Arts and Humanities Commons^™

"Maybe I Have Character Too": Reconsidering Bernard Malamud's Seductresses, Jeff Vande Zande

Masters Theses

Over the span of Bernard Malamud's career, a more than subtle difference is evident between the seductress of his first novel and his subsequent novels. Since Malamud has been accused by some critics as depicting one-dimensional women, I analyzed the metamorphosis of the author's seductress characters to determine whether the change lends a better understanding to the relationship between Malamud and his female characters. I used Jung's theory of the mother archetype and his understanding of the Lilith legends to analyze the role of each seductress.

In The Natural, the seductress is one-dimensional and plays a destructive role in …

James Welch's Winter In The Blood: Thawing The Fragments Of Misconception In Native American Fiction, Mario A. Leto Ii

Masters Theses

The conventional scholarly view of Native American literature asserts that Native authors often portray their characters as alienated and despairing individuals that are incapable of attaining the means for dispelling those negative feelings. As a result, the characters are presumably destined to forever wander the barren reservation, unable to grasp their fleeting cultural traditions or the modern Euroamerican way of life. James Welch, with his novel Winter in the Blood, challenges that stereotypical scenario by allowing his nameless protagonist to discover a previously unknown link to his traditional Blackfeet heritage. Through the knowledge of his ancestors and the unconscious …