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Articles 1 - 6 of 6
Full-Text Articles in Arts and Humanities
Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi
Selected Bibliography Of Work On Canadian Ethnic Minority Writing, Steven Tötösy De Zepetnek, Asma Sayed, Domenic A. Beneventi
CLCWeb Library
No abstract provided.
Armored Bodies, Elaine Cardenas, Ellen Gorman, Joanne Dillman
Armored Bodies, Elaine Cardenas, Ellen Gorman, Joanne Dillman
Joanne Clarke Dillman
The Hummer: Myths and Consumer Culture is a study of the notorious automobile/sports utility vehicle. Featuring more than fifteen essays, this collection analyzes the Hummer through a wide array of disciplines, including material culture, marketing and advertising, popular culture, military technology, urban planning, and political economy. It provides a complete overview of the vehicle: production, marketing aspects, and cultural significance. The only book of its kind, The Hummer is of great value to cultural studies and American studies scholars and students, as well as to any general reader with an interest in contemporary American culture.
Balancing Rosie And June: A Study Of Lynchburg College Postwar Alumnae And The Impact Of The Feminine Mystique, Dinah Watson
Balancing Rosie And June: A Study Of Lynchburg College Postwar Alumnae And The Impact Of The Feminine Mystique, Dinah Watson
Undergraduate Theses and Capstone Projects
In 2003, the movie Mona Lisa Smile debuted describing the frustrations that many college women may have faced in the years after World War II. Wellesley College was the elite all-female institution that openly and proudly prepared its young women with the proper rules of etiquette and correctness. Despite Wellesley’s own excellent academic reputation, its close proximity to the prestigious single-sex male college, Harvard, made it even more appealing and convenient for the Wellesley girls to find a “suitable” husband. The novice young art instructor, Katherine Watson, was unique in that she wanted to offer her students not only a …
Folklore/Cinema: Popular Film As Vernacular Culture, Sharon R. Sherman, Mikel J. Koven
Folklore/Cinema: Popular Film As Vernacular Culture, Sharon R. Sherman, Mikel J. Koven
All USU Press Publications
Interest in the conjunctions of film and folklore is stronger and more diverse than ever. Documentaries on folk life and expression remain a vital genre, but scholars such as Sharon Sherman and Mikel Koven also are exploring how folklore elements appear in, and merge with, popular cinema. They look at how movies, a popular culture medium, can as well be both a medium and type of folklore, playing cultural roles and conveying meanings customarily found in other folkloric forms. They thus use the methodology of folklore studies to analyze films made for commercial distribution. The contributors to this book look …
Winning It All: The Cinematic Construction Of The Athletic American Dream, Andrew Miller
Winning It All: The Cinematic Construction Of The Athletic American Dream, Andrew Miller
Communication, Media & The Arts Faculty Publications
Powered by a philosophy of self-determination and an ideology of a level playing field, the Athletic American Dream has become firmly entrenched in American culture. Following narrative pattterns influenced by both newspaper sports sections and juvenile sports fiction, it coalesces around underdog-to-champion, hard-work-leads-to-victory narratives that shape the sporting imagination and help to forge the masculine ideal that is the foundation of American self-image. The Athletic American Dream is produced, packaged and sold by mass media so successfully that one could argue that it becomes the most dominant vision of the American Dream by the end of the twentieth century.
Bomb Media 1951-1964, Tristan Edward Abbott
Bomb Media 1951-1964, Tristan Edward Abbott
Dissertations and Theses @ UNI
This thesis looks at nuclear films, commercial and governmental, that were released between 1951 and 1964. Special attention is paid to the recursivity that existed between the propagandic, often outrageously inaccurate Civil Defense films made by the United States government and the subversive popular films made by visionary dissidents.
The films are divided into three periods. The earliest period focuses on Samuel Fuller's Pickup on South Street and the Robert Aldrich 's Kiss Me Deadly (based on the novel by Mickey Spillane), along with some of the earliest Civil Defense films. Special attention is paid to the politically minded creation …