Arts and Humanities Commons^™

“I, Too, Am An Occupied Territory”: Border Crossings And Personal Sovereignty In Three Novels By Dominican American Women, Leia M. Lynn

Electronic Theses and Dissertations

Border crossing(s) and personal sovereignty are intimately and complexly connected in novels by and about Dominican American women. Through readings of In the Name of Salomé by Julia Alvarez, Dominicana by Angie Cruz, and The Poet X by Elizabeth Acevedo, I argue that patriarchal forms of authority remove female autonomy by trespassing on personal boundaries, and that the renegotiation of that power is achieved through formations of community, especially with other women, through nonheteronormative relationships that are present inside and extend outside the text. The interplay of patriarchal authority, violence, and alienation on the four protagonists is examined at length, …

Diversifying Woolf’S Room: Private Spaces And Creativity In The Works Of Willa Cather, Kate Chopin, Gayl Jones, And Alice Walker, Ebtesam M. Alawfi

Graduate Theses and Dissertations

There is a divergence between Woolf’s vision of private physical spaces necessary for creating art and that of some feminists of color such as Alice Walker, Ortiz Cofer, and Gloria Anzaldua. Both Woolf and these contemporary scholars agree on the importance of physical spaces for female artists. However, they disagree on the nature of these spaces. Woolf’s private physical space is a room with a lock on the door whereas these writers’ room is the kitchen table, the bus, or the welfare line. Walker and like-minded writers challenge the narrowness of Woolf’s room because her locked room is a luxury …

Progressive Foote? Gender Politics In An 1887 Letter From Mary Hallock Foote, Tara Penry

Tara Penry

Mary Hallock Foote is not known for progressive gender politics. Quite the opposite. As her biographer Darlis Miller observes, Foote and her longtime friend Helena DeKay Gilder agreed that woman’s most important work lay in the home, and suffrage would distract her from her primary duties. But Foote did not always practice her belief in the separate spheres of men and women perfectly. Not only did necessity compel her for a time to support her family, but an 1887 letter also shows that in her professional life, Foote did not always think of her work as feminine or separate from …

Genre, Representation, And Memory In Spanish Civil War Texts By Women From Spain And The United States, Jennifer Prince

Dissertations, Theses, and Capstone Projects

This dissertation seeks to addresses a lacuna in the androcentric Spanish Civil War literary canon by recovering women’s voices writing about the war from the 1930s to the present. It also examines the war stories women tell and how they represent themselves and others when writing about the Spanish Civil War. All of the seven authors examined here write through the lens of some distance—either as American citizens observing the war or as the descendants of the war’s survivors—but each with an intimate connection rooted in biology or ideology. The foundation of this dissertation is close reading and textual analysis …

Progressive Foote? Gender Politics In An 1887 Letter From Mary Hallock Foote, Tara Penry

Western Writers Online

Mary Hallock Foote is not known for progressive gender politics. Quite the opposite. As her biographer Darlis Miller observes, Foote and her longtime friend Helena DeKay Gilder agreed that woman’s most important work lay in the home, and suffrage would distract her from her primary duties. But Foote did not always practice her belief in the separate spheres of men and women perfectly. Not only did necessity compel her for a time to support her family, but an 1887 letter also shows that in her professional life, Foote did not always think of her work as feminine or separate from …

Reasonable Conversions: Susanna Rowan's Mentoria And Conversion Narratives For Young Readers, Karen Roggenkamp

Faculty Publications

Though not well known, Rowson's Mentoria-a curious conglomeration of thematically-related pieces from multiple genres, including the essay, epistolary novel, conduct book, and fairy tale-offers particularly fertile ground for thinking about the nexus between eighteenth-century didactic books and earlier works for young readers.2 At the heart of Mentoria is a series of letters describing girls who yield, with dire and frequently deadly consequences, to the passionate pleas of male suitors.3 Fallen women populate Rowson's world, and scholars have traditionally read Mentoria within the familiar bounds of the eighteenth-century seduction novel.4 However, Rowson's creation transforms the older tradition of didactic, child-centered conversion …

"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug

Department of English: Dissertations, Theses, and Student Research

This essay is devoted to looking back into the life and fiction of Edythe Squier Draper, a twentieth-century writer in Oswego, Kansas. Many of Draper’s stories are set in southeastern Kansas. Through them, we gain a sense of how she attempted—and at times failed—to perceive, articulate, and adapt to her place on the Great Plains. Draper claimed the identity of a rural woman writer by writing herself into narratives of colonial, agricultural settlement, and she both complicated and perpetuated stereotypes of class and race in her fiction. By examining her and her characters’ perspective on their place in the Great …

Literature And Feminism: Critical Quests And Questions, Helen Petter Westra

Pro Rege

This paper was presented at Dordt College in Fall, 1998.

'What! Has She Got Into The "Atlantic"?': Women Writers, The Atlantic Monthly, And The Formation Of The American Canon, Anne E. Boyd

English Faculty Publications

No abstract provided.

Moore, Opal, Daryl Cumber Dance

English Faculty Publications

Moore, Opal (b. 1953), poet, short story writer, essayist, educator, and critic of children's literature. Born and raised in Chicago, Illinois, Opal Moore was influenced from childhood by the particular dynamics of the Pentecostal church; echoes of that institution reverberate in her plots, themes, characters, tone, and language. When Moore entered Illinois Wesleyan University's School of Art in 1970, she was so shocked by her first real encounter with racism and her sens~ of powerlessness in the face of it that she sought some control over what was happening to her by writing, thus initiating her first journals. She also …

The Inner Voice, Janis Ruth Bagnall Cochrane

Institute for the Humanities Theses

The scope of this project is two-fold. The key purpose is to demonstrate the relationship between the voice of Lee Smith, a Southern writer from Appalachia and the voice of the author, another Southern writer from the Outer Banks. The foremost conclusion that has been drawn is that a writer's voice comes from deep inside the writer's unconscious. It is a product of generations of experiences that have embedded themselves in the writer's psyche. Some of the assumptions and prejudices surrounding southern women are discussed to some degree.

The second purpose is for this writer to show her work. This …

Bosom Buddies And Lonely Hearts, Daryl Cumber Dance

English Faculty Publications

In Ossie Davis' Purlie Victorius, Ol' Cap'n nostalgically reminisces about the good old days when he enjoyed what he recollects as close loving relationships with Blacks. He recalls to Gitlow "how you and me growed up together. Had the same mammy - my mammy was your mother." And Gitlow responds, "Yessir! Bosom buddies." Despite the satire and irony with which Ossie Davis consciously invests this scene, it suggest to me another irony - one which Davis certainly did not intend - and that is that one of the images of the Black woman which has frequently been shared by …

Zora Neale Hurston, Daryl Cumber Dance

English Faculty Publications

Some new information is occasionally being ferreted out that may help to cast additional light on some of these issues, but quite clearly Zora Neale Hurston will remain something of an enigma - too complex a figure to reach any easy conclusions about, except perhaps that she defies simple characterization. People responded to her (and still do) very emotionally: her detractors despise her bitterly; her defenders love her passionately. All agree that she was eccentric, colorful, entertaining, humorous, and unforgettable.

Perhaps the most crucial question to pose about her is why one of the most important figures in the Harlem …