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Full-Text Articles in Arts and Humanities
Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan
Les Fondements Littéraires De La Réception D’Aimé Césaire Au Bénin, Guy Ossito Midiohouan
Présence Francophone: Revue internationale de langue et de littérature
Aime Cesaire is a popular writer in Benin. Evidence lies in the increasing number of writers and scholars who have been supporting his ideas since the 60s. His books are on secondary school as well as university curricula. He has enjoyed more attention in the 1990s with the advent of democracy and the notable influence of then Head of State N. D. Soglo who is a keen admirer of his political career. Cesaire is held in such an esteem in Benin because he is capable of going beyond his natal Caribbean and willingly express the sad destiny of Africa ever …
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader
La Poésie Hors-Normes De Mohamed Hmoudane Ou L’Art De La Provocation, Yamna Abdelkader
Présence Francophone: Revue internationale de langue et de littérature
Poetry is often understood as a series of deviations from linguistic norms, but Mohamed Hmoudane’s collections appear to be a systematic subversive strategy against both aesthetic conventions and prevailing assumptions about Eastern and Western identitarian categories. Published between 2003 and 2005, the works entitled Attentat, incandescence and Blanche mécanique avert poetic clichés as they invert cultural stereotypes, taking a most satirical stance toward the state of the world at the dawn of a new millenium. The pervasive sense of detachment resulting from Hmoudane’s satirical tendencies is associated with a poetics of excess, and this paradoxical union serves as a powerful …
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
L’Écriture De La Perte Chez Assia Djebar, Lila Kermas
Présence Francophone: Revue internationale de langue et de littérature
This study proposes a reflexion on the feeling of “loss” as a source of literary creation. The different tensions generated by an hybrid identity of a character in a quest, especially in La disparition de la langue française (“disappearance of the French language”) by Assia Djebar ; what matters here is to see how the feeling of crisis and the split reveals itself and how it dissolves in and through (the process of) writing.
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Politique Culturelle : Tradition, Modernité Et Arts Contemporains Au Sénégal, 1960-2000, Kinsey Katchka
Présence Francophone: Revue internationale de langue et de littérature
This essay approaches contemporary arts in Senegal and their exhibition from the perspective of cultural policy. This is an especially salient approach in Senegal, where policy has played a significant role in exhibition and creative practice since the colonial period. This history is conventionally examined through a distinctly nationalist framework that reveals the government’s clear distinction between "tradition" and "modernity". State exhibition practice and rhetoric have reinforced this dichotomy, serving to position the Senegalese state as purveyor, definer, and arbiter of cultural heritage. However, diverse creative expressions throughout the capital city of Dakar call into question nationalist rhetoric’s rigid distinction …
Les Limites De L’Appartenance : Composition, Intertextualité Et Langue Dans Les Dents Du Topographe Et Méfiez-Vous Des Parachutistes De Fouad Laroui, Carla Calargé
Présence Francophone: Revue internationale de langue et de littérature
In this article, I examine two novels by Fouad Laroui, Les dents du topographe (1996) and Méfiez-vous des parachutistes (1999). I analyze the difficulties encountered by their narrators when they try to find and define non alienating cultural and geographical spaces to which they could belong. For that purpose, I study the composition of the two novels, the play of intertextuality as well as the language of the main characters.
Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua
Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua
Présence Francophone: Revue internationale de langue et de littérature
By engaging his works against apartheid, André Brink chose at the same time to face a double problem of identity: identity of his writing and his personal identity. To the first problem he responds by the relationship with the alter ego (borrowing from others) and to the second by his identification to Africa. His texts, luxuriant in “intertextual relations” but essentially oriented towards Europe, reveals a eurocentric reflex in him that revokes the problem of his personal identity.
L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou
L'Incipit Dans L'Œuvre D'Ahmadou Kourouma, Sélom Komlan Gbanou
Présence Francophone: Revue internationale de langue et de littérature
The literary work can develop an internal identity as a particular mark. Several African writers incorporate into their novels indications of culture that derive from verbal arts. This method gives to the writing a particular aesthetic in between two cultures, creating in the writing an individuality of certain writers such as Ahmadou Kourouma. For him the question is not only to distort the French language to express his Malinke identity, but also to develop a method of incipit that belongs to verbal art.