triangulation is also a mapmaking method used to verify the position of waypoints by measuring them against …


Shape-Note Singing, Traci Rae Letellier May 2014

Shape-Note Singing, Traci Rae Letellier

Graduate Theses and Dissertations

Shape-Note Singing is a collection of poems about what is loved, lost, and being lost. Placed in the landscape of the Ozark foothills in the northwest corner of the state of Arkansas, the collection explores the poet’s connection to kin, land, and lore. Shape-Note Singing is the story of plain-spoken folks of simple origins telling the truth as they see it and as best they know how.


Edna St. Vincent Millay: Artisan Of Violent Feminine Agency, Carolina Galdiz Apr 2014

Edna St. Vincent Millay: Artisan Of Violent Feminine Agency, Carolina Galdiz

Senior Theses and Projects

For decades, scholars have understood Edna St Vincent Millay in two fairly distinctive patterns as either a classical romanticist or ephemeral rebel. This dual reputation has been crafted from the obvious presence of natural imagery, sexual dynamism, feminine voice, and romantic yearning in her work. What critics have failed to see in her poetry are the potent sinister undertones that claim violence as a means to power. I will argue that Millay narrates the gendered struggle that takes place in this violence, in order to ultimately assert feminine agency in the process of forming a cultural identity. Thus, rather than …


America In Verse: The Laureate Project, Leah Kind, Dan Gleason, Erin Micklo, Margaret T. Cain Mar 2014

America In Verse: The Laureate Project, Leah Kind, Dan Gleason, Erin Micklo, Margaret T. Cain

Dan Gleason

The purpose of this project is to allow students to use their (developing) skills of poetic explication and close reading, combined with research and analysis, to discover and establish a solid case for a poet they will nominate as the next American Poet Laureate. Working in groups of 3-4, students will identify a published, living American poet who has not yet been designated a laureate. The project demands a wide array of skills as the students research bibliographic information on the poet: read and analyze the poet’s body of work and select one central poem to represent that poet; amass …


Critique Is Not Enough : The Empirical Imperatives Of Innovative American Poetry, Christopher Rizzo Jan 2014

Critique Is Not Enough : The Empirical Imperatives Of Innovative American Poetry, Christopher Rizzo

Legacy Theses & Dissertations (2009 - 2024)

Critique is Not Enough: The Empirical Imperatives of Innovative American Poetryproposes that innovative modern and early contemporary American poetries redefine the relation of knowledge, consciousness, and poetic performance to lived experience. This study demonstrates how the radically different poetic projects of Walt Whitman, Gertrude Stein, Ezra Pound, and Charles Olson not only equally insist upon empirically investigative poetics, but also endeavor, each to each, to individualize their poetic methodologies, which thus challenges the generalized Enlightenment myth of rationality. In that each of these writers undertakes to redefine the relation of knowledge, consciousness, and poetic performance to lived experience, they also …