Arts and Humanities Commons^™

Faulkner's Literary Historiography: Color, Photography, And The Accessible Past, Peter Lurie

English Faculty Publications

This paper looks at changes in visual representation in the 1930s as a means of understanding Faulkner's newly historiographic methods in this decade. The advent of Kodachrome® in 1935 as the first widely used color film stock presaged the turn toward the black-and-white documentary mode so important to the nation's efforts to "countenance," or see, the economic crises of the period. Faulkner's descriptive and representational practices in the period 1929-36 also shifted from a more pervasive use of coloration to a style like the silver halide photos prevalent in the middle nineteenth century--the period of the past-tense events in Absalom, …

The Haitian Connection In Connie May Fowler’S Sugar Cage, Suzanne W. Jones

English Faculty Publications

In her first novel, Sugar Cage (1992), Connie May Fowler, a white Floridian with Cherokee ancestry and an early exposure to Voodoo, employs some of the narrative conventions of magical realism as a way around the impasse of Southern race relations in Florida in the 1960s. Her otherwise modernist narrative technique of nine first-person narrators emphasizes the isolation of her characters at the same time that the variety of viewpoints encourages readers to see both the interracial and international connections that elude or confuse her characters. The cultural and transnational complexities she explores, especially as regards the importation of African …

William Faulkner, William James, And The American Pragmatic Tradition (Review), Peter Lurie

English Faculty Publications

In his book's final sentence, David Evans is concerned that we "assure a future for Faulkner, and a Faulkner for the future" (236). Taken at a glance, this concern might imply a need to safeguard Faulkner's continuing relevance: pointing to the future and Faulkner together suggests that their mutuality is not, in fact, certain. And in light of shifting critical approaches to this canonical writer, not to mention the diminishing importance of author studies as well as scholarly genres like the monograph, Evans's caution makes a certain critical sense.

Yet the statement's fuller meaning within the context of this new …

The Curious Case Of Asa Carter And The Education Of Little Tree, Laura Browder

English Faculty Publications

Little Tree was number one on the New York Times nonfiction bestseller list on October 4, 1991, when historian Dan T. Carter published an op-ed piece in the New York Times that demolished the image of the book’s author, explaining that Forrest Carter was in reality Asa Carter, and he was no Indian. Rather, Dan Carter (no relation) wrote, “Between 1946 and 1973, the Alabama native [Asa Carter] carved out a violent career in Southern politics as a Ku Klux Klan terrorist, right-wing radio announcer, home-grown American fascist and anti-Semite, rabble-rousing demagogue and secret author of the famous 1963 speech …

Reintegrating Human And Nature: Modern Sentimental Ecology In Rachel Carson And Barbara Kingsolver, Richard M. Magee

English Faculty Publications

Rachel Carson and Barbara Kingsolver were both trained as scientists and may be expected to embrace the rationalist, mechanical view of nature as something separate from, and perhaps even inferior to, the world of humans. Yet these two women both promoted a more complex approach to modernism's scientific paradigm in which nature is not merely a separate entity for dispassionate study but also an integral part of the human community. Both women display in their rhetorical choices a keen understanding of the language of community and interconnection, and their language and writing styles constantly promote the reintegration of humans and …