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Articles 1 - 10 of 10
Full-Text Articles in Arts and Humanities
Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller
Speaking And Mourning: Working Through Identity And Language In Chang-Rae Lee’S Native Speaker, Matthew L. Miller
Asian American Literature: Discourses & Pedagogies
In my essay entitled “Speaking and Mourning: Working Through Identity and Language in Chang-rae Lee’s Native Speaker,” I argue that the novel’s protagonist Henry Park finds himself at a critical juncture in his life at the novel’s beginning. I analyze the protagonist’s relationship to language acquisition and identity, which have been developed by Lee to be associated as traumas. Furthermore, these topics are complicated by the death of his son, Mitt. This loss is a trauma of the heart and of the self for the main character who sees a successful navigation of language and immigration lost by his …
Confession, Hybridity, And Language In Gina Apostol’S Gun Dealers’ Daughter, Cecilia Nina Myers
Confession, Hybridity, And Language In Gina Apostol’S Gun Dealers’ Daughter, Cecilia Nina Myers
Asian American Literature: Discourses & Pedagogies
In Gun Dealers’ Daughter, Gina Apostol creates multiple tensions reflecting the relationship between the United States and the Philippines and among different linguistic codes. Languages mix throughout the text, set in the Marcos Era Philippines, as symbols of fluidity and disorientation. Other characters’ frequent complex linguistic mix proves alienating for protagonist and narrator Soledad Soliman. Apostol renders Soledad as a young girl disoriented by her inability to competently use native Filipino languages because she spent most of her childhood in the United States and simultaneously traumatized by her role as the daughter of a member of former President Ferdinand …
The Author As The Novel Self: Shirley Lim’S Sister Swing, Denise B. Dillon
The Author As The Novel Self: Shirley Lim’S Sister Swing, Denise B. Dillon
Asian American Literature: Discourses & Pedagogies
While authorial omniscience is denied the biographer, I argue that Lim as novelist takes this advantage in Sister Swing as a tool through which to explore the development of self-identity through characterizations of three sisters that in combination form the tripartite self as proposed by Freud. Autobiographical memories of familial, social and cultural life experiences are the source from which Lim draws and fleshes out, in her novel, portrayals of family members seeking freedom through different ways and means. As a self-analyst probing deep within the psyche, Lim employs linguistic stylizations to express contrastive and yet complementary points of view …
Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh
Movement And Mobility: Representing Trauma Through Graphic Narratives, Stella Oh
Asian American Literature: Discourses & Pedagogies
The formal and stylistic movements found within the comic architecture of From Busan to San Francisco and Mail Order Bride interrogate the ways in which the visual and textual narrative can represent the emotional landscape of trauma and displacement through comics language. Engaging in a visual and textual critique of the global economy that trades in feminine identities, these graphic narratives interrogate the mobility and visibility of those who are trafficked. In these works, transnationalism is artistically embedded in consumptive practices of reading and seeing that reinforce or challenge Orientalist cultural assumptions about the Asian female body. Geographical movements of …
Rehistoricizing Differently, Differently: American Literary Globalism And Disruptions Of Neo-Colonial Discourse In Tropic Of Orange And Dogeaters, Patrick S. Lawrence
Rehistoricizing Differently, Differently: American Literary Globalism And Disruptions Of Neo-Colonial Discourse In Tropic Of Orange And Dogeaters, Patrick S. Lawrence
Asian American Literature: Discourses & Pedagogies
Through a comparative reading of two important transnational Asian American texts, Jessica Hagedorn’s Dogeaters and Karen Tei Yamashita’s Tropic of Orange, I argue that multiplicity of narration may, but does not always, resist the imposition of culturally dominant aesthetic modes, especially historical and nationalist narratives and multiculturalism. While Karen Tei Yamashita’s Tropic of Orange delegates narrative power to seven characters, it ultimately stages an ambiguous clash of discourses with a multiculturalist historicizing voice that is limited by its own contradictory impulses to control and containment. The novel dialogizes its excessive tendencies by scripting plural-but-discrete identities. In contrast, Jessica …
On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams
On Such A Full Sea Of Novels: An Interview With Chang-Rae Lee, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
An interview with author Chang-rae Lee.
Introduction To Volume Seven: Confessing Racial Schizophrenia, Noelle Brada-Williams
Introduction To Volume Seven: Confessing Racial Schizophrenia, Noelle Brada-Williams
Asian American Literature: Discourses & Pedagogies
A short meditation on teaching ethnic American literature in 2016, acknowledgments, and a summary of this volume's contents.
Volume 7 Cover, David Burnett
Volume 7 Cover, David Burnett
Asian American Literature: Discourses & Pedagogies
No abstract provided.
Loving The Unlovable Body In Yamanaka's Saturday Night At The Pahala Theatre, Christa Baiada
Loving The Unlovable Body In Yamanaka's Saturday Night At The Pahala Theatre, Christa Baiada
Asian American Literature: Discourses & Pedagogies
Lois-Ann Yamanaka’s award-winning yet remarkably neglected Saturday Night at the Pahala Theatre (1993) explores female adolescence and coming of age in a rich, polyphonic collection of verse novellas. “Loving the Unlovable Body” focuses on Yamanaka’s treatment of this transition as a fully embodied, fraught, and often painful experience by expicating the uses of several tropes used to express girls’ experiences of their bodies: eating, voice, eyes, fragmentation, and marking/naming. These metaphors contribute to the development of a complex range of possibilities from devastating to hopeful, presented in juxtaposition and interplay, for girls’ relationships to their culturally denigrated bodies and the …
“Yellow Crowfoot In The Pond,/Not Lotus, Not Lily”: Mapping The River, Mapping Voices, Pamela J. Rader
“Yellow Crowfoot In The Pond,/Not Lotus, Not Lily”: Mapping The River, Mapping Voices, Pamela J. Rader
Asian American Literature: Discourses & Pedagogies
This paper examines the prosody of Chin’s eponymous poem, "The Phoenix Gone, The Terrace Empty," through an eco-critical lens. While it does not dismiss the hybrid cultural influences of the poem, it focuses on the ways the non-human agents, or the figures in the poem’s landscape, “speak.” Poetry, like the poem’s terraced gardens, traces tension between the controlling human forces experienced by the narrating female I personas and the natural world’s affective inclinations.