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Full-Text Articles in Arts and Humanities

Review Of William Faulkner And Mortality; A Fine Dead Sound, By Ahmed Honeini, Routledge, 2021, Pp. Xi+ 194, $ 96,00 (Hardback), Isbn: 9780367501327., Marietta Kosma Jun 2022

Review Of William Faulkner And Mortality; A Fine Dead Sound, By Ahmed Honeini, Routledge, 2021, Pp. Xi+ 194, $ 96,00 (Hardback), Isbn: 9780367501327., Marietta Kosma

Beyond the Margins: A Journal of Graduate Literary Scholarship

Book review of William Faulkner and Mortality; A Fine Dead Sound, by Ahmed Honeini, Routledge, 2021, pp. xi+ 194, $ 96,00 (hardback), ISBN: 9780367501327.


A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin Jun 2022

A New Politics Of Black Regality: Zora Neale Hurston And Alice Walker’S Monarchical Method, William Martin

Beyond the Margins: A Journal of Graduate Literary Scholarship

Literary critics conducting a comparative study of Zora Neale Hurston’s Their Eyes Were Watching God and Alice Walker’s The Color Purple diligently tend to the relationship between the two women, particularly at an intertextual level. This paper sheds light on an important third member of this relationship: Black women readers. An articulation of Black regality, which involves the incorporation of monarchical symbols and titles in characterizations of Black people, provides these readers with political tools poised to liberate Black women from hegemonic male authority and control. Examining the significance of adornment for the self exclusively to combat invisibility, the power …


Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria Jun 2022

Fantasizing A Free Black History: Post-Black Arts Movement Novels And Plays Re-Imagining Jim Crow, Wynter Lastarria

Beyond the Margins: A Journal of Graduate Literary Scholarship

“Fantasizing a Free Black History: Post-Black Arts Movement Novels and Plays Re-Imagining Jim Crow” closely reads one novel and one play written in the early twenty-first century and set in the Jim Crow period. Analyzing how Toni Morrison’s novel Love (2005) and Lynn Nottage’s drama By the Way, Meet Vera Stark (2011) take up Jim Crow era Black history together, I find that both works intentionally offer incomplete, subjective and fictive narrations of black life during Jim Crow to deny readers a sense of realism. In doing so, these authors represent a group of African American novelists and playwrights that …


Epic On An American Scale: Sherwood Anderson's Winesburg, Ohio, Tiffany M. Messick May 2020

Epic On An American Scale: Sherwood Anderson's Winesburg, Ohio, Tiffany M. Messick

Beyond the Margins: A Journal of Graduate Literary Scholarship

I am pleased to submit an original research article entitled “Epic on an American Scale: Sherwood Anderson’s Winesburg, Ohio” for consideration for publication in Beyond the Margins. In this article I examine the link between ancient Greek epic and American Midwestern Agrarianism. Specifically, I examine how Greek and Roman epic influenced Modernism as evidenced in one of the earliest Modernist works, Anderson’s Winesburg, Ohio. I find that Anderson employs many epic elements to convey the link between the two empires and emphasize the epic nature of the collapse of American Agrarianism.

I believe my article would be a …


Going Slumming In Mexico: Rereading Primitivism In Katherine Anne Porter’S Flowering Judas And Other Stories, Annika M. Schadewaldt May 2020

Going Slumming In Mexico: Rereading Primitivism In Katherine Anne Porter’S Flowering Judas And Other Stories, Annika M. Schadewaldt

Beyond the Margins: A Journal of Graduate Literary Scholarship

Katherine Anne Porter’s short story collection Flowering Judas and Other Stories from 1935 features most of the author’s engagement with Mexico as a setting and its social realities after the revolution. While most scholars agree that Porter’s experiences during her stays in-Katherine Anne Porter’s short story collection Flowering Judas and Other Stories from 1935 features most of the author’s engagement with Mexico as a setting and its social realities after the revolution. While most scholars agree that Porter’s experiences during her stays in Mexico crucially shaped her artistic vision, there is less agreement on the specificities of her image of …